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'This series will soon become a Netflix series... so get in on the ground floor while you still can' Esquire Imagine a universe patrolled by numberless and nameless predators. Imagine what might happen to any civilisation unwise enough to broadcast its location. This is Cixin Liu's THREE-BODY PROBLEM TRILOGY. Weaving a complex web of stratagem, subterfuge, philosophy and physics across light years of space and 18.9 million years of time, this tale of humanity's struggle to reach the stars is a visionary masterwork of unprecedented scale and momentum. Available now in a single volume, including: 1 THE THREE-BODY PROBLEM 2 THE DARK FOREST 3 DEATH'S END Read the award-winning, critically acclaimed, multi-million-selling phenomenon – soon to be a Netflix Original Series from the creators of Game of Thrones. Reviews for Cixin Liu: 'A milestone' New York Times 'Immense' Barack Obama 'Unique' George R.R. Martin 'SF in the grand style' Guardian 'Mind-altering and immersive' Daily Mail
The full chronological sweep of democracy, from the assemblies of ancient Mesopotamia and Athens to present perils around the globe. The Shortest History books deliver thousands of years of history in one riveting, fast-paced read. This compact history unspools the tumultuous global story that began with democracy’s radical core idea: We can collaborate, as equals, to determine our own futures. Acclaimed political thinker John Keane traces how this concept emerged and evolved, from the earliest “assembly democracies” in Syria-Mesopotamia to European-style “electoral democracy” and to our uncertain present. Today, thanks to our always-on communication channels, governments answer not only to voters on Election Day but to intense scrutiny every day. This is “monitory democracy”—in Keane’s view, the most complex and vibrant model yet—but it’s not invulnerable. Monitory democracy comes with its own pathologies, and the new despotism wields powerful warning systems, from social media to election monitoring, against democracy itself. At this urgent moment, when despots in countries such as China, Russia, Iran, and Saudi Arabia reject the promises of democratic power-sharing, Keane mounts a bold defense of a precious global ideal.
The twenty-first century has witnessed an explosion of speculative fiction in translation (SFT). Rachel Cordasco examines speculative fiction published in English translation since 1960, ranging from Soviet-era fiction to the Arabic-language dystopias that emerged following the Iraq War. Individual chapters on SFT from Korean, Czech, Finnish, and eleven other source languages feature an introduction by an expert in the language's speculative fiction tradition and its present-day output. Cordasco then breaks down each chapter by subgenre--including science fiction, fantasy, and horror--to guide readers toward the kinds of works that most interest them. Her discussion of available SFT stands alongside an analysis of how various subgenres emerged and developed in a given language. She also examines the reasons a given subgenre has been translated into English. An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
Experience Cixin Liu's award-winning and bestselling masterpiece, The Three Body Problem. A secret military group sends signals into space in hopes of establishing contact with aliens--and succeeds. Picking up their signal is an alien civilization on the brink of destruction who now readies to invade Earth. News of the coming invasion divides humanity like never before. Some want to help the superior beings take over a world they see as corrupt. Others prepare to fight the invasion at all cost. The Three Body Problem begins a ground-breaking saga of enormous scope and vision. "The War of the Worlds for the twenty-first century . . . Packed with a sense of wonder." --The Wall Street Journal The Remembrance of Earth's Past Trilogy The Three-Body Problem The Dark Forest Death's End Other Books Ball Lightning (forthcoming)
The book highlights the urban imagination in contemporary Chinese science fiction, in order to assess the capacity of Chinese society to conceive of the future. The author argues that ‘the future’ is a set of directional and normative ideas that forms the basis of the entire social mobilization mechanism in China, while the capacity to imagine the future is likely to be produced in response to the present challenges. By discussing the urban space, the reconstruction of time, the infrastructure, and concepts of the 'urban-rural' and civilization in contemporary Chinese science fiction, she demonstrates how contemporary Chinese sci-fi may offer potential solutions to ways of ‘unlocking’ the future. In addition, she also points out the limitations of Chinese society’s imaginative vision of the future. The book will be of interest to scholars and postgraduate students of modern Chinese literature, science fiction studies, urban studies, or cultural studies.
Winner, 2023 SFRA Book Award, Science Fiction Research Association A new wave of cutting-edge, risk-taking science fiction has energized twenty-first-century Chinese literature. These works capture the anticipation and anxieties of China’s new era, speaking to a future filled with uncertainties. Deeply entangled with the politics and culture of a changing China, contemporary science fiction has also attracted a growing global readership. Fear of Seeing traces the new wave’s origin and development over the past three decades, exploring the core concerns and literary strategies that make it so distinctive and vital. Mingwei Song argues that recent Chinese science fiction is united by a capacity to illuminate what had been invisible—what society had chosen not to see; what conventional literature had failed to represent. Its poetics of the invisible opens up new literary possibilities and inspires new ways of telling stories about China and the world. Reading the works of major writers such as Liu Cixin and Han Song as well as lesser-known figures, Song explores how science fiction has spurred larger changes in contemporary literature and culture. He analyzes key topics: variations of utopia and dystopia, cyborgs and the posthuman, and nonbinary perspectives on gender and genre, among many more. A compelling and authoritative account of the politics and poetics of contemporary Chinese science fiction, Fear of Seeing is an important book for all readers interested in the genre’s significance for twenty-first-century literature.
