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Compiled from the best of John Conways popular Retrospect column, these articles shine a spotlight on famous faces of the past, from George Suslosky, phenomenal yet feisty diner cook, to the worst woman on earth, Lizzie Brown Halliday. Enlightening and entertaining, the remarkable historical vignettes in this volume explore the customs and curiosities of the Sullivan County Catskills. High on a bank in Craig-e-Clare sat the stately Dundas Castle, rumored to house a beautiful woman who lured fishermen from the Beaverkill River into her lair. In the hamlet of De Bruce, every spring a monstrous panther prowled, feasting on trout and tourists. These are no myths from the dark history of foreign lands, but tales from the colorful past of Sullivan County, New York.
The Catskills (“Cat Creek” in Dutch), America’s original frontier, northwest of New York City, with its seven hundred thousand acres of forest land preserve and its five counties—Delaware, Greene, Sullivan, Ulster, Schoharie; America’s first great vacationland; the subject of the nineteenth-century Hudson River School paintings that captured the almost godlike majesty of the mountains and landscapes, the skies, waterfalls, pastures, cliffs . . . refuge and home to poets and gangsters, tycoons and politicians, preachers and outlaws, musicians and spiritualists, outcasts and rebels . . . Stephen Silverman and Raphael Silver tell of the turning points that made the Catskills so vital to the development of America: Henry Hudson’s first spotting the distant blue mountains in 1609; the New York State constitutional convention, resulting in New York’s own Declaration of Independence from Great Britain and its own constitution, causing the ire of the invading British army . . . the Catskills as a popular attraction in the 1800s, with the construction of the Catskill Mountain House and its rugged imitators that offered WASP guests “one-hundred percent restricted” accommodations (“Hebrews will knock vainly for admission”), a policy that remained until the Catskills became the curative for tubercular patients, sending real-estate prices plummeting and the WASP enclave on to richer pastures . . . Here are the gangsters (Jack “Legs” Diamond and Dutch Schultz, among them) who sought refuge in the Catskill Mountains, and the resorts that after World War II catered to upwardly mobile Jewish families, giving rise to hundreds of hotels inspired by Grossinger’s, the original “Disneyland with knishes”—the Concord, Brown’s Hotel, Kutsher’s Hotel, and others—in what became known as the Borscht Belt and Sour Cream Alps, with their headliners from movies and radio (Phil Silvers, Eddie Cantor, Milton Berle, et al.), and others who learned their trade there, among them Moss Hart (who got his start organizing summer theatricals), Sid Caesar, Lenny Bruce, Mel Brooks, Woody Allen, and Joan Rivers. Here is a nineteenth-century America turning away from England for its literary and artistic inspiration, finding it instead in Washington Irving’s “Rip Van Winkle” and his childhood recollections (set in the Catskills) . . . in James Fenimore Cooper’s adventure-romances, which provided a pastoral history, describing the shift from a colonial to a nationalist mentality . . . and in the canvases of Thomas Cole, Asher B. Durand, Frederick Church, and others that caught the grandeur of the wilderness and that gave texture, color, and form to Irving’s and Cooper’s imaginings. Here are the entrepreneurs and financiers who saw the Catskills as a way to strike it rich, plundering the resources that had been likened to “creation,” the Catskills’ tanneries that supplied the boots and saddles for Union troops in the Civil War . . . and the bluestone quarries whose excavated rock became the curbs and streets of the fast-growing Eastern Seaboard. Here are the Catskills brought fully to life in all of their intensity, beauty, vastness, and lunacy.
“A nostalgic pastiche of fiction, memoir, photography, art, postcards, menus, etc., celebrating Jewish resort life in the Catskills.”—Providence Journal With selections ranging from literature to song lyrics, this book highlights the Catskills experience over a century, and assesses its continuing impact on American music, comedy, food, culture, and religion. It features selections from such fiction writers as Isaac Bashevis Singer, Herman Wouk, Allegra Goodman and Vivian Gornick; and original contributions from historians, sociologists, and scholars of American and Jewish culture that trace the history of the region, the rise of hotels and bungalow colonies, the wonderful flavors of food and entertainment, and distinctive forms of Jewish religion found in the Mountains. What was life—the work, the play, the food, the romance—like at Catskills Mountains resorts? These very personal recollections capture the special sense of community and freedom that developed among Jewish families leaving the city behind for a summer vacation and enjoying a cultural space of their own. From “Bingo by the Bungalow” by Thane Rosenbaum to “Young Workers in the Hotels” by Phil Brown to “Shoot the Shtrudel to Me Yudel” by Henry Foner, this charming anthology captures an era that has had enormous impact on the Jewish experience and American culture as a whole. “A warm, charming, and valuable work. Much of the writing is simply gorgeous.”—Contemporary Sociology
The Woodstock festival of 1969, which featured such groups and artists as the Who, Country Joe and the Fish, Ten Years After, Janis Joplin and Jimi Hendrix, is remembered as much for its 'bringing together' of the counter-cultural generation as for the music performed. The event represented a milestone in the use of music as a medium for political expression while simultaneously acting as a springboard for the more expressly commercial of rock and pop events which were to follow. In the thirty years since the festival took place, Woodstock has become the subject of many books, magazine articles and documentaries which have served to mythologise the event in the public imagination. These different aspects of the Woodstock festival will be discussed in this wide ranging book which brings together a number of established and new writers in the fields of sociology, media studies and popular music studies. Each of the five chapters which will focus on a specific aspect of the Woodstock festival and its continuing significance in relation to the music industry, the rock festival 'tradition', sixties nostalgia and the cultural impact of popular music.
