Download Free Renoir My Father Book in PDF and EPUB Free Download. You can read online Renoir My Father and write the review.

In this delightful memoir, Jean Renoir, the director of such masterpieces of the cinema as "Grand Illusion" and "The Rules of the Game," tells the life story of his father, Pierre-Auguste Renoir, the great Impressionist painter. Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son and, in the words of the distinguished art historian John Golding, it " remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have." Includes 12 pages of color plates and 18 pages of black and white images.
A major new biography of this enduringly popular artist by the world’s foremost scholar of his life and work Expertly researched and beautifully written by the world’s leading authority on Auguste Renoir’s life and work, Renoir fully reveals this most intriguing of Impressionist artists. The narrative is interspersed with more than 1,100 extracts from letters by, to, and about Renoir, 452 of which come from unpublished letters. Renoir became hugely popular despite great obstacles: thirty years of poverty followed by thirty years of progressive paralysis of his fingers. Despite these hardships, much of his work is optimistic, even joyful. Close friends who contributed money, contacts, and companionship enabled him to overcome these challenges to create more than 4,000 paintings. Renoir had intimate relationships with fellow artists (Caillebotte, Cézanne, Monet, and Morisot), with his dealers (Durand-Ruel, Bernheim, and Vollard) and with his models (Lise, Aline, Gabrielle, and Dédée). Barbara Ehrlich White’s lifetime of research informs this fascinating biography that challenges common misconceptions surrounding Renoir’s reputation. Since 1961 White has studied more than 3,000 letters relating to Renoir and gained unique insight into his personality and character. Renoir provides an unparalleled and intimate portrait of this complex artist through images of his own iconic paintings, his own words, and the words of his contemporaries. “Barbara White is a biographer of courage, seriousness and unrelenting honesty. She has read and dissected about 3,000 letters about Renoir written by him, his friends, his family, as well as the newspapers of the day. Practically every member of the Renoir family has entrusted their personal documents to her – a pledge of trust totally deserved. Whenever I am asked a question about Auguste, I write to Barbara to ask her opinion or call on her knowledge, since she has become an indisputable reference for me. She is always careful and verifies facts and contexts by every route possible. The Renoir family, and Auguste himself, are very lucky that Barbara is so passionate about her subject, and I feel personally lucky to know her. I thank her from the bottom of my heart for this work of a lifetime – a magnificent success. I am very pleased that her book has been edited by the quality editors at Thames & Hudson, as it will remain a point of reference for many generations to come.” – Sophie Renoir (great-granddaughter of Auguste Renoir, granddaughter of his eldest son Pierre, and daughter of Renoir’s grandson Claude Renoir, Jr.), June 7, 2017
Through the captivating pages of this new graphic novel, discover the intertwined destinies of a father and son in search of truth through art. “Reality is always magical.” —Jean Renoir, 1957 Art is a family matter for the Renoirs. The path is carved by Pierre-Auguste, the painter who along with Monet, Cézanne, Degas was at the origin of the impressionist movement and continues with Jean, the poetic avant-garde filmmaker. Indisputably one of the masters of French painting of the 19th century, Pierre-Auguste fathered one of the greatest cineastes of the twentieth century in Jean Renoir. From the father’s paintings to the son’s films, the artist affiliation reveals a similar pursuit, and a single source of inspiration: an ode to freedom finding its origins in a profound humanity and love of reality. Pierre-Auguste and Jean Renoir, father and son, each marked the history of art—through painting for Pierre-Auguste and film for Jean, with the common thread of a desire to transcribe reality. This graphic novel tells the story of the intertwined lives of these two creators who always sought to draw their inspiration from the “spectacle of life”. But behind their art, there is also the story of the filiation between an old man who is slowly losing his strength and a young man seeking to make his own mark. In fact, it is not until after his father’s death that Jean began his career as a filmmaker and contributed some of the greatest films to the history of the movies: The Grand Illusion, The River, and The Rules of the Game. In 1975 he received an Academy Award for lifetime achievement for his body of his work.
