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ADVANCE PRAISE FOR RENAISSANCE PORN STAR THE SAGA OF PIETRO ARETINO: THE WORLD'S GREATEST HUSTLER Sex, drugs, and the Medicis. A story of murder, revenge, art, pornography, and celebration with an all-star cast of characters: Dante, Boccaccio, Machiavelli, Michelangelo, a klatch of mafi a-don-style popes, and Shakespeare. A tale that turns deep, deep erudition into exquisite sweets for the heart and mind. -Howard Bloom, author of The Genius of the Beast: A Radical Re-Vision of Capitalism If Jan Wenner had given Hunter S. Thompson an assignment to write a historical essay of Renaissance sexuality and literature, the resulting pages might have looked something like Renaissance Porn Star raw, uncensored, clearly mad, and quite brilliant. -Jess Winfi eld, author of My name is Will Like a buried treasure unearthed, Renaissance Porn Star sheds new light on how the Italian icon of the Renaissance, Pietro Aretino, helped shape an awakened world. Mark Lamonica mixes his amazing attention to historical detail and breathes new life into Shakespeare. -Thelma Reyna, Ph.D. author of The Heavens Weep for Us What art restoration has done for paintings, Mark Lamonica has done through a historical account of Pietro Aretino that wipes clean the whitewash of our puritanical perspective on the Renaissance over the past several hundred years. Not unlike a newly restored masterpiece, Renaissance Porn Star is both beautiful and shocking. -Adam Hall, Shakespeare scholar Mark Lamonica is an accomplished photographer and author of three highly acclaimed books: Junkyard Dogs and William Shakespeare (1997); co-author of Rio LA: Tales from the Los Angeles River (2001); named "a best book of the year" by the Los Angeles Times Book Review. Whacking Buddha: The Mysterious World of Shakespeare and Zen Buddhism (2005); hailed as a work of "spiritual literary dynamite." He is at work on a new book about the Devil.
Porn Star is an engrossing portrait of a man that is credited with being the originator of modern pornography: Pietro Aretino (1492-1556). Aretino was the most famous writer of the sixteenth century, and considered like his contemporary, Niccolo Machaivelli (1469-1527), a literary god in London. In fact, both writers came to symbolize in the minds of Elizabethans: everything devilish about the Italian people; "devils' incarnates" as they were called in Shakespeare's day. Vastly underrated today as a writer, Aretino's time has come--and he is a force to be reckoned with. Playboy, playwright, pornographer, poet, diplomat, shrewd man of affairs. Aretino typified the Renaissance man of action, embodying the mischievous genius of the Italian people. An immensely gifted polymath writer with an encyclopedic range of knowledge, experience and interests. Aretino's deadly "poison pen" aroused violent antagonism, as well as an idolatrous awe amongst his peers in his lifetime. He takes the reader on an unforgettable journey through the Italian Renaissance where we meet many of his illustrious friends, the most colorful people of the period--crazy kings, deviant popes, eccentric artists, beautiful whores, deadly dukes and con men. Aretino's outrageous life culminates in an explosive climax that leads to the destruction of the holiest city in the world, Rome, or as the great religious reformer Martin Luther called it--Babylon. Along the way, Aretino challenges William Shakespeare's title as the world's greatest writer.
For porn stars, “coming out” is a process that never ends. To the uninitiated, the idea of a career in the adult film industry may come with stigma that porn performers and sex workers have long fought to shake off. For many, that fight begins with one awkward conversation. When Coming Out Like a Porn Star was first published in 2015, it garnered cult status as an anthology of candidly intimate essays by diverse adult industry professionals and icons, relating the pain, pride, and surprises that accompanied their experiences coming out about their work. This updated edition includes new essays that explore issues transforming the modern porn field: deepfakes, AI, and OnlyFans; the inequity and fetishization faced by Black, Muslim, queer, disabled, and other marginalized performers; and the everyday, ever-evolving legal injustices compromising sex workers’ rights to live, earn, and bank. Edited by veteran industry professional Jiz Lee, and featuring a new foreword by Samantha Cole, the second edition of Coming Out Like a Porn Star continues to celebrate the rich and varied voices of the adult industry, offering a panoramic view of the world of sex work that has been described in recent years by Melissa Febos, Margo Steines, Charlotte Shane, and Michelle Tea. Contributors include Joanna Angel, Siri Dahl, Sinnamon Love, Andre Shakti, Nikki Silver, Jessica Stoya, Kitty Stryker, Bella Vendetta, Denali Winter, and more.
