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Born into a German-French bilingual environment, the once renowned German-language author Ren Schickele (1883-1940) grew up in the Alsace region - today located in eastern France - during its annexation to the German Empire when links to French culture were frowned upon. In the aftermath of the First World War the situation was reversed when Alsace was reclaimed by the French Republic. In both these phases of its troubled history, Schickele insisted on the importance of Alsace's right to retain its double cultural heritage between the borders of its powerful rival neighbours and on its potential, as mediator between France and Germany, to promote peace in Europe. These issues are addressed in a critical discussion of a range of Schickele's works. His controversial wartime drama Hans im Schnakenloch affords a wry but penetrating insight into issues of identity in Alsace under German rule up to the war, while his socio-political essays and a novel trilogy, Das Erbe am Rhein, were written against the backdrop of the malaise alsacien and life under French rule. The historical background to the work is examined in detail as it is intimately bound up with the issues of cultural identity that Schickele explores in his writings.
This pre-eminent bibliography for D. H. Lawrence was extensively revised, updated and expanded by Paul Poplawski for publication in 2001.
Albert provides a survey of the impact of jazz on both American and foreign fiction, along with an annotated listing of almost 400 short stories, novels, plays, and jazz fiction criticism. Access is augmented by an index of novels, plays, and short stories and by a general index. Albert examines the strong impact jazz and the blues have had on fiction. The annotated listing of 400 novels, short stories, and jazz fiction criticism will serve as a resource for those doing research in both music and literature, as well as serving as a reading guide for jazz devotees who are looking for literature with a jazz motif. Access is augmented by an index of novels, plays, and short stories and by a general index.
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
This book is the first major study in English of René Schickele's work. Hailed by his contemporaries as one of the foremost German-language novelists of the inter-war period, and celebrated for his Expressionist poetry and his controversial First World War drama Hans im Schnakenloch, Schickele also produced socio-critical essays and pioneering editorial work for the pacifist journal Die Weißen Blätter. From his literary débuts in fin-de-siècle Strasbourg to the French and German prose fiction of his anti-Nazi exile, Schickele's work reflects his bilingual, bicultural upbringing: his vision of Alsace as a symbolic broker of Franco-German peace finds its clearest expression in the trilogy of novels Das Erbe am Rhein. Schickele remains a paradoxical figure, in his own words, a 'citoyen français und deutscher Dichter' (French citizen and German poet). Through readings of all the major texts, Eric Robertson's study situates Schickele's work within its socio-political and historical context. Particular attention is paid to the personal and political implications of his adoption of German as literary idiom and his reversion to the French mother tongue during the 1930s; Schickele's copious diaries and his correspondence with fellow writers including Thomas Mann, Heinrich Mann and Stefan Zweig are shown to be especially revealing. Schickele's œuvre holds a unique and hitherto underrated place in the European writing of his era.
This volume is the first comprehensive bibliography of all Werfel publications in German language and thus a complete history of the publication of Werfel's works. All works are arranged alphabetically by title, followed by all other editions grouped by publisher. Each bibliographical entry contains the edition's designation, all the information from the title sheet, a description of the volume, the location and detailed explanatory notes.
This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 2, The Plays (978-0-947623-82-1) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.