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This book describes and evaluates the turn-of-the-century foray by the U.S. into imperialism. It describes our conflict with Spain. over the sinking of the battleship USS Maine in Cuba followed by our invasion of the island and its seizure. It also describes our seizure of Puerto Rico from Spain. That island today stands as the oldest colony in the world and the author proposes that it is a place with no independence or political rights. The annexation of Hawaii that took place at the same time is also examined as is the seizure of Guam and the invasion and eventual conquest of the Philippines after many years of bloody combat. Finally the book assesses the impact of these imperialistic adventures on US politics at that time and over the years since.
Early in 1898, the battleship USS Maine was sent to Havana. Supposedly undertaken to protect U.S. interests in Cuba, this action was a blatant effort to change Spanish colonial policies. Then, on the night of February 15, the Maine blew up i
Examines the causes behind the sinking of the battleship Maine and the start of the Spanish-American War.
*Includes pictures *Includes accounts of the explosion by the captain and surviving crew members *Includes a bibliography for further reading "Remember the Maine, to Hell with Spain!" The USS Maine is one of the most famous ships in American history, but for all the wrong reasons. A symbol of naval strength in the late 19th century, the Maine's tragic fate is taught to students across the nation, not just because it was a disaster but because it is associated with the most notorious examples of yellow journalism in the country's history and ultimately brought about a war, despite the fact it's still unclear what caused the ship's explosion. In 1898, one of Spain's last possessions in the New World, Cuba, was waging a war for independence against Spain. Though Cuba was technically exempted from the United States' Monroe Doctrine since Cuba was already a possession of Spain when the Monroe Doctrine was issued, many Americans believed that the United States should side with Cuba against Spain. At the same time, however, President William McKinley wanted to avoid getting tangled in a war between outsiders, while Spain also wanted to avoid any conflict with United States and its powerful navy. Despite leaders hoping to stay above the fray, American economic interests were being harmed by the ongoing conflict between Cuban nationalists and Spain, as merchants' trading with Cuba was suffering now that the island was undergoing conflict. Furthermore, the American press capitalized on the ongoing Cuban struggle for independence, which had been flaring up time and again since 1868. In an effort to sell papers, the press frequently sensationalized stories, which came to be known as yellow journalism, and during the run-up to war, yellow journalism spread false stories about the Cuban conflict in order to sell newspapers in the competitive New York City market. Despite President McKinley's wishes to avoid a war, he was forced to support a war with Spain after the USS Maine suffered an explosion in Havana's harbor in February 1898. McKinley had sent the ship to help protect American citizens in Cuba from the violence that was taking place there, but the explosion devastated the USS Maine, which had to be towed to harbor and eventually scuttled, but only after 266 American sailors aboard the ship were killed. Although the cause of the explosion was never determined, yellow journalists in the American press blamed Spain, claiming the USS Maine was sabotaged. President McKinley was unable to resist popular pressure after a U.S. Navy report also claimed that the ship had been subjected to an explosion outside of its hull, which subsequently ignited its powder magazines inside the ship. Later investigations proved inconclusive, but President McKinley was now forced to accept war with Spain, bringing about the Spanish-American War. The Explosion of the USS Maine chronicles the controversial explosion, tracing the history of the ship from its glorious beginning to its ignominious end, as well as the critical aftermath. Along with pictures of important people, places, and events, you will learn about the USS Maine like never before, in no time at all.
On February 15, 1898, the Maine blew up in Havana harbor. The pride of the U.S. Navy, this modern battleship was technologically unsurpassed anywhere in the world. With the explosion, the efforts of the U.S. and President McKinley to engineer a peace in the Cuban struggle for independence from Spain ended. Now comes the dramatic account of this disaster and its consequences. Photographs and maps.
When the USS Maine mysteriously exploded in Havana's harbor on February 15, 1898, the United States joined local rebel forces to avenge the Maine and "liberate" Cuba from the Spanish empire. "Remember the Maine! To Hell with Spain!" So went the popular slogan. Little did the Cubans know that the United States was not going to give them freedom--in less than a year the American flag replaced the Spanish flag over the various island colonies of Cuba, Guam, Puerto Rico, and the Philippines. Spurred by military successes and dreams of an island empire, the US annexed Hawai'i that same year, even establishing island colonies throughout Micronesia and the Antilles. With the new governmental orders of creating new art, architecture, monuments, and infrastructure from the United States, the island cultures of the Caribbean and Pacific were now caught in a strategic scope of a growing imperial power. These spatial and visual objects created a visible confrontation between local indigenous, African, Asian, Spanish, and US imperial expressions. These material and visual histories often go unacknowledged, but serve as uncomplicated "proof" for the visible confrontation between the US and the new island territories. The essays in this volume contribute to an important art-historical, visual cultural, architectural, and materialist critique of a growing body of scholarship on the US Empire and the War of 1898. Imperial Islands seeks to reimagine the history and cultural politics of art, architecture, and visual experience in the US insular context. The authors of this volume propose a new direction of visual culture and spatial experience through nuanced terrains for writing, envisioning, and revising US-American, Caribbean, and Pacific histories. These original essays address the role of art and architecture in expressions of state power; racialized and gendered representations of the United States and its island colonies; and forms of resistance to US cultural presence. Featuring interdisciplinary approaches, Imperial Islands offers readers a new way of learning the ongoing significance of vision and experience in the US empire today, particularly for Caribbean, Latinx, Pilipinx, and Pacific Island communities.