From the golden age of comic books in the 1940s and 1950s to the adult film industry's golden decade of the 1970s and up to today, the authors trace porn's transformation--from lurking in the dark alleys of American life to becoming an unapologetic multibillion-dollar industry.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
This book analyses the impact of postfeminist discourse and the mainstreaming of pornography on our understanding of intimacy and female sexuality. It is a broad critical survey of a recent publishing phenomenon – the female-authored erotic memoir – and positions the texts under analysis as complex and contradictory expressions of popular feminism.
WITH A NEW FOREWARD Journalist Seyward Darby's "masterfully reported and incisive" (Nell Irvin Painter) exposé pulls back the curtain on modern racial and political extremism in America telling the "eye-opening and unforgettable" (Ibram X. Kendi) account of three women immersed in the white nationalist movement. After the election of Donald J. Trump, journalist Seyward Darby went looking for the women of the so-called "alt-right" -- really just white nationalism with a new label. The mainstream media depicted the alt-right as a bastion of angry white men, but was it? As women headlined resistance to the Trump administration's bigotry and sexism, most notably at the Women's Marches, Darby wanted to know why others were joining a movement espousing racism and anti-feminism. Who were these women, and what did their activism reveal about America's past, present, and future? Darby researched dozens of women across the country before settling on three -- Corinna Olsen, Ayla Stewart, and Lana Lokteff. Each was born in 1979, and became a white nationalist in the post-9/11 era. Their respective stories of radicalization upend much of what we assume about women, politics, and political extremism. Corinna, a professional embalmer who was once a body builder, found community in white nationalism before it was the alt-right, while she was grieving the death of her brother and the end of hermarriage. For Corinna, hate was more than just personal animus -- it could also bring people together. Eventually, she decided to leave the movement and served as an informant for the FBI. Ayla, a devoutly Christian mother of six, underwent a personal transformation from self-professed feminist to far-right online personality. Her identification with the burgeoning "tradwife" movement reveals how white nationalism traffics in society's preferred, retrograde ways of seeing women. Lana, who runs a right-wing media company with her husband, enjoys greater fame and notoriety than many of her sisters in hate. Her work disseminating and monetizing far-right dogma is a testament to the power of disinformation. With acute psychological insight and eye-opening reporting, Darby steps inside the contemporary hate movement and draws connections to precursors like the Ku Klux Klan. Far more than mere helpmeets, women like Corinna, Ayla, and Lana have been sustaining features of white nationalism. Sisters in Hate shows how the work women do to normalize and propagate racist extremism has consequences well beyond the hate movement.
An enduring best-seller since its first printing in 1991. Angry Women has been equipping a new generation of women with an expanded vision of what feminism could be, influencing Riot Grrrls, neo-feminists, lipstick lesbians and suburban breeders alike. A classic textbook widespread now on many courses. The most influential book on women, culture and radical theology since The Second Sex. Features Diamanda Galas, Lydia Lunch, Sapphire, Karen Finley, Annie Sprinkle, Susie Bright, bell hooks, Kathy Acker and more.
Highlights how millennial Jewish stars symbolize national politics in US media Jewish stars have longed faced pressure to downplay Jewish identity for fear of alienating wider audiences. But unexpectedly, since the 2000s, many millennial Jewish stars have won stellar success while spotlighting (rather than muting) Jewish identity. In Millennial Jewish Stars, Jonathan Branfman asks: what makes these explicitly Jewish stars so unexpectedly appealing? And what can their surprising success tell us about race, gender, and antisemitism in America? To answer these questions, Branfman offers case studies on six top millennial Jewish stars: the biracial rap superstar Drake, comedic rapper Lil Dicky, TV comedy duo Abbi Jacobson and Ilana Glazer, “man-baby” film star Seth Rogen, and chiseled film star Zac Efron. Branfman argues that despite their differences, each star’s success depends on how they navigate racial antisemitism: the historical notion that Jews are physically inferior to Christians. Each star especially navigates racial stigmas about Jewish masculinity—stigmas that depict Jewish men as emasculated, Jewish women as masculinized, and both as sexually perverse. By embracing, deflecting, or satirizing these stigmas, each star comes to symbolize national hopes and fears about all kinds of hot-button issues. For instance, by putting a cuter twist on stereotypes of Jewish emasculation, Seth Rogen plays soft man-babies who dramatize (and then resolve) popular anxieties about modern fatherhood. This knack for channeling national dreams and doubts is what makes each star so unexpectedly marketable. In turn, examining how each star navigates racial antisemitism onscreen makes it easier to pinpoint how antisemitism, white privilege, and color-based racism interact in the real world. Likewise, this insight can aid readers to better notice and challenge racial antisemitism in everyday life.