In Honest Patriots, renowned public theologian and ethicist Donald W. Shriver, Jr. argues that we must acknowledge and repent of the morally negative events in our nation's past. The failure to do so skews the relations of many Americans to one another, breeds ongoing hostility, and damages the health of our society. Yet our civic identity today largely rests on denials, forgetfulness, and inattention to the memories of neighbors whose ancestors suffered great injustices at the hands of some dominant majority. Shriver contends that repentance for these injustices must find a place in our political culture. Such repentance must be carefully and deliberately cultivated through the accurate teaching of history, by means of public symbols that embody both positive and negative memory, and through public leadership to this end. Religious people and religious organizations have an important role to play in this process. Historically, the Christian tradition has concentrated on the personal dimensions of forgiveness and repentance to the near-total neglect of their collective aspects. Recently, however, the idea of collective moral responsibility has gained new and public visibility. Official apologies for past collective injustice have multiplied, along with calls for reparations. Shriver looks in detail at the examples of Germany and South Africa, and their pioneering efforts to foster and express collective repentance. He then turns to the historic wrongs perpetrated against African Americans and Native Americans and to recent efforts by American citizens and governmental bodies to seek public justice by remembering public injustice. The call for collective repentance presents many challenges: What can it mean to morally master a past whose victims are dead and whose sufferings cannot be alleviated? What are the measures that lend substance to language and action expressing repentance? What symbolic and tangible acts produce credible turns away from past wrongs? What are the dynamics-psychological, social, and political-whereby we can safely consign an evil to the past? How can public life witness to corporate crimes of the past in such a way that descendents of victims can be confident that they will never be repeated? In his provocative answers to these questions Shriver creates a compelling new vision of the collective repentance and apology that must precede real progress in relations between the races in this country.
Less than a day's drive from New York City, Boston or Philadelphia, the Catskills have long been a popular weekend and summer retreat for city folk. The area offers fine accommodations, top-notch dining and spectacular surroundings. This book profiles hundreds of hotels and restaurants, with an emphasis on the very best places. Daytime activities - shopping, antique-hunting and more - are featured.
The Catskills (“Cat Creek” in Dutch), America’s original frontier, northwest of New York City, with its seven hundred thousand acres of forest land preserve and its five counties—Delaware, Greene, Sullivan, Ulster, Schoharie; America’s first great vacationland; the subject of the nineteenth-century Hudson River School paintings that captured the almost godlike majesty of the mountains and landscapes, the skies, waterfalls, pastures, cliffs . . . refuge and home to poets and gangsters, tycoons and politicians, preachers and outlaws, musicians and spiritualists, outcasts and rebels . . . Stephen Silverman and Raphael Silver tell of the turning points that made the Catskills so vital to the development of America: Henry Hudson’s first spotting the distant blue mountains in 1609; the New York State constitutional convention, resulting in New York’s own Declaration of Independence from Great Britain and its own constitution, causing the ire of the invading British army . . . the Catskills as a popular attraction in the 1800s, with the construction of the Catskill Mountain House and its rugged imitators that offered WASP guests “one-hundred percent restricted” accommodations (“Hebrews will knock vainly for admission”), a policy that remained until the Catskills became the curative for tubercular patients, sending real-estate prices plummeting and the WASP enclave on to richer pastures . . . Here are the gangsters (Jack “Legs” Diamond and Dutch Schultz, among them) who sought refuge in the Catskill Mountains, and the resorts that after World War II catered to upwardly mobile Jewish families, giving rise to hundreds of hotels inspired by Grossinger’s, the original “Disneyland with knishes”—the Concord, Brown’s Hotel, Kutsher’s Hotel, and others—in what became known as the Borscht Belt and Sour Cream Alps, with their headliners from movies and radio (Phil Silvers, Eddie Cantor, Milton Berle, et al.), and others who learned their trade there, among them Moss Hart (who got his start organizing summer theatricals), Sid Caesar, Lenny Bruce, Mel Brooks, Woody Allen, and Joan Rivers. Here is a nineteenth-century America turning away from England for its literary and artistic inspiration, finding it instead in Washington Irving’s “Rip Van Winkle” and his childhood recollections (set in the Catskills) . . . in James Fenimore Cooper’s adventure-romances, which provided a pastoral history, describing the shift from a colonial to a nationalist mentality . . . and in the canvases of Thomas Cole, Asher B. Durand, Frederick Church, and others that caught the grandeur of the wilderness and that gave texture, color, and form to Irving’s and Cooper’s imaginings. Here are the entrepreneurs and financiers who saw the Catskills as a way to strike it rich, plundering the resources that had been likened to “creation,” the Catskills’ tanneries that supplied the boots and saddles for Union troops in the Civil War . . . and the bluestone quarries whose excavated rock became the curbs and streets of the fast-growing Eastern Seaboard. Here are the Catskills brought fully to life in all of their intensity, beauty, vastness, and lunacy.
At one time, according to the Catskill Institute, there were more than a thousand hotels spread across the mountains of Greene, Ulster, Delaware, and Sullivan Counties. The Catskills were an exciting world full of pleasures to be enjoyed, with summer and winter activities characterized by entertainment, food, sports, card playing, and food again. Catskill Hotels, with a collection of some two hundred images, tells the story of this world, which began with America's first resort hotel, the Catskill Mountain House, continued with places such as the world-famous Grossinger's, and can still be found today at Kutsher's Country Club, the Mountain House at Lake Mohonk, and a few other hardy resorts.