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Excerpt from Reminiscences of James A. Hamilton, or Men and Events: At Home and Abroad, During Three Quarters of a Century About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reprint of the original, first published in 1868.
An esteemed planter, politician, and military leader influential in the affairs of both South Carolina and Texas, James Hamilton (1786--1857) so declined in reputation during the last twenty years of his life that his home state refused to acknowledge him when he died. Robert Tinkler's superb, first-published biography of Hamilton conveys the enormous drama, dignity, and pathos that marked Hamilton's pursuit of the greatness achieved by his prominent Revolutionary-era forebears and his subsequent profound reversal brought on by debt. While a member of Congress during the 1820s, Hamilton came to champion states' interests over a strong central national government. As governor of South Carolina, 1830--1832, he reached the pinnacle of his political and social glory when he presided over the Nullification Crisis of 1832. Hamilton's undoing began with a series of ill-advised cotton speculations that left him deeply and very publicly in arrears by 1839. He desperately sought relief -- even supporting the Compromise of 1850 in hopes of monetary benefit, while alienating his old allies in the process. To his fellow southerners, Hamilton became a scourge and embarrassment as one who compromised his political beliefs because of fiscal distress. Perhaps even more than his political apostasy, Hamilton's unforgivable offense may have been to remind planters of their own struggles with chronic debt. Tinkler's extraordinary research into both Hamilton's life and the dynamics of reputation and debt in the antebellum South suggests that many contemporaries simply wished to forget Hamilton's plight so as to avoid facing their own financial reality. Possessing the weight of tragedy, James Hamilton of South Carolina documents a powerful man's achievements and the events and personal flaws that led to his fall.
Here at long last is the study of the life and paintings of Ralph Earl, the colorful eighteenth-century American artist whose pictures hang in the great galleries but about whom relatively little has appeared in print. A pioneer landscapist in a day when portraiture was the vogue, a Tory in Revolutionary New England, he nevertheless captured the stance and spirit of the new nation in the first decades after the Revolution. He portrayed the merchants and civic leaders of the time, often with their families, in their homes, orchards, business establishments--and the result is a record of post-Revolutionary American dress, design, and decoration as well as face and figure. Professor Goodrich has tracked down and assembled forty-one of Earl's paintings for this book, providing the first opportunity of viewing the artist's work as a body. The pictures range from a youthful re-creation of the Battle of Concord, through portraits done in England (whence he fled during the Revolution and which enabled him to absorb the techniques of the great eighteenth-century English portraitists), to his invaluable paintings of General von Steuben, Mrs. Alexander Hamilton, and other figures in the young United States.