"We’re mysterious aliens in the crowd. We jump like fleas from future to past and back again, and float like clouds of gas between nebulae; in a flash, we can reach the edge of the universe, or tunnel into a quark, or swim within a star-core. . . . We’re as unassuming as fireflies, yet our numbers grow like grass in spring. We sci-fi fans are people from the future."—Cixin Liu, from the essay "Sci-Fi Fans" A VIEW FROM THE STARS features a range of short works from the past three decades of New York Times bestselling author Cixin Liu's prolific career, putting his nonfiction essays and short stories side-by-side for the first time. This collection includes essays and interviews that shed light on Liu's experiences as a reader, writer, and lover of science fiction throughout his life, as well as short fiction that gives glimpses into the evolution of his imaginative voice over the years. "Science fiction without guile, without snark, without ironic disaffection and all its exhausting modern baggage. It just asks what would happen? Waits for someone to answer. And then it asks again."—NPR on the works of Cixin Liu At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Librarians who work with readers will find this well-loved guide to be a treasure trove of information. With descriptive annotations of thousands of genre titles mapped by genre and subgenre, this is the readers' advisor's go-to reference. Next to author, genre is the characteristic that readers use most to select reading material and the most trustworthy consideration for finding books readers will enjoy. With its detailed classification and pithy descriptions of titles, this book gives users valuable insights into what makes genre fiction appeal to readers. It is an invaluable aid for helping readers find books that they will enjoy reading. Providing a handy roadmap to popular genre literature, this guide helps librarians answer the perennial and often confounding question "What can I read next?" Herald and Stavole-Carter briefly describe thousands of popular fiction titles, classifying them into standard genres such as science fiction, fantasy, romance, historical fiction, and mystery. Within each genre, titles are broken down into more specific subgenres and themes. Detailed author, title, and subject indexes provide further access. As in previous editions, the focus of the guide is on recent releases and perennial reader favorites. In addition to covering new titles, this edition focuses more narrowly on the core genres and includes basic readers' advisory principles and techniques.
Anthologies, awards, journals, and works in translation have sprung up to reflect science fiction's increasingly international scope. Yet scholars and students alike face a problem. Where does one begin to explore global SF in the absence of an established canon? Lingua Cosmica opens the door to some of the creators in the vanguard of international science fiction. Eleven experts offer innovative English-language scholarship on figures ranging from Cuban pioneer Daína Chaviano to Nigerian filmmaker Olatunde Osunsanmi to the Hugo Award-winning Chinese writer Liu Cixin. These essays invite readers to ponder the themes, formal elements, and unique cultural characteristics within the works of these irreplaceable—if too-little-known—artists. Dale Knickerbocker includes fantasists and genre-benders pushing SF along new evolutionary paths even as they draw on the traditions of their own literary cultures. Includes essays on Daína Chaviano (Cuba), Jacek Dukaj (Poland), Jean-Claude Dunyac (France), Andreas Eschbach (Germany), Angélica Gorodischer (Argentina), Sakyo Komatsu (Japan), Liu Cixin (China), Laurent McAllister (Yves Meynard and Jean-Louis Trudel, Francophone Canada), Olatunde Osunsanmi (Nigeria), Johanna Sinisalo (Finland), and Arkady and Boris Strugatsky (Russia). Contributors: Alexis Brooks de Vita, Pawel Frelik, Yvonne Howell, Yolanda Molina-Gavilán, Vibeke Rützou Petersen, Amy J. Ransom, Hanna-Riikka Roine, Hanna Samola, Mingwei Song, Tatsumi Takayuki, Juan Carlos Toledano Redondo, and Natacha Vas-Deyres.
Literature has never looked weirder--full of images, colors, gadgets, and footnotes, and violating established norms of character, plot, and narrative structure. Yet over the last 30 years, critics have coined more than 20 new “realisms” in their attempts to describe it. What makes this decidedly unorthodox literature “realistic”? And if it is, then what does “realism” mean anymore? Examining literature by dozens of writers, and over a century of theory and criticism about realism, The Moral Worlds of Contemporary Realism sorts through the current critical confusion to illustrate how our ideas about what is real and how best to depict it have changed dramatically, especially in recent years. Along the way, Mary K. Holland guides the reader on a lively tour through the landscape of contemporary literary studies--taking in metafiction, ideology, posthumanism, postmodernism, and poststructuralism--with forays into quantum mechanics, new materialism, and Buddhism as well, to give us entirely new ways of viewing how humans use language to make sense of--and to make--the world.