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From USA Today bestselling author Parker S. Huntington comes a steamy, slow-burn love story full of second-chance romance.
BOOK TWO IN THE FIVE SYNDICATES SERIES Niccolaio Andretti Asshole. Douchebag. Jerk. Those are all valid descriptions of me, especially since fleeing from Andretti territory. Angry with the turn my life has taken, I prefer the silence and loneliness of my house. Not only is it the safest place for me after my brother placed a hit on me, it is also my sanctuary-my place to get away from the bullshit that is people. Until she comes along-angry, demanding and so damn hot. I hate her immediately. Minka Reynolds Bitch. Tramp. Slut. I've heard it all before. It doesn't bother me. I have more important things to deal with-like graduating from Wilton; taking care of my little sister; and yes, finding the next guy to pay for it all. If I have to sleep around for it? So be it. If I have to lose the dwindling tethers of my sanity every day? So be it. Nothing fazes me. Until he comes along-angry, demanding and so damn hot. I hate him immediately. Minka Reynolds has never been liked, but she doesn't care. Struggling to earn custody of her little sister, she is on mission to gain the only things that will get her there-money, a home, and a stable career. Unfortunately, she has none of those three, but she's close. It's just within reach... until she meets Niccolaio Andretti, the former heir to the Andretti mafia family, and everything she thinks is right becomes wrong.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
This book provides a comprehensive and accessible introduction to knowledge graphs, which have recently garnered notable attention from both industry and academia. Knowledge graphs are founded on the principle of applying a graph-based abstraction to data, and are now broadly deployed in scenarios that require integrating and extracting value from multiple, diverse sources of data at large scale. The book defines knowledge graphs and provides a high-level overview of how they are used. It presents and contrasts popular graph models that are commonly used to represent data as graphs, and the languages by which they can be queried before describing how the resulting data graph can be enhanced with notions of schema, identity, and context. The book discusses how ontologies and rules can be used to encode knowledge as well as how inductive techniques—based on statistics, graph analytics, machine learning, etc.—can be used to encode and extract knowledge. It covers techniques for the creation, enrichment, assessment, and refinement of knowledge graphs and surveys recent open and enterprise knowledge graphs and the industries or applications within which they have been most widely adopted. The book closes by discussing the current limitations and future directions along which knowledge graphs are likely to evolve. This book is aimed at students, researchers, and practitioners who wish to learn more about knowledge graphs and how they facilitate extracting value from diverse data at large scale. To make the book accessible for newcomers, running examples and graphical notation are used throughout. Formal definitions and extensive references are also provided for those who opt to delve more deeply into specific topics.
A searing, beautiful novel meditating on war, violence, memory, and the sufferings of the Palestinian people Finalist for the National Book Award Longlisted for the International Booker Prize Minor Detail begins during the summer of 1949, one year after the war that the Palestinians mourn as the Nakba—the catastrophe that led to the displacement and exile of some 700,000 people—and the Israelis celebrate as the War of Independence. Israeli soldiers murder an encampment of Bedouin in the Negev desert, and among their victims they capture a Palestinian teenager and they rape her, kill her, and bury her in the sand. Many years later, in the near-present day, a young woman in Ramallah tries to uncover some of the details surrounding this particular rape and murder, and becomes fascinated to the point of obsession, not only because of the nature of the crime, but because it was committed exactly twenty-five years to the day before she was born. Adania Shibli masterfully overlays these two translucent narratives of exactly the same length to evoke a present forever haunted by the past.
Persuasion, in its various linguistic forms, enters our lives daily. Politicians and the news media attempt to change or confirm our beliefs, while advertisers try to bend our tastes toward buying their products. Persuasion goes on in courtrooms, universities, and the business world. Persuasion pervades interpersonal relations in all social spheres, public and private. And persuasion reaches us via a large number of genres and their intricate interplay.This volume brings together nine chapters which investigate some of the typical genres of modern persuasion. Using both quantitative and qualitative methods, the authors explore the linguistic features of successful (and unsuccessful) persuasion and the reasons for the variation of persuasive choices as realized in various genres: business negotiations, judicial argumentation, political speech, advertising, newspaper editorials, and news writing. In the final chapter, the editors tie together the two themes — persuasion and genres — by proposing an Intergenre Model. This model assumes that a powerful force behind generic evolution is the perennial need for implicit persuasion.
There was no Reichstag fire. No storming of the Bastille. No mutiny on the Aurora. Instead, the mediocre have seized power without firing a single shot. They rose to power on the tide of an economy where workers produce assembly-line meals without knowing how to cook at home, give customers instructions over the phone that they themselves don’t understand, or sell books and newspapers that they never read. Canadian intellectual juggernaut Alain Deneault has taken on all kinds of evildoers: mining companies, tax-dodgers, and corporate criminals. Now he takes on the most menacing threat of all: the mediocre.
The acclaimed author of The Hottest Dishes of the Tartar Cuisine “explores the peculiarities of familial relations to tremendous result” (Asymptote). A Lit Hub Most Anticipated Book of 2021 Max lives with his grandparents in a residential home for refugees in Germany. When his grandmother—a terrifying, stubborn matriarch and a former Russian primadonna—moved them from the Motherland it was in search of a better life. But she is not at all pleased with how things are run in Germany: the doctors and teachers are incompetent, the food is toxic, and the Germans are generally untrustworthy. His grandmother has been telling Max that he is an inept, clueless weakling since he was a child and she’d spend the day sitting in the back of his classroom to be sure he came to no harm. While he may be a dolt in his grandmother’s eyes, Max is bright enough to notice that his stoic and taciturn grandfather has fallen hopelessly in love with their neighbor, Nina. When a child is born to Nina that is the spitting image of Max’s grandfather, things come to a hilarious if dramatic head. Everybody will have to learn to defend themselves from Max’s all-powerful grandmother. Alina Bronsky, author of The Hottest Dishes of the Tartar Cuisine, writes of family dysfunction and machinations with a droll and biting humor, a tremendous ear for dialog, and a generous heart that is forgiving of human weakness. “[A] comic feel-bad novel. Bronsky has a Dickensian flair for writing about miserable children—or, rather, the miseries of childhood.” —Vulture
We were best friends, then we were nothing. Loved. Protected. Cherished. There was a time when Ranieri Andretti made me feel those things. That was before his family came after mine. He was supposed to forget me. We went our separate ways. It should have stayed like that. But now he's back, and he's my new boss. I want to hate him. He's my ex-best friend. My tormentor. The head of the Andretti family. But no matter how hard I try, I can't stay away. Author's Note This is a mid-length, 30,000 word enemies-to-lovers, second-chance mafia romance novella in the Five Syndicates Series. It has strong adult themes and has lots of steam.
Grip Trilogy Reading Order: Flow, Grip #1, Grip, Grip #2Still, Grip #3 Resisting an irresistible force wears you down and turns you out.I know.I've been doing it for years.I may not have a musical gift of my own, but I've got a nose for talent and an eye for the extraordinary.And Marlon James - Grip to his fans - is nothing short of extraordinary.Years ago, we strung together a few magical nights, but I keep those memories in a locked drawer and I've thrown away the key.All that's left is friendship and work. He's on the verge of unimaginable fame, all his dreams poised to come true.I manage his career, but I can't seem to manage my heart. It's wild, reckless, disobedient.And it remembers all the things I want to forget.