In this delightful memoir, Jean Renoir, the director of such masterpieces of the cinema as Grand Illusion and The Rules of the Game, tells the life story of his father, Pierre-Auguste Renoir, the great Impressionist painter. Recounting Pierre-Auguste's extraordinary career, beginning as a painter of fans and porcelain, recording the rules of thumb by which he worked, and capturing his unpretentious and wonderfully engaging talk and personality, Jean Renoir's book is both a wonderful double portrait of father and son and, in the words of the distinguished art historian John Golding, it "remains the best account of Renoir, and, furthermore, among the most beautiful and moving biographies we have." Includes 12 pages of color plates and 18 pages of black and white images.
While at an exhibit of his father's paintings, Jean Renoir recalls how his father, Pierre-Auguste Renoir, refused to let him has his very long hair cut short as his father loved to paint the sunlight glinting off of it.
Here is the autobiography of the little boy with golden curls in the paintings of his father, Pierre Auguste Renoir—the boy who became the director many consider the greatest in history. François Truffaut called him “an infallible filmmaker . . . Renoir has succeeded in creating the most alive films in the history of cinema, films which still breathe forty years after they were made.” In this book, Jean Renoir(1894-1979)presents his world, from his father's Montemarte studio to his own travels in Paris, Hollywood, and India. Here are tantalizing secrets about his greatest films—The Rules of the Game, The Grand Illusion, The River, A Day in the Country, La Bête Humaine, Toni. But most of all, Renoir shows us himself: a man if dazzling simplicity, immense creativity, and profound humanity.
This is a 1990 collection of interviews and essays by the legendary filmmaker Jean Renoir.
With warmth, lucidity and good humour, Pagnol, a boy from the city, recounts the glorious summer days he spent exploring the sun-baked Provençal countryside. He vividly captures the atmosphere of a childhood filled with the simple pleasures: a meal, a joke, an outing shared with his close-knit and loving family. These heart-warming stories remind us of how children can invest the smallest event or statement with incredible significance, how mysterious the workings of the adult world can seem to them and how painful the learning process can often prove. However, Pagnol’s writing is filled with enormous optimism and delight. And his triumph in these classic memoirs is to have created that rare thing, a work suffused with joy. ‘Pagnol’s place in the history of French culture is secure. The Prousts and Sartres may be admired, but Pagnol is loved’ Times Literary Supplement
A gripping historical fiction friendship story that will grab everyone by the heartstrings and never let go. A giant, a dwarf, and three doomed circus animals . . . By her fourteenth birthday, Babe Killingsworth measures 6ʹ9ʺ and weighs 342 pounds. In 1896, what other options does a giant have but to join a carnival? Her only real talent is handling animals: “Critters is folks to me.” The cheap outfit her feckless father sells her off to offers critters galore; an escape from Neal, Idaho; and a bit of fame. It also opens the doorway to exploitation and neglect. But Babe’s love for Euclid (a chimp) and Jupiter (a bear) keeps her anchored, and in Professor Renoir’s Collection of Oddities, Curiosities, and Delights, she is among her own kind. Enter Carlotta Jones, billed as the world’s smallest girl, whose elephant act leaves much to be desired. At thirty inches tall, Carlotta is beautiful, spoiled, and demanding and has very little talent—Egypt, her elephant, dances better than she does. How can a giant like Babe and a dwarf like Carlotta ever see eye to eye? They don’t at first, but soon they understand that a common enemy can bring anyone together—even a giant and a dwarf. "Platt proves again she is unafraid to tackle intensely emotional issues for young readers in this beautifully written piece. Like its title, it inspires both curiosity and delight.” —Booklist
This is an extended analysis of the film, from different perspectives. The first half is largely a discussion of the cinematic technique, with key sequences analyzed shot by shot. The second half approaches the film from many other angles, including its history, the critical reception, Renoir's life and career, and film theory, e.g., film in relation to music. A case is made that Renoir's career was inconsistent, especially after La Regle du jeu but also during the 1930s. And rather than emphasizing the humanist, anti-war thrust of La Grande Illusion, the film is approached as a work of art that is deeply expressive cinematically.