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In the early decades of the twentieth century, engagement with science was commonly used as an emblem of modernity. This phenomenon is now attracting increasing attention in different historical specialties. Being Modern builds on this recent scholarly interest to explore engagement with science across culture from the end of the nineteenth century to approximately 1940. Addressing the breadth of cultural forms in Britain and the western world from the architecture of Le Corbusier to working class British science fiction, Being Modern paints a rich picture. Seventeen distinguished contributors from a range of fields including the cultural study of science and technology, art and architecture, English culture and literature examine the issues involved. The book will be a valuable resource for students, and a spur to scholars to further examination of culture as an interconnected web of which science is a critical part, and to supersede such tired formulations as 'Science and culture'.
Bobby Tulloch, known to his pals as 'Tucker', was the son of a crofter in the island of Yell. He'd started his working life as a baker and became, through his own extraordinary talents and a certain amount of good luck, a renowned field ornithologist, tour guide, author and wildlife photographer. He was also an accomplished musician and songwriter, a skilled fisherman and a daring (some would say reckless) navigator of small boats among big rocks. He toured the UK giving illustrated talks for the RSPB and frequently appeared on national TV and radio. But perhaps his greatest skill was for friendship. When he died in 1996 at the age of 67 he was mourned by hundreds of friends throughout his native islands and far beyond. In this book, some of those friends celebrate their many happy memories of his life. After a biographical sketch by Jonathan Wills the stories from other contributors tumble out - dramatic, insightful and usually very funny. The book is illustrated throughout with evocative pictures from those eventful days and Bobby's wonderful wildlife and landscape photographs.
When five-year-old Robert Crouse saw a 1910 Curtis pusher biplane fly over his hometown in Tennessee, he was immediately mesmerized. After he watched the plane gently land behind the trees a short distance from his house, he informed anyone who would listen that one day he would fly a plane just like that one. In his memoir There I Was ..., Crouse chronicles how his fascination with airplanes grew throughout his childhood and eventually led him on an unforgettable journey as a young airman during World War II. When Crouse was a seventeen-year-old high school senior, the United States became firmly embroiled in World War II. Although he was too young and suffered from a congenital heart condition, Crouse could hardly wait to get into uniform. As Crouse recounts the details of how he was eventually drafted in 1943 despite his medical challenges and later flew thirty-one missions in B-25s, he provides a real-life glimpse into what it was like for thousands of young men to serve their country in perilous times. There I Was ... couples historical photographs with personal anecdotes and provides a captivating narrative sure to entertain World War II and airplane buffs alike.
The Routledge Companion to Animal-Human History provides an up-to-date guide for the historian working within the growing field of animal-human history. Giving a sense of the diversity and interdisciplinary nature of the field, cutting-edge contributions explore the practices of and challenges posed by historical studies of animals and animal-human relationships. Divided into three parts, the Companion takes both a theoretical and practical approach to a field that is emerging as a prominent area of study. Animals and the Practice of History considers established practices of history, such as political history, public history and cultural memory, and how animal-human history can contribute to them. Problems and Paradigms identifies key historiographical issues to the field with contributors considering the challenges posed by topics such as agency, literature, art and emotional attachment. The final section, Themes and Provocations, looks at larger themes within the history of animal-human relationships in more depth, with contributions covering topics that include breeding, war, hunting and eating. As it is increasingly recognised that nonhuman actors have contributed to the making of history, The Routledge Companion to Animal-Human History provides a timely and important contribution to the scholarship on animal-human history and surrounding debates.
Yet for most of the next century, the simian tongue and the means for its study existed at the scientific periphery.
Listening to British Nature: Wartime, Radio, and Modern Life, 1914-1945 traces the impact of sounds and rhythm of the natural world and how they were listened, interpreted, and used amid the pressures of modern life to in early twentieth-century Britain. Author Michael Guida argues thatdespite and sometimes because of the chaos of wartime and the struggle to recover, nature's voices were drawn close to provide everyday security, sustenance and a sense of the future. Nature's sonic presences were not obliterated by the noise of war, the advent of radio broadcasting and the rush ofthe everyday, rather they came to complement and provide alternatives to modern modes of living.Listening to British Nature examines how trench warfare demanded the creation of new listening cultures in order to understand danger and to imagine survival. It tells of the therapeutic communities who used quiet and rural rhythms to restore shell-shocked soldiers and of ramblers who sought toimmerse themselves in the sensualities of the outdoors, revealing how home-front listening in the Blitz was punctuated by birdsong broadcast by the BBC. In focusing on the sensing of sounds and rhythms, this study demonstrates how nature retained its emotional potency as the pace andunpredictabilities of life seemed to increase and new man-made sounds and sonic media appeared all around. To listen to nature during this time was to cultivate an intimate connection with its vibrations and to sense an enduring order and beauty that could be taken into the future.