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In 1961, the historian and poet Robert Penn Warren remarked that “the Civil War is, for the American imagination, the great single event of our history.” This volume reconsiders whether, fifty years later, Warren’s claim still holds true. Essays from specialists in art, literature, and history examine how contemporary culture represents and interprets the Civil War. They look at the works of more than thirty artists and writers as well as multiple movements—political and social—to reveal the many and provocative ways in which Americans engage the Civil War today. The book includes chapters on the place of Abraham Lincoln in Barack Obama’s presidential campaign, controversies over the symbolism of the Confederate flag, and the proliferation of "Juneteenth" observances. Remixing the Civil War pays special attention to the works of African Americans and white southerners, for whom the Civil War was a revolutionary and defining moment. Such prominent scholars as Robert H. Brinkmeyer Jr., W. Fitzhugh Brundage, Kirk Savage, and Elizabeth Young explore the works of major artists and lesser-known figures, including Bobbie Ann Mason, Kara Walker, Dario Robleto, and John Huddleston. The authors find that Americans today openly and playfully manipulate familiar images of the Civil War to explore the malleability and permeability of traditional social categories like national identity, gender, and race. This collection continues the conversation Warren began fifty years ago, although taking it in unorthodox and challenging directions, to offer fresh and stimulating perspectives on the war’s presence in the collective imagination of the nation.
In his book The Legacy of the Civil War, Robert Penn Warren remarked that "the Civil War is, for the American imagination, the great single event of our history." This volume reconsiders whether, fifty years later, Warren's influential claim still holds true. Essays from scholars in art, literature, and history examine how the Civil War is represented and interpreted in contemporary culture. They look at the works of more than thirty artists and writers as well as multiple political movements to reveal the many and provocative ways in which Americans engage the Civil War today, including chapters on the importance of Abraham Lincoln to Barack Obama's presidential campaign, controversies over the Confederate flag, and the proliferation of "Juneteenth" observances. Special attention is paid to the works of African Americans and white southerners, for whom the Civil War was a revolutionary and defining moment. Such prominent scholars as Robert H. Brinkmeyer Jr., W. Fitzhugh Brundage, Kirk Savage, and Elizabeth Young explore the works of major artists and less well-known figures, including Bobbie Ann Mason, Kara Walker, Dario Robleto, and John Huddleston. The authors repeatedly find that Americans today openly and playfully manipulate familiar images of the Civil War to explore the malleability of traditional social categories such as national identity, gender, and race. With the sesquicentennial of the Civil War upon us, this collection continues the conversation Warren began fifty years ago, albeit in unorthodox and challenging ways, to offer fresh and stimulating perspectives on the war's presence in the collective imagination of the nation.
Four young Black sisters come of age during the American Civil War in So Many Beginnings, a warm and powerful YA remix of the classic novel Little Women, by national bestselling author Bethany C. Morrow. North Carolina, 1863. As the American Civil War rages on, the Freedpeople's Colony of Roanoke Island is blossoming, a haven for the recently emancipated. Black people have begun building a community of their own, a refuge from the shadow of the "old life." It is where the March family has finally been able to safely put down roots with four young daughters: Meg, a teacher who longs to find love and start a family of her own. Jo, a writer whose words are too powerful to be contained. Beth, a talented seamstress searching for a higher purpose. Amy, a dancer eager to explore life outside her family's home. As the four March sisters come into their own as independent young women, they will face first love, health struggles, heartbreak, and new horizons. But they will face it all together. Praise for So Many Beginnings: A Little Women Remix "Morrow’s ability to take the lingering stain of slavery on American history and use it as a catalyst for unbreakable love and resilience is flawless. That she has remixed a canonical text to do so only further illuminates the need to critically question who holds the pen in telling our nation’s story." —Booklist, starred review "Bethany C. Morrow's prose is a sharpened blade in a practiced hand, cutting to the core of our nation's history. ... A devastatingly precise reimagining and a joyful celebration of sisterhood. A narrative about four young women who unreservedly deserve the world, and a balm for wounds to Black lives and liberty." —Tracy Deonn, New York Times-bestselling author of Legendborn "A tender and beautiful retelling that will make you fall in love with the foursome all over again." —Tiffany D. Jackson, New York Times-bestselling author of White Smoke and Grown
Monuments around the world have become the focus of intense and sustained discussions, activism, vandalism, and removal. Since the convulsive events of 2015 and 2017, during which white supremacists committed violence in the shadow of Confederate symbols, and the 2020 nationwide protests against racism and police brutality, protesters and politicians in the United States have removed Confederate monuments, as well as monuments to historical figures like Christopher Columbus and Dr. J. Marion Sims, questioning their legitimacy as present-day heroes that their place in the public sphere reinforces. The essays included in this anthology offer guidelines and case studies tailored for students and teachers to demonstrate how monuments can be used to deepen civic and historical engagement and social dialogue. Essays analyze specific controversies throughout North America with various outcomes as well as examples of monuments that convey outdated or unwelcome value systems without prompting debate.
