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My Life Was Perfectly Simple. Then He Walked Through The Door... I'm private investigator Laura Holt. My agency was hired to protect a valuable shipment of precious gems but with one catch: the client wanted to meet my boss. Only problem was that he didn't exist. I made him up because no one would ever take a female investigator seriously. But one day this total stranger with ocean blue eyes, a dazzling smile and at least five identities tried to steal those jewels. The next thing I knew he had assumed a sixth identity, moved into my office, moved into my life, and despite my best efforts, he moved into my heart. We've been together for five years; I married him (well, sort of) and I still don't know his real name! I suppose it really doesn't matter anymore because from the moment he walked through the door, the entire world came to know him as REMINGTON STEELE The ULTIMATE Remington Steele guide! Over 750 pages!
Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades, with Steven Bochco's dramas seeking a new realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer provides essential reading for any fan. This work provides a comprehensive history of detective and police shows on television, with, among other elements, production histories of seminal programs, and interviews with some of the most important writers and producers of crime television. Besides the shows listed above, this volume will also discuss such programs as: Peter Gunn, The Mod Squad, Hawaii Five-O, Columbo, Starsky and Hutch, Charlie's Angels, Magnum P.I., Miami Vice, T.J. Hooker, Remington Steele, Cagney and Lacey, Murder, She Wrote, The Commish, Homicide: Life on the Street, Monk, and many more.
Television screens in the 1980s reflected some of the most memorable programs of all time. In that decade, such critically acclaimed shows as Cheers, The Golden Girls, Hill Street Blues, Newhart, and St. Elsewhere debuted. In that same decade, iconic shows like The A-Team, Baywatch, Cagney & Lacey, Knight Rider, MacGyver,Miami Vice, and Roseanne appealed to millions of viewers. Even after these shows departed the airwaves, they live on in syndication and on DVDs, entertaining many generations of viewers. In Television Series of the 1980s: Essential Facts and Quirky Details, Vincent Terrace presents readers with a cornucopia of information about more than seventy programs from the decade. For example, did you know that Sam Malone had an ex-wife named Deborah? Or that MacGyver’s alias was Dexter Fillmore? Or Dan Fielding’s license plate on Night Court read “Hot to Trot”? These are just a handful of hundreds of fun and intriguing specifics found inside this volume. Programs from all four major networks (ABC, CBS, FOX, and NBC)—as well as select syndicated programs—are represented here. This is not a book of opinions or essays about specific television programs but a treasure trove of facts associated with each show. Fromthe name of Roseanne’s diner to the title of Jessica Fletcher’s first novel, readers will discover a wealth of fascinating information that, for the most part, cannot be found elsewhere. In some cases, the factual data detailed herein is the only such documentation that currently exists on bygone shows of the era. Television Series of the 1980s is the ideal reference for fans of this decade and anyone looking to stump even the most knowledgeable trivia expert.
A retrospective look at the series Remington Steele.
Can a gumshoe wear high heels? In a genre long dominated by men, women are now taking their place-as authors and as characters-alongside hard-boiled legends like Sam Spade and Mike Hammer. Hardboiled and High Heeled examines the meteoric rise of the female detective in contemporary film, television, and literature. Richly illustrated and written with a fan's love of the genre, Hardboiled and High Heeled is an essential introduction to women in detective fiction, from past to present, from pulp fiction to blockbuster films.
Women's inclinations to identify with television characters varies with their assessment of the realism of these characters and their social world.
Since the beginning of network television, many shows have been preceded by an announcement or theme song that served various purposes. In the 1950s and ’60s, it was common for announcers to declare that a program had been “brought to you by” a sponsor who paid for the privilege of introducing a show. Other programs, such as The Twilight Zone, Star Trek, and The Odd Couple,provided a brief encapsulation of the show’s subject matter, a practice that has continued for recent shows like Alias, Battlestar Galactica, Person of Interest, and the various editions of Law & Order. In Television Introductions: Narrated TV Program Openings since 1949, Vincent Terrace has assembled openings for more than nine hundred television shows from the past seven decades. The only documented history of narrated television program introductions, this volume is arranged by type of programming, such as comedy, drama, Western, game show, soap opera, and children’s show. In addition to quoting the opening material, entries provide information about each show’s network history and years of broadcast. Many entries include descriptions of the show, the names of announcers, and a list of main cast members, as well as a sponsor pitch exactly as spoken. Openings for programs with multiple introductions like The Adventures of Ozzie and Harriet and Charlie’s Angels are also included. For programs that featured new guest stars every episode—such as game shows and variety programs—Terrace has selected a representative introduction. In addition to the theme song credits found in the main text, there are also appendixes of theme songs and their composers and/or singers, as well as a listing of commercial releases (on DVD, VHS, CD, and LP) of shows and their soundtracks. A comprehensive resource for researchers and pop culture aficionados alike, Television Introductions provides a fascinating look at this neglected part of TV history.
In this book the author examines how women detectives are portrayed in film, in literature and on TV. Chapters examine the portrayal of female investigators in each of these four genres: the Gothic novel, the lesbian detective novel, television and film.
Featuring 16 pages of rare photographs, this biography includes a comprehensive filmography and chronology of Pierce Brosnan's career.
Thinking Outside the Box brings together some of the best and most challenging scholarship about TV genres, exploring their genesis, their functions and development, and the interaction of disparate genres. The authors argue that genre is a process rather than a static category and that it signifies much about the people who produce and watch the shows. In addition to considering traditional genres such as sitcoms, soap operas, and talk shows, the contributors explore new hybrids, including reality programs, teen-oriented science fiction, and quality dramas, and examine how many of these shows have taken on a global reach. Identifying historical continuities and envisioning possible trends, this is the richest and most current study of how television genres form, operate, and change.