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Reprint of the original, first published in 1876.
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1880 edition. Excerpt: ... CHAPTER IV. MARRIAGE--REMOVAL TO INDIANA--I LOCATE AT NEWPORT AND ENGAGE IN MERCANTILE BUSINESS UNDERGROUND RAILROAD WORK DIFFICULTIES AND DANGERS OF THE WORK TRIP TO NORTH CAROLINA HEART-RENDING SCENE AT A SLAVE AUCTION--TEMPERANCE WORK AT NEWPORT. ON the 28th day of'tenth month, 1824, I was married to Catherine White, daughter of Stanton and Sarah White. We were brought up in the same neighborhood, and had been acquainted from childhood. She belonged to the Religious Society of Friends, and was then a member of Hopewell Monthly Meeting, to which place her father had removed a few years before, from his former residence near New Garden. We were married at Hopewell Meeting-House, after the manner and custom of Friends. My wedding-day was my twenty-sixth birthday; my wife was twenty-one the preceding month. Our attachment to each other was of long standing. She was an amiable and attractive young woman of lively, buoyant spirits. Her heart has ever been quick to respond to the cry of distress, and she has been an able and efficient helper to me in all my efforts on 104 behalf of the fugitive slaves, and a cheerful sharer in all the toils, privations and dangers which we have, in consequence, been called upon to endure. Soon after marriage I rented a house near my school, and here we first went to housekeeping. My school closed early in the spring, and I concluded to rest awhile from the arduous duties of teaching. Thinking that my health would be improved by the open-air exercise of farming, and having a very favorable offer made me of a comfortable house, without charge, in that neighborhood, and as much ground as I wished to cultivate, I prepared to engage in farming. This prospect was pleasant to us both, as my wife and I had been...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Growing up in a Quaker family in the South in 1830, Levi Coffin did not support slavery, but he was exposed to its atrocities. Convinced that every person deserved to be free, Levi began helping slaves escape to the North along the Underground Railroad, and during the following 40 years he was able to help over 3,000 people find freedom.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.