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"With its gentle affirmations, inspirational quotes, fill-in-the-blank lists and tasks — write yourself a thank-you letter, describe yourself at 80, for example — The Artist’s Way proposes an egalitarian view of creativity: Everyone’s got it."—The New York Times "Morning Pages have become a household name, a shorthand for unlocking your creative potential"—Vogue Over four million copies sold! Since its first publication, The Artist's Way phenomena has inspired the genius of Elizabeth Gilbert and millions of readers to embark on a creative journey and find a deeper connection to process and purpose. Julia Cameron's novel approach guides readers in uncovering problems areas and pressure points that may be restricting their creative flow and offers techniques to free up any areas where they might be stuck, opening up opportunities for self-growth and self-discovery. The program begins with Cameron’s most vital tools for creative recovery – The Morning Pages, a daily writing ritual of three pages of stream-of-conscious, and The Artist Date, a dedicated block of time to nurture your inner artist. From there, she shares hundreds of exercises, activities, and prompts to help readers thoroughly explore each chapter. She also offers guidance on starting a “Creative Cluster” of fellow artists who will support you in your creative endeavors. A revolutionary program for personal renewal, The Artist's Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.
Long before vacationers discovered BC’s Sunshine Coast, the Sliammon, a Coast Salish people, called the region home. In this remarkable book, Sliammon elder Elsie Paul collaborates with a scholar, Paige Raibmon, and her granddaughter, Harmony Johnson, to tell her life story and the history of her people, in her own words and storytelling style. Raised by her grandparents who took her on their seasonal travels, Paul spent most of her childhood learning Sliammon ways, teachings, and stories and is one of the last surviving mother-tongue speakers of the Sliammon language. She shares this traditional knowledge with future generations in Written as I Remember It.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Lev Vygotsky was one of the most talented and brilliant of Soviet psychologists. Despite his tragically early death at the age of 38 his accomplishments are enormously impressive: he played a key role in restructuring the Psychological Institute of Moscow; set up two research laboratories in the major cities of the USSR; founded what we call special education; and authored some 180 works. His innovative theories of thought and speech are important not just for psychology but for other disciplines also. Yet even though his ideas have increasingly won popularity there remains a strong need for an accessible introduction to the man and his work. In Lev Vygotsky: Revolutionary Scientist Lois Holzman and Fred Newman have written a clear introductory text suitable for undergraduate students. In so doing they have taken the opportunity to set straight the misunderstandings and misuses of Vygotsky's ideas. and his work.
Academics are not just researchers, but writers too. Using her many years of practical experience gained as a teacher and editor, Lynn Nygaard guides you through the whole process of writing and presenting your research in order to help you make your voice heard within the academic community. Grounded in real world advice rather than abstract best practice, Nygaard demonstrates a number of approaches to writing in order to help you identify those most suited to your own project. This updated new edition includes: Revised and expanded sections in each chapter More focus on the social sciences A more international focus Updated discussions on publishing practices Annotated biographies for each chapter New illustrations and images Additional practical tips and exercises From defining your audience, to forming your argument and structuring your work, this book will enable you to communicate your research passionately and professionally. Lynn Nygaard is Special Adviser on Project Development and Publications at the Peace Research Institute Oslo (PRIO). This updated new edition includes: Revised and expanded sections in each chapter More focus on the social sciences A more international focus Updated discussions on publishing practices Annotated bibliographies for each chapter New illustrations and images Additional practical tips and exercises From defining your audience, to forming your argument and structuring your work, this book will enable you to communicate your research passionately and professionally.
Whispers in the Margins: A Chronicle of Memory and Mischief In the quiet corners of our lives, where the mundane meets the magical, lies a forgotten art—an art of ink and intuition. Write It Down Before You Forget It (Or Blame It on the Squirrels) invites you into this clandestine realm—a place where memory dances with mischief, and words become constellations. Imagine standing before an ancient door, its lintel adorned with cryptic symbols. As you cross that threshold, you encounter an epigraph—a whispered promise. It hints at the emotional landscape ahead, setting the tone for what lies within. Is it sad, whimsical, or mysterious? The epigraph knows. Dear reader, may you too venture forth—quill in hand—and chronicle your odyssey. For in Forget-Me-Not Hollow, every scribble is a star chart, and every memory is a treasure waiting to be found. Dear Friend, In the hustle and bustle of life, amidst the digital noise and endless to-do lists, a quiet sanctuary exists—an empty page waiting for your thoughts, dreams, and reflections. That sanctuary is your journal. Why Journal? Clarity: Pouring your thoughts onto paper untangles the knots in your mind. Suddenly, chaos becomes a roadmap. Memory Keeper: Your journal is a time capsule. Capture fleeting moments—the taste of morning coffee, the scent of rain, the laughter shared with loved ones. Emotional Release: Write about joy, frustration, heartache, or wonder. Let your emotions dance across the page. They’ll thank you for the space. Creativity Booster: Scribble, doodle, sketch. Your journal is a canvas. Your squiggles have stories even if you can’t draw a straight line. Self-Discovery: As you write, you unearth hidden gems—your quirks, fears, and secret desires. You’re both an archaeologist and poet. Tips for Starting: No Rules: Your journal is a judgment-free zone. Spelling mistakes? Scribbles? Perfect. Just write. Consistency, Not Perfection: Don’t wait for the “right” moment. Write when you’re messy, tired, or joyful. The magic lies in showing up. Morning Pages: Try Julia Cameron’s technique—three pages of stream-of-consciousness writing each morning. It’s like yoga for your mind. Gratitude Journal: List three things you’re grateful for each day. It’s a heartwarming habit. Remember: Your journal isn’t just paper; it’s a confidante, a time-travel device, and a friend who never interrupts. So grab a pen, open that blank page, and let your soul spill forth. P.S. If you ever meet a squirrel with a silver tail reading an epigraph, ask it for its favorite riddle. Squirrels are surprisingly well-read! 🌟📚🐿️
This book explains why dyslexic students frequently underachieve and demonstrates that adjustments in teaching and learning methods can make all the difference, provided that underlying problems are identified. After reading 'Dyslexia in Secondary School,' teachers will be able to identify children with specific learning problems and know better how to help them with their school work. Examples are based on the curriculum and used to show how to advise students on essay-writing, note taking, memorising vocabulary and reading to remember. Parents and specialist teachers will find that the book helps them translate educational psychologists' theory into practical action. The students themselves will be encouraged to look carefully at how they learn, and, using their strengths rather than their weaknesses, try out alternative strategies. This book contains diagrams, mind maps,and worksheets as well as many ideas for teachers.Focusing as it does on the way we learn, 'Dyslexia in Secondary School' will interest all teachers and students - not just those with specific learning difficulties.