American Lit Remixed identifies a new sound in literature emerging after the digital revolution. It reads works by Jennifer Egan, Sherman Alexie, and others through the lenses of remix theory -- the term Eduardo Navas coined to describe the remix as a form of artistic and cultural discourse -- and the music industry’s preoccupations with nostalgia and authenticity, arguing that digital-age fiction, poetry, and drama remix the music and technology of the past to offer new modes of connecting to self, others, and place. Musical features such as references to popular songs, structural similarities to music recordings, and thematic treatment of the riffing and borrowing endemic within popular music lend a retro sound, feel, and structure to contemporary American texts, even when they refer to life in the digital era. Through engaging with the musical past, literature resists nostalgia and remixes the twenty-first century’s dystopian, disconnected ethos to find possibility and hope for the future. Critics often focus on technology’s negative impact on the music industry, but American Lit Remixed emphasizes music as a source of creative potential in twenty-first-century literature, including new ways of storytelling and relating.
Explores expressions of Blackness in Hip-Hop performance by non-African American artists
"Ty Seidule scorches us with the truth and rivets us with his fierce sense of moral urgency." --Ron Chernow In a forceful but humane narrative, former soldier and head of the West Point history department Ty Seidule's Robert E. Lee and Me challenges the myths and lies of the Confederate legacy—and explores why some of this country’s oldest wounds have never healed. Ty Seidule grew up revering Robert E. Lee. From his southern childhood to his service in the U.S. Army, every part of his life reinforced the Lost Cause myth: that Lee was the greatest man who ever lived, and that the Confederates were underdogs who lost the Civil War with honor. Now, as a retired brigadier general and Professor Emeritus of History at West Point, his view has radically changed. From a soldier, a scholar, and a southerner, Ty Seidule believes that American history demands a reckoning. In a unique blend of history and reflection, Seidule deconstructs the truth about the Confederacy—that its undisputed primary goal was the subjugation and enslavement of Black Americans—and directly challenges the idea of honoring those who labored to preserve that system and committed treason in their failed attempt to achieve it. Through the arc of Seidule’s own life, as well as the culture that formed him, he seeks a path to understanding why the facts of the Civil War have remained buried beneath layers of myth and even outright lies—and how they embody a cultural gulf that separates millions of Americans to this day. Part history lecture, part meditation on the Civil War and its fallout, and part memoir, Robert E. Lee and Me challenges the deeply-held legends and myths of the Confederacy—and provides a surprising interpretation of essential truths that our country still has a difficult time articulating and accepting.
This collection of writings from Haitian anthropologist Michel-Rolph Trouillot includes his most famous, lesser known, and hard to find writings that demonstrate his enduring importance to Caribbean studies, anthropology, history, postcolonial studies, and politically engaged scholarship more broadly.
THE LATEST NOVEL FROM YA SENSATION BETHANY C. MORROW Meet Naema Bradshaw: a beautiful Eloko, once Portland-famous, now infamous, as she navigates a personal and public reckoning where confronting the limits of her privilege will show Naema what her magic really is, and who it makes her. Teen influencer Naema Bradshaw has it all: she’s famous, stylish, gorgeous--and she’s an Eloko, a charismatic person gifted with a melody that people adore. Everyone loves her--until she's cast as the villain who exposed a Siren to the whole world. Dragged by the media, and canceled by her fans, no one understands her side: not her boyfriend, not her friends, not even her fellow Eloko. Villified by those closest to her, Naema heads to the Southwest where she is determined to stage a comeback... to her family, her real self, and the truth about her magic. What she finds is a new community in a flourishing group of online fans who support her. At first, it feels like it used to--the fandom, the adoration, the community that takes her side--but when her online advocates start targeting other Black girls, Naema will realize that--for Black girls like her--even the privilege of fame has its limits. And only Naema can discover the true purpose of her power, and how to use it. “A watery and melodic crossroads of the real and the mythic, A Chorus Rises lures readers with its seductive and beautifully Black siren song. An enthralling tale of Black girl magic and searing social commentary ready to rattle the bones.” —Dhonielle Clayton, New York Times bestselling author of The Belles series A Chorus Rises is a timely confrontation of the evolving nature of popularity in a society that chooses "exceptions" and rewards "model minorities." At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Most observers and historians rarely acknowledge the history of civil rights predating the twentieth-century. The book Black Rights in the Reconstruction Era pays significant scholarly attention to the intellectual ferment—legal and political—of the nineteenth-century by tracing the history of black Americans’ civil rights to the postbellum era. By revisiting its faulty foundational history, this book lends itself to show that, after emancipation, national and local struggles for racial equality had led to the encoding of racism in the political order in the American South and the proliferation of racism as an American institution.Vanessa Holloway draws upon a host of historical, legal, and philosophical studies as well as legislative histories to construct a coherent theory of the law’s relevance to the era, questioning how the nexus of race and politics should be interpreted during Reconstruction. Anchored in the Reconstruction Amendments, Supreme Court decisions and landmark statutes of the 1860s and 1870s—the Black Codes, the Freedmen’s Bureau, the Civil Rights Act of 1866, the Reconstruction Acts, the Enforcement Acts, and the Civil Rights Act of 1875—Black Rights in the Reconstruction Era offers a new perspective on the political history of law between the years 1865 and 1877. It is predominant in the ongoing debates on social justice and racial inequality.