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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Reprint of the original, first published in 1874.
A surprising number of Victorian scientists wrote poetry. Many came to science as children through such games as the spinning-top, soap-bubbles and mathematical puzzles, and this playfulness carried through to both their professional work and writing of lyrical and satirical verse. This is the first study of an oddly neglected body of work that offers a unique record of the nature and cultures of Victorian science. Such figures as the physicist James Clerk Maxwell toy with ideas of nonsense, as through their poetry they strive to delineate the boundaries of the new professional science and discover the nature of scientific creativity. Also considering Edward Lear, Daniel Brown finds the Victorian renaissances in research science and nonsense literature to be curiously interrelated. Whereas science and literature studies have mostly focused upon canonical literary figures, this original and important book conversely explores the uses literature was put to by eminent Victorian scientists.
George Gabriel Stokes was one of the most important mathematical physicists of the 19th century. During his lifetime he made a wide range of contributions, notably in continuum mechanics, optics and mathematical analysis. His name is known to generations of scientists and engineers through the various physical laws and mathematical formulae named after him, such as the Navier-Stokes equations in fluid dynamics. Born in Ireland into a family of academics, clergymen and physicians, he became the longest serving Lucasian Professor of Mathematics at Cambridge. Impressive as his own scientific achievements were, he made an equally important contribution as a sounding board for his contemporaries, providing good judgement and mathematical rigour in his wide correspondence and during his 31 years as Secretary of the Royal Society where he played a major role in the direction of British science. Outside his own area he was a distinguished public servant and MP for Cambridge University. He was keenly interested in the relation between science and religion and wrote at length on their interaction. Stokes was a remarkable scientist who lived in an equally remarkable age of discovery and innovation. This edited collection of essays brings together experts in mathematics, physics and the history of science to cover the many facets of Stokes's life in a scholarly but accessible way to mark the bicentenary of his birth.
This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics. These connections range from mathematics and poetic meter to mathematics and modernism to mathematics as literature. Some chapters focus on a single author, such as mathematics and Ezra Pound, Gertrude Stein, or Charles Dickens, while others consider a mathematical topic common to two or more authors, such as squaring the circle, chaos theory, Newton’s calculus, or stochastic processes. With appeal for scholars and students in literature, mathematics, cultural history, and history of mathematics, this important volume aims to introduce the range, fertility, and complexity of the connections between mathematics, literature, and literary theory. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via [link.springer.com|http://link.springer.com/].