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This is the first book-length account of Renaissance humanism in 15th- and 16th-century Poland. Harold B. Segel demonstrates that a lively community of intellectuals--Copernicus among them--helped to bring Poland into the mainstream of contemporary European culture and to lay the foundations for the Polish High Renaissance of the second half of the sixteenth century.
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.
Through an exploration of the unique Polish tradition of child commemoration, this book raises issues beyond the monuments themselves, about Polish social life and family structuring in the early modern period, including attitudes to children and the position of women, as well as the transmission and reception of Renaissance ideas outside Italy. Drawing upon social and cultural history, visual and gender studies, the work not only asks important new questions, but provides a fresh perspective on familiar topics and themes within Renaissance history.
Scholarly traditions of the nineteenth and twentieth centuries have led us to assume that national traditions were defining in a way that they may not have been during the Renaissance, when Latin remained an international language. This collection interrogates the historical importance of national traditions, many of which depend upon geographical boundaries that took their shape only after the emergence of the nation state in the modern period. Each of the essays in this collection makes a distinctive contribution to a particular discipline and national culture. Taken together, they interrogate divisions between historiography and the fine arts, literature and the history of ideas as well as the boundaries between national traditions. The essays in this volume offer a compelling and persuasivejustification for an interdisdiplinary and international approach to the study of Renaissance culture.
Culture Smart! provides essential information on attitudes, beliefs and behavior in different countries, ensuring that you arrive at your destination aware of basic manners, common courtesies, and sensitive issues. These concise guides tell you what to expect, how to behave, and how to establish a rapport with your hosts. This inside knowledge will enable you to steer clear of embarrassing gaffes and mistakes, feel confident in unfamiliar situations, and develop trust, friendships, and successful business relationships. Culture Smart! offers illuminating insights into the culture and society of a particular country. It will help you to turn your visit-whether on business or for pleasure-into a memorable and enriching experience. Contents include * customs, values, and traditions * historical, religious, and political background * life at home * leisure, social, and cultural life * eating and drinking * do's, don'ts, and taboos * business practices * communication, spoken and unspoken "Culture Smart has come to the rescue of hapless travellers." Sunday Times Travel "... the perfect introduction to the weird, wonderful and downright odd quirks and customs of various countries." Global Travel "...full of fascinating-as well as common-sense-tips to help you avoid embarrassing faux pas." Observer "...as useful as they are entertaining." Easyjet Magazine "...offer glimpses into the psyche of a faraway world." New York Times
The study of funeral monuments is a growing field, but monuments erected to commemorate children have so far received little attention. Whilst the practice of erecting monuments to the dead was widespread across Renaissance Europe, the vast majority of these commemorated adults, with children generally only appearing as part of their parents' memorials. However, as this study reveals, in Poland there developed a very different tradition of funerary monuments designed for, and dedicated to, individual children - daughters as well as sons. The book consists of five major parts, which could be read in any order, though the overall sequencing is based on the premise that an understanding of the context and background will enhance a reading of these fascinating child monuments. Consequently, there is a progression of knowledge presented from the broader context of the earlier parts, towards the final parts where the actual child monuments are discussed in detail. Thus the book begins with an overview of the wider cultural contexts of funerary monuments and where children fitted into this. It then moves on to to look at the 'forgotten Renaissance' of central Europe and specifically the situation in Poland. The middle part addresses the 'culture of memory', examining the role of funerary monuments in reinforcing social, religious and familial continuity. The last parts deal with the physical monuments: empirical data, iconography and iconology. Through this illuminating consideration of children's monuments, the book raises a host of fascinating questions relating to Polish social and cultural life, family structure, attitudes to children and gender. It also addresses the issue of why Poland witnessed this unusual development, and what this tells us about the transmission of cultural and artistic ideas across Renaissance Europe. Drawing upon social and cultural history, visual and gender studies, the work not only asks important new questions, but provides a fresh perspective on some familiar topics and themes within Renaissance history.
A seminar on the history of Slavic politics, international relations, culture, and religion during the 6th through the 19th century.
Being Poland offers a unique analysis of the cultural developments that took place in Poland after World War One, a period marked by Poland's return to independence. Conceived to address the lack of critical scholarship on Poland's cultural restoration, Being Poland illuminates the continuities, paradoxes, and contradictions of Poland's modern and contemporary cultural practices, and challenges the narrative typically prescribed to Polish literature and film. Reflecting the radical changes, rifts, and restorations that swept through Poland in this period, Polish literature and film reveal a multitude of perspectives. Addressing romantic perceptions of the Polish immigrant, the politics of post-war cinema, poetry, and mass media, Being Poland is a comprehensive reference work written with the intention of exposing an international audience to the explosion of Polish literature and film that emerged in the twentieth century.
Poland's first native chronicler and a proud contributor to the twelfth century renaissance placed his people's history on a continuum with the classical world. This work brings to light the importance of Poland in the making of Europe. This volume presents an in-depth analysis of the 'Chronica Polonorum', one of the greatest works of the twelfth-century renaissance which profoundly influenced history writing in Central Europe. The 'Chronica Polonorum' was written by Poland's first native historian Vincentius of Cracow. Educated in Paris and Bologna, he was the first canonically elected bishop of Cracow and a participant of the Fourth Lateran Council. The eyewitness accounts given in the 'Chronica Polonorum' offer insights into the development of twelfth-century Poland, the ambitions of its dynasty, the country's integration into Christendom, and the interaction between the Polish and Western elites. Vincentius's work is considered a masterpiece in literary erudition grounded in classical training. The historical evidence it presents illuminates the socio-cultural interaction between Poland and the West during the period. Vincentius's chronicle demonstrates the strong, enduring influence of the history, law, and traditions of ancient Rome in twelfth-century Europe.
During the most recent conference of the Renaissance Society of America, two sessions were devoted entirely to the Renaissance in Poland. In fifty-nine editions of what is considered the most prestigious international appointment for experts of Renaissance culture, this is the first time that characteristic features of sixteenth-century Poland were the subject of analysis and debate. The interest generated at the conference and the academic value of the contributions convinced the organisers of the panels to ask the speakers to develop and revise their contributions to conform with the conventions of the academic article. The result is a selection of essays that pursue specific pathways in exploring the cultural factors that affected the Renaissance in Poland: influences and originality in Polish literary and artistic production, orthodoxy and dissidence, the circulation of thought and reflection on the Res Publica in the spheres of both politics and philosophy. Adopting a distinctly interdisciplinary approach, the aim of this publication is to focus certain aspects of the Polish Renaissance and the cultural identity of sixteenth-century Poland in relation to the European context.