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This book examines the link between cosmopolitanism in Egypt, from the nineteenth century through to the mid-twentieth century, and colonialism. It analyzes the ways in which literature and film have portrayed the period and the great cultural diversity in the country prior to Nasser.
A Boston Globe Best Nonfiction Book of 2011 Celebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the reader that Aciman is a master of the personal essay.
An international study of cultural relationships with built environments.
"I have come for a place to stay," Alexandria stated. She knew that Elizabeth was going wild trying to figure out why Alexandria was in front of her. "Why?" Elizabeth inquired. Elizabeth ran a house for people who needed a place to stay; it was an orphanage for all ages. Alexandria had been dropped off as a baby in a basket with only a note to "take good care of Alexandria" and attached was a ring, and Alexandria had lived there until she had found a family at the age of ten. Elizabeth had always wondered how Alexandria was doing; she had not heard word of her since the family had taken her away. "Joseph and Marie are dead," Alexandria stated coldly. Alexandria was abandoned as an infant, and now that her adoptive parents are dead, she returned to the orphanage she was dropped off at. She constantly fought with the voices in her head and of people that told her she was not good enough. Colton is a man who had hidden his past from nearly everyone and who constantly pushed her buttons. The only way they would stop arguing is for the sake of Anna, who was dying. Mark saw the good in Alexandria and believed that she really could give them hope.
The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.
The surge of philosophical interest in episodic memory has brought to light a number of controversial questions about this form of memory that have only recently begun to be addressed in detail. This book organises discussion around six such questions, offering two new chapters per question, from experts in the field. The questions are: I. What is the relationship between memory and imagination? II. Do memory traces have content? III. What is the nature of mnemonic confabulation? IV. What is the function of episodic memory? V. Do non-human animals have episodic memory? VI. Does episodic memory give us knowledge of the past? The book constitutes a valuable resource for researchers, teachers, and students alike. For researchers, it provides an up-to-date discussion of some of the main theories, arguments, and problems in the area. For teachers, the book can supply the readings for an entire course, or particular sections can provide the readings for specific units within a broader philosophy of memory course. For students, the book offers accessible discussions of some of the most recent topics in the philosophy of memory, which, when taken together, serve as a well-rounded introduction to the area.
Neve faces her vengeful cousin, the leader of the legions of hell, forcing her to decide where her loyalties truly lie in this thrilling sequel to Ravensong that’s Buffy the Vampire Slayer meets Celtic mythology. Neve and her sisters failed in protecting the mortal world against the legions of hell when the Veil they had spent their lives guarding split and the vengeful cousin they forgot ever existed, Aodh, managed to slip through. Dangerous and bitter, Aodh is on a mission to free the rest of their family still trapped behind the veil and set them loose on the mortal world. Still injured from her last battle, Neve is not only working to track Aodh, but also trying to navigate painful memories that keep rising to the surface. Memories of her past lifetimes protecting the Gate…and of her first life, before she and her sisters scrubbed it from their minds. More questions arise when a new family member reveals themself, someone Neve and her sisters have been missing. Someone who might just be able to save them all. Neve must face the sins of her past while navigating the dangers of the present. The more she remembers, the more it seems like everything she was raised to believe was a lie, and the fallout might decimate everything she has worked so hard to build in the present, including her relationship with Alexandria. Caught between humanity and divinity, the past and the present, Neve must try to strike a balance between the warring forces both within and without, because if she doesn’t, it might not just be her relationship at stake, but the whole world.
London 1842 - Unwilling to be shackled by his orphan tag and the Mile End Poorhouse, 10-year-old Alfie London is desperate to break out and explore the world by way of a naval career. Following a chance encounter, Alfie meets the well-to-do Alexandria Scott. Together with their stray Jack Russel, Rocket, they fearlessly stowaway into the unknown in search of adventure. And adventure is what they soon find! The kind that will test their mettle to the limits and take them on a magical journey to save their imprisoned shipmates. Tackling puzzles, villains, and mythical creatures at every turn, they must find a way to ensure that the history of the world as we know it comes to pass! Where their only hope is finding the long-lost Scrolls of Shangri-La and, in turn, the enchanting and miraculous kingdom itself!
Alexandria Dumont is a doctor of rehabilitation medicine working long hours at Regional Hospital as she finishes her residency. Lately, she hasn’t had much time for a life. Her one treat is going to the flea market. When she buys a portrait of an old Southern Plantation, she can’t get over how intriguing the picture is. It is a beautiful plantation surrounded by live oaks draped in Spanish moss, but the reflection in the lake doesn’t show its grandeur. It reflects a home burned to the ground. When she moves the portrait, a child’s diary falls upon the bed and Alexandria begins to read. The next morning when she finds herself in 1835 she figures she has finally gone off the deep end. Nothing makes sense. Alexandria is unsure why she has fallen back to 1835 until she meets a crippled child she knows she can help walk again. However convincing the child’s brother, the arrogant Brad Wentworth, who hates doctors, that she can help his sister to walk again might be the biggest task that she has ever encountered. As Alexandria sets about her task, she finds River Bends Plantation holds many secrets. Finding the answers to those secrets just may cost her . . . her life.
-Scott Tucker, looks at the theme of "heaven" in six of the Gaither Homecoming songbooks - David Fillingim looks at how Southern Gospel Music answers the question of theodicy from the perspective of the rural, white, working class - Robert M. McManus explores selected song lyrics to show how Southern Gospel Music helps construct the identity of the community compared to Contemporary Christian Music - Darlene R. Graves identifies key sustaining personality strengths of women that tend to preserve consistency between their public performance and personal spiritual walk - Elizabeth E Desnoyers-Colas and Stephanie Howard (Asabi) explore Southern Gospel and Black Gospel music, through the influence of Thomas A. Dorsey - Michael Graves examines how the culture of Southern Gospel Music deals with its inevitable prodigal sons - Raymond D.S. Anderson analyzes the Gaither Homecoming videos as examples of the postmodern turn in American popular Christian culture - John D. Keeler presents the first audience study of southern Gospel Music employing a "Uses and Gratifications" research framework - Paul A. Creasman examines the ways Southern Gospel Music as a culture memorializes its dead by use of the Internet - Naaman Wood reviews significant scholarly approaches to the study of popular music.