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"The one un-Jewish feature about me is the light grey colour of my eyes, but whether I got this from a twelfth-century crusader, a fourteenth-century Black Death rioter, or a seventeenth-century Cossack, no one can tell. So numerous were the offspring of ravished Jewish women that the rabbis in their wisdom long ago ruled that every child of a Jewish mother is a Jew." These are the opening words of this memoir of shtetl life. Written with the humour and clear-sightedness of one who loved the shtetl, but who worked hard to escape it, this book records the rhythms and texture of everyday life from the early years of the century to 1927. Life was ruled by religion and the Jewish calendar. The Bible and its injunctions were their living reality; each commandment was obeyed and Sabbath observance was so sacred that rabbinic dispensation had to be obtained before fleeing from the Cossacks on this holy day. Dovid Zhager, as the author was known in this Yiddish-speaking part of the world, glories in the details of growing up, he explores every irony, every twist of fate, every historical fact, as history rushed past this shtetl, sometimes affecting it, sometimes just passing by. Above all, this memoir is about his growing rebellion against God who, on the one hand delineates the horizons of his life and gives meaning to it, and on the other allows so much suffering, and to such God-fearing people. Two things emerge most clearly: firstly, the richness of such a devout life which meant that the life of the spirit took precedence over the grinding poverty that co-existed with it, and secondly, the shtetl's lack of preparedness for anything other than religion least of all, for the fate that was later to befall it. First drafted before the Second World War, completed fifty years later and now published for the first time, Botchki is a testament to a vanished world. "Botchki is an unusually sensitive, lively and honest account of life in a pre-war Polish shtetl. It is written with an unsentimental intelligence and considerable narrative flair; and its affectionate but candid picture of an Orthodox Jewish milieu illuminates the complexities of a world which we tend to reduce to quaintness or exoticism." Eva Hoffman, Author of Lost in Translation, Exit into History and Shtetl
“In this carefully wrought coming-of-age memoir, a young American writer searches for home in an unlikely place: East Berlin immediately after the fall of the wall.” —Publishers Weekly, starred review Rob Spillman—the award-winning, charismatic cofounding editor of the legendary Tin House magazine—has devoted his life to the rebellious pursuit of artistic authenticity. Born in Germany to two driven musicians, his childhood was spent among the West Berlin cognoscenti, in a city two hundred miles behind the Iron Curtain. There, the Berlin Wall stood as a stark reminder of the split between East and West, between suppressed dreams and freedom of expression. After an unsettled youth moving between divorced parents in disparate cities, Spillman would eventually find his way into the literary world of New York City, only to abandon it to return to Berlin just months after the Wall came down. Twenty-five and newly married, Spillman and his wife, the writer Elissa Schappell, moved to the anarchic streets of East Berlin in search of the bohemian lifestyle of their idols. But Spillman soon discovered he was chasing the one thing that had always eluded him: a place, or person, to call home. In his intimate, entertaining, and heartfelt memoir, Spillman narrates a colorful, music-filled coming-of-age portrait of an artist’s life that is also a cultural exploration of a shifting Berlin. “With wry humor and wonder, Spillman beautifully captures the deadpan hedonism of the East Berliners and the city’s sense of infinite possibility.” —The New York Times Book Review “A thrilling portrait of the artist as intrepid young adventure seeker.” —Vanity Fair “Convivial, page-turning . . . Spillman’s life is a good one to read.” —The Washington Post
Focusing on the historical experiences of Chinese from West Kalimantan, Indonesia, whether in terms of migratory trajectories or ethnic and state violence, this book interrogates the role of history in the formation of the Chinese Diasporic subject.
International legal scholar Kenneth Anderson analyzes US-UN relations in each major aspect of the United Nations' work-security, human rights and universal values, and development--and offers workable, practical principles for US policy toward the United Nations. He addresses the crucial question of whether, when, and how the United States should engage or not engage with the United Nations in each of its many different organs and activities, giving workable, pragmatic meaning to "multilateral engagement" across the full range of the United Nations' work.