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When art dealer Jan Six saw the 'Portrait of a Young Gentleman' in a Christie?s auction catalogue, he instantly knew that it could not possibly be a work that had been attributed to ?the circle of Rembrandt?, but that the master must have painted it himself. The last time a hitherto unknown painting by Rembrandt was discovered was in 1974, when 'The Baptism of the Eunuch' came to light. But how does one convince the world of such a discovery? Does something like an absolute eye exist? And how special is such a painting in comparison to all the other known works by the most famous Dutch painter? In this book Jan Six takes the reader on a compelling and erudite journey, all about his exciting discovery and a boy?s dream come true, showing the 'Portrait of a Young Gentleman' through the eyes of his discoverer. 0Jan Six (1978) studied art history and worked at Sotheby?s London and in Amsterdam as head of the Old Master Paintings department. Since 2008 he operates as an art dealer and runs his own gallery, specialised in Dutch and Flemish Old Master Paintings and Drawings.
A captivating exploration of the little-known story of Rembrandt’s formative years by a prize-winning biographer. Rembrandt van Rijn’s early years are as famously shrouded in mystery as Shakespeare’s, and his life has always been an enigma. How did a miller’s son from a provincial Dutch town become the greatest artist of his age? How in short, did Rembrandt become Rembrandt? Seeking the roots of Rembrandt’s genius, the celebrated Dutch writer Onno Blom immersed himself in Leiden, the city in which Rembrandt was born in 1606 and where he spent his first twenty-five years. It was a turbulent time, the city having only recently rebelled against the Spanish. There are almost no written records by or about Rembrandt, so Blom tracked down old maps, sought out the Rembrandt family house and mill, and walked the route that Rembrandt would have taken to school. Leiden was a bustling center of intellectual life, and Blom, a native of Leiden himself, brings to life all the places Rembrandt would have known: the university, library, botanical garden, and anatomy theater. He investigated the concerns and tensions of the era: burial rites for plague victims, the renovation of the city in the wake of the Spanish siege, the influx of immigrants to work the cloth trade. And he examined the origins and influences that led to the famous and beloved paintings that marked the beginning of Rembrandt’s celebrated career as the paramount painter of the Dutch Golden Age. Young Rembrandt is a fascinating portrait of the artist and the world that made him. Evocatively told and beautifully illustrated with more than 100 color images, it is a superb biography that captures Rembrandt for a new generation.
"In 1634 the up-and-coming painting talent Rembrandt van Rijn wed the love of this life in Friesland: Saskia Uylenburgh, the daughter of a councillor at the Court of Friesland. The story of their marriage is also that of seventeenth-century marriages in general, from courtship to drawing up a will. How did such a stylish wedding come about, and how did life proceed afterwards, when love and suffering were shared? Using evocative paintings, etchings, documents and precious wedding gifts, this book shows us the world of Friesland's most famous bride and groom ever--and that marriage vows back then actually appear to differ little from those of today."--from back cover
Innovatively and provocatively, Rembrandt turned the art world upside down in the Golden Age. His poignant works and his life story continue to inspire and move the world 350 years after his death. The largest and most spectacular collection of his paintings, prints and drawings in the world is curated by the Rijksmuseum. In 2019, the museum honours Rembrandt with the exhibition 'Alle Rembrandts'. Never before has the Rijksmuseum presented an exhibition of all of Rembrandt's works from the collection: a one-off exhibition of no less than 400 Rembrandts. Together they paint an unparalleled picture of Rembrandt as a human being, as an artist, as a storyteller and innovator. Jonathan Bikker, research curator at the Rijksmuseum, describes the highs and lows of Rembrandt's life in an accessible way, opening up the genius of Rembrandt's character and the innovative qualities of his work to the general public.
With her mother dead of the plague, and her beloved brother newly married, Cornelia must manage her father's household, though he teeters on the brink of madness. She knows that among Amsterdam's elite circles, people are gossiping about her father's fading artistic genius--and about her, too. Yet there are two young men who seem unfazed by the slander- and very much intrigued by Cornelia. Set within the vibrant community of the 17th century Dutch Masters, I Am Rembrandt's Daughter is a moving coming of age story filled with family drama and a love triangle that would make Jane Austen proud.
Presents and explores the seven known oil sketches of Christ on oak panels by Rembrandt, along with over 60 paintings, drawings and prints by him and his pupils.
Irrational Marks: Bacon and Rembrandt is Ordovas' inaugural exhibition and the first to be devoted to exploring the connections and influences of Rembrandt's late self-portraits on Francis Bacon's own self-portraits. Bacon considered Rembrandt's self-portraits the artist's greatest works. He spoke in depth about Rembrandt's Self-Portrait with Beret in the Musee Granet in Aix-en-Provence, which he often visited, yet his creative dialogue with Rembrandt's art has been, until now, largely overlooked."
John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.
"Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists' attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt's art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists"--
Rembrandt was an esteemed artist in his own time as well as in the present.