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CONTRAPORTADA Los miembros del CLUB DE LAS MENTES MAESTRAS, no están dotados de “poderes sobrenaturales”, ni usan “hechizos o magia” para interactuar con su mundo. Son personas comunes y corrientes. Lo que marca la diferencia, es que ellos utilizan los dones, otorgados a cada uno de nosotros por el Creador, desde el inicio de los tiempos. Puestos a prueba al alinearse con la Inteligencia Infinita, en armonía con las leyes universales inmutables. En medio de conflictos, misterios e intrigas, desplegando es poder que todos llevamos en nuestro mundo interior, suceden los milagros y en el prodigio de sus mentes, solo creen que todo asunto puede resolverse al exponerse a la luz. Despertar a ese poder y ponerlo a nuestro servicio y al de la humanidad, para el bien, el amor y la misericordia, es el verdadero salto a la grandeza.
Un llamador que esconde una llave. Dos puertas que nunca debieron abrirse. Ella tiene un don, él una misión. Lilith tiene muchas preguntas, Zach demasiadas respuestas. El destino de los humanos está en manos de una guerra sobrenatural inevitable. ¿Existe esperanza cuando todo está perdido? «Al principio no te recordaba. No recordaba nada. […] Y de repente, una noche, tras recordar esa frase… “Te quiero, mi reina. Te quiero más que a mi vida”, lo recordé todo».
The best-known work by acclaimed Cuban poet Ángel Escobar Ángel Escobar’s Breach of Trust / Abuso de confianza is known by many as the most devastating book of his poetic generation. It is his first to be offered to an English-speaking audience. Merging personal and collective meditations, these twenty-three poems perform an indictment of violence. Escobar’s poetry delineates lacerations etched on bodies and minds by the sanguinary twentieth century, which unfolded out of a longer modernity spanning the Americas. Breach of Trust / Abuso de confianza outlived its author, who took his own life in 1997. Brief and implicit appeals for justice and love offset the book’s abject theatricality. Escobar’s tragic masterpiece deftly interweaves themes into a striking synthesis offered in the spirit of survival. Award-winning translator Kristin Dykstra introduces this collection with a comprehensive examination of Escobar’s life, work, and the times within which he wrote. Dykstra situates Escobar’s poetic abjection as his drive to confront thingification face to (non)face.
Foreign Aid as Foreign Policy presents a wide-ranging, thoughtful analysis of the most significant economic-aid program of the 1960s, John F. Kennedy’s Alliance for Progress. Introduced in 1961, the program was a ten-year, multi-billion-dollar foreign-aid commitment to Latin American nations, meant to help promote economic growth and political reform, with the long-term goal of countering Communism in the region. Considering the Alliance for Progress in Chile, Brazil, the Dominican Republic, and Colombia, Jeffrey F. Taffet deftly examines the program’s successes and failures, providing an in-depth discussion of economic aid and foreign policy, showing how policies set in the 1960s are still affecting how the U.S. conducts foreign policy today. This study adds an important chapter to the history of US-Latin American Relations.