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Memory systems help you memorize lots of information quickly and easily. Based on a proven illustrated mnemonic memory system that has made its companion book, Yo Millard Fillmore! a huge success, with over 500,000 copies sold, Yo Sacramento! will help anyone nine years old or older memorize all of the U.S. states and their capitals - quickly and easily. In response to nationwide demand, we offer Yo, Sacramento! to help you memorize all of the U.S. states and their capitals—just as quickly and easily!
"Historical profiles of restaurants in Sacramento, California, that operated during the 19th and 20th centuries"--
Collection of remembrances by those who knew Cesar Chavez best the famous, members of the Chavez family, UFW staff and farmworkers themselves.
From its birth to the present, Sacramento has consistently built and reshaped its appearance, ideals, and industry. Through changing fortunes, Sacramento has continued to grow and prosper by overcoming adversity and maintaining the strong, independent culture of its citizens. With a selection of fine historic images from their best-selling book Historic Photos of Sacramento, James Scott and Tom Tolley provide a valuable and revealing historical retrospective on the growth and development of Sacramento. Remembering Sacramento captures this journey through still photography selected from the finest archives. From the 1860s to the 1960s, Remembering Sacramento follows life, government, education, and events throughout the city's history. This volume captures unique and rare scenes through the lens of more than a hundred historic photographs. Published in vivid black-and-white, these images communicate historic events and everyday life of two centuries of people building a unique and prosperous city.
"A compilation of oral histories and unpublished photographs that narrate the history of the Japantown neighborhood in Sacramento, California"--
Scholars across the humanities and social sciences who study public memory study the ways that groups of people collectively remember the past. One motivation for such study is to understand how collective identities at the local, regional, and national level emerge, and why those collective identities often lead to conflict. Public Memory, Race, and Ethnicity contributes to this rapidly evolving scholarly conversation by taking into consideration the influence of race and ethnicity on our collective practices of remembrance. How do the ways we remember the past influence racial and ethnic identities? How do racial and ethnic identities shape our practices of remembrance? Public Memory, Race, and Ethnicity brings together nine provocative critical investigations that address these questions and others regarding the role of public memory in the formation of racial and ethnic identities in the United States. The book is organized chronologically. Part I addresses the politics of public memory in the late nineteenth and early twentieth centuries, focusing on how immigrants who found themselves in a strange new world used memory to assimilate, on the interplay of ethnicity and patriarchy in early monumental representations of Sacagawea, and on the use of memory and forgetting to negotiate labor and racial tensions in an industrial steel town. Part II attends to the dynamics of memory and forgetting during and after World War II, examining the problems of remembrance as they are related to Japanese internment, the strategies of remembrance surrounding important events of the Civil Rights Movement, and the institutional use of memory and tradition to normalize whiteness and control human behavior. Part III focuses on race and remembrance in the late twentieth and early twenty-first centuries, analyzing Walter Mosley’s use of memory in his literary work to challenge racial norms, President George W. Bush’s strategies of remembrance in his 2006 address to the NAACP, and the problems of memory and racial representation in the aftermath of the Katrina disaster. Taken together, the essays in this volume often speak to each other in remarkable ways, and one can begin to see in their progression the transformation of race relations in America since the nineteenth century.
Not since the Gold Rush days have people flocked so eagerly to California’s state capital city. Sacramento is growing and evolving, keeping what was already awesome while adding even more to explore. 100 Things to Do in Sacramento Before You Die is a bucket list guide for visitors and long-time Sacramentans alike. Now in the second edition, find all the curated tips and itineraries along with brand new attractions to explore. Get the insider scoop on the hottest new restaurants and hotels, like a 1950s Tiki bar or a fort-style hotel with its own watering hole. Try some outside-of-the box entertainment like Broadway waaaay off Broadway, or axe-throwing at a bar. Whether you’re looking to take it easy on a river cruise or get your adrenaline pumping on a one-ofa-kind flight over the Sierras, you’ll find it all within this guide. Author and lifelong resident Mark S. Allen won’t let you down when it comes to finding the very best his hometown has to offer. From hipster to historic, relaxing to raging, let this book keep you busy yearround in Sacramento.
An innocent girl like Raelynn should’ve never fallen into Playboy’s bed. His name alone should’ve been a red flag waving in her face, but she needed help. A ladies man like Playboy should have locked the door on Raelynn the second she knocked. The way she looked at him like he hung the stars should have set him running, but he always took what he wanted. Raelynn is looking for a hero, not just a tumble in the sheets. Playboy isn’t anyone’s hero.
An album-by-album celebration of the life and music of Mac Miller through oral histories, intimate reflections, and critical examinations of his enduring work. “One of my most vivid memories of him is the way he would look at you while he was playing you a song. He tried to look you right in the eyes to see how you were feeling about it.” —Will Kalson, friend and first manager Following Mac Miller’s tragic passing in 2018, Donna-Claire Chesman dedicated a year to chronicling his work through the unique lens of her relationship to the music and Mac’s singular relationship to his fans. Like many who’d been following him since he’d started releasing mixtapes at eighteen years old, she felt as if she’d come of age alongside the rapidly evolving artist, with his music being crucial to her personal development. “I want people to remember his humanity as they’re listening to the music, to realize how much bravery and courage it takes to be that honest, be that self-aware, and be that real about things going on internally. He let us witness that entire journey. He never hid that.” —Kehlani, friend and musician. The project evolved to include intimate interviews with many of Mac’s closest friends and collaborators, from his Most Dope Family in Pittsburgh to the producers and musicians who assisted him in making his everlasting music, including Big Jerm, Rex Arrow, Wiz Khalifa, Benjy Grinberg, Just Blaze, Josh Berg, Syd, Thundercat, and more. These voices, along with the author’s commentary, provide a vivid and poignant portrait of this astonishing artist—one who had just released a series of increasingly complex albums, demonstrating what a musical force he was and how heartbreaking it was to lose him. “As I’m reading the lyrics, it’s crazy. It’s him telling us that he hopes we can always respect him. I feel like this is a message from him, spiritually. A lot of the time, his music was like little letters and messages to his friends, family, and people he loved, to remind them of who he really was.” —Quentin Cuff, best friend and tour manager