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Reprint of the original, first published in 1881.
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Through a reassessment of phrenology, Phrenology and the Origins of Victorian Scientific Naturalism sheds light on all kinds of works in Victorian Britain and America which have previously been unnoticed or were simply referred to with a vague 'naturalism of the times' explanation. It is often assumed that the scientific naturalism familiar in late nineteenth century writers such as T.H. Huxley and John Tyndall are the effects of a 'Darwinian revolution' unleashed in 1859 on an unsuspecting world following the publication of The Origin of Species. Yet it can be misleading to view Darwin's work in isolation, without locating it in the context of a well established and vigorous debate concerning scientific naturalism. Throughout the nineteenth century intellectuals and societies had been discussing the relationship between nature and man, and the scientific and religious implications thereof. At the forefront of these debates were the advocates of phrenology, who sought to apply their theories to a wide range of subjects, from medicine and the treatment of the insane, to education, theology and even economic theories. Showing how ideas about naturalism and the doctrine of natural laws were born in the early phrenology controversies in the 1820s, this book charts the spread of such views. It argues that one book in particular, The Constitution of Man in Relation to External Objects (1828) by George Combe, had an enormous influence on scientific thinking and the popularity of the 'naturalistic movement'. The Constitution was one of the best-selling books of the nineteenth century, being published continuously from 1828 to 1899, and selling more than 350,000 copies throughout the world, many times more than Dawin's The Origin of Species. By restoring Combe and his work to centre stage it provides modern scholars with a more accurate picture of the Victorians' view of their place in Nature.
This collection of essays includes Stephen Gill on Wordsworth's 'revisitings', Ann Wroe on Shelley's famous pamphlet, 'The Necessity of Atheism', Mary Favret on the cultural practice of 'The General Fast and Humiliation' in war-time, Gregory Leadbetter on Wordsworth's 'Lucy Poems', Daniel Robinson on Wordsworth's sonnets and newspaper verse, Mark J Bruhn and Jacob Risinger on aspects of Wordsworths's thought, Jessica Fay on Wordsworth and hermitude, Matthew Rowney on Wordsworth's peripatetics, Madeleine Callaghan on Shelley's Idealism, Monika Class on Coleridge and the once reputable 'science' of Phrenology, Stacey McDowell on Keats's play 'Otho the Great', Felicity James on Mary Hays and the life-writing of religious Dissent, and Richard Gravil on John Thelwall's hitherto unknown analysis of the prosody of Wordsworth's 'Excursion'.
Examining the history of phrenology and physiognomy, Beauty and the Brain proposes a bold new way of understanding the connection between science, politics, and popular culture in early America. Between the 1770s and the 1860s, people all across the globe relied on physiognomy and phrenology to evaluate human worth. These once-popular but now discredited disciplines were based on a deceptively simple premise: that facial features or skull shape could reveal a person’s intelligence, character, and personality. In the United States, these were culturally ubiquitous sciences that both elite thinkers and ordinary people used to understand human nature. While the modern world dismisses phrenology and physiognomy as silly and debunked disciplines, Beauty and the Brain shows why they must be taken seriously: they were the intellectual tools that a diverse group of Americans used to debate questions of race, gender, and social justice. While prominent intellectuals and political thinkers invoked these sciences to justify hierarchy, marginalized people and progressive activists deployed them for their own political aims, creatively interpreting human minds and bodies as they fought for racial justice and gender equality. Ultimately, though, physiognomy and phrenology were as dangerous as they were popular. In addition to validating the idea that external beauty was a sign of internal worth, these disciplines often appealed to the very people who were damaged by their prejudicial doctrines. In taking physiognomy and phrenology seriously, Beauty and the Brain recovers a vibrant—if largely forgotten—cultural and intellectual universe, showing how popular sciences shaped some of the greatest political debates of the American past.