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The legend of John Noforce- whose puzzling death may have been the result of a Native American Romeo and Juliet saga- 1676's bloody Nipsachuck massacre and the scandalous downfall of the poor farm and asylum are a few of the tales that linger among historic Smithfield's fields and forests. Once home to 'Apple King' Thomas K. Winsor and Arthur C. Gould, frustrated inventor of Rhode Island's first and only aircraft rest stop, this storied town has known both triumph and tragedy. Local author Jim Ignasher's expertly woven collection of vignettes speaks to the ever-enduring spirit of Smithfield's people. From illegal ice cream peddlers to a mysterious traveler killed by his own pet rattlesnake, the roots of this vibrant community extend far beyond its celebrated apple orchards
Drawing on the work of scholars and practitioners such as Augusto Boal, Gloria Anzaldua, and Trinh Minh-ha, these essays advocate oral history and oral history-based performance as means to challenge and expand upon traditional ways of transmitting historical knowledge. The contributors' central concerns are performative aspects of oral history itself and the theatrical or classroom "re-performance" of oral history. The essays detail classroom and public pedagogies, community-based interventions, processes of developing interview-based performances, and the ethical and political implications of oral history as an embodied form of representation. The essays collected in this volume present the most current scholarship straddling the rich intersection between oral history and performance, and together suggest ways for scholars and performers to use oral history to challenge more traditional modes of knowledge.
The way that characters in early modern theatrical performance think through their surroundings is important in our understanding of perception, memory, and other forms of embodied affective thought. This book explores this concept in dramatic works by Marlowe, Shakespeare, Beaumont, and Jonson.
In the late 1890s, young newspaper reporters Henry and Hazel team up to find the perpetrators of some shady land deals in several states. One of the men suspected is the governor of Arkansas, though he puts up a good front as the perfect husband and father. The governor’s wife and daughter leave home one night to escape his temper and greed. The governor’s wife starts a new life miles away. It seems this perfect family has plenty of secrets to hide. A small twister rips up part of Arkansas, and the governor is feared dead. Instead, he is hurt, missing, and has memory loss. Hazel discovers papers that lead to questions that will only hurt her, while Henry overhears a conversation that leaves him with unanswered questions and a lack of trust in Hazel. Making easy money brings the governor and his blackmailer to the same town where his wife is living. Something triggers the governor’s memory and little pieces of his life start coming back, some good, and some dangerous. Hazel and Henry share their information, but Henry knows Hazel is keeping something from him. Henry’s Secrets of Untold Truth is a mystery told by two newspaper reporters who have various aspects of the case.
In Approaching Historical Sources in Their Contexts, 12 academics examine how space, time and performance interact to co-create context for source analysis. The chapters cover 2000 years and stretch across the Americas and Europe. They are grouped into three themes, with the first four exploring aspects of movement within and around an environment: buildings, the tension between habitat and tourist landscape, cemeteries and war memorials. Three chapters look at different aspects of performance: masque and opera in which performance is (re)constructed from several media, radio and television. The final group of chapters consider objects and material culture in which both spatial placement and performance influence how they might be read as historical sources: archaeological finds and their digital management, the display of objects in heritage locations, clothing, photograph albums and scrapbooks. Supported by a range of case studies, the contributors embed lessons and methodological approaches within their chapters that can be adapted and adopted by those working with similar sources, offering students both a theoretical and practical demonstration of how to analyse sources within their contexts. Drawing out common threads to help those wishing to illuminate their own historical investigation, this book encourages a broad and inclusive approach to the physical and social contexts of historical evidence for those undertaking source analysis.
A thrilling history of England's great metropolis at a point of great change, told through the story of a young vagrant murdered by "resurrection men" Before his murder in 1831, the "Italian boy" was one of thousands of orphans on the streets of London, moving among the livestock, hawkers, and con men, begging for pennies. When his body was sold to a London medical college, the suppliers were arrested for murder. Their high-profile trial would unveil London's furtive trade in human corpses carried out by body-snatchers--or "resurrection men"--who killed to satisfy the first rule of the cadaver market: the fresher the body, the higher the price. Historian Sarah Wise reconstructs not only the boy's murder but the chaos and squalor of London that swallowed the fourteen-year-old vagrant long before his corpse appeared on the slab. In 1831, the city's poor were desperate and the wealthy were petrified, the population swelling so fast that old class borders could not possibly hold. All the while, early humanitarians were pushing legislation to protect the disenfranchised, the courts were establishing norms of punishment and execution, and doctors were pioneering the science of human anatomy. Vivid and intricate, The Italian Boy restores to history the lives of the very poorest Londoners and offers an unparalleled account of the sights, sounds, and smells of a city at the brink of a major transformation.
People are inexplicably drawn to abandoned places. Believe it or not, New England is home to numerous ghost towns long abandoned, but filled with mystery, unexpected beauty, and a sense that these locations are simply biding their time, waiting for people to return. Taryn Plumb explores dozens of locations in the region, revealing the surprising histories of the towns and the reasons they were abandoned. In Maine, sites include Flagstaff, whose citizens were forced out to make way for a dam and which now sits at the bottom of Flagstaff Lake; Riceville, wiped out by cholera; and Perkins Township, which was abandoned so suddenly the remaining houses are still filled with furnishings. Locations in New Hampshire’s White Mountains, Vermont, Massachusetts, and Connecticut are also covered in this unique and fascinating tour.
V. 12 contains: The Archer...Christmas, 1877.
The First World War claimed over 995,000 British lives, and its legacy continues to be remembered today. Great War Britain: London offers an in-depth portrait of the capital and its people during the 'war to end all wars'. It describes the reaction to the war's outbreak; charts the experience of individuals who enlisted; shares many first-hand experiences, including tales of the Zeppelin raids and anti-German riots of the era; examines the work of local hospitals; and explores how the capital and its people coped with the transition to life in peacetime. Vividly illustrated with evocative images from the newspapers of the day, it commemorates the extraordinary bravery and sacrifice of London's residents between 1914 and 1918.
It¿s the summer of 1964, Freedom Summer, as the army of young civil rights workers call it. Rhys Ellis is a British drama student who, having finished his small part in a Hollywood film, goes with his two Los Angeles housemates and close friends, Gene Caldwell and Bobby Epstein, to Mississippi. There Gene, member of a wealthy black Chicago family, brilliant and compelling, is seen as a threat to the white establishment and is targeted for death. Trying to defend him, Bobby is killed and Rhys is injured and left for dead. The trauma of the murders leaves Rhys with total amnesia, and the story unfolds as he regains his memory in blocks and fragments. The Ku Klux Klan searches for him in an effort to eliminate the only witness to the murders. Rhys must hide from them to pursue his friends¿ work in the Deep South and his unrequited love for Gene¿s twin sister.