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Remains of Ritual, Steven M. Friedson’s second book on musical experience in African ritual, focuses on the Brekete/Gorovodu religion of the Ewe people. Friedson presents a multifaceted understanding of religious practice through a historical and ethnographic study of one of the dominant ritual sites on the southern coast of Ghana: a medicine shrine whose origins lie in the northern region of the country. Each chapter of this fascinating book considers a different aspect of ritual life, demonstrating throughout that none of them can be conceived of separately from their musicality—in the Brekete world, music functions as ritual and ritual as music. Dance and possession, chanted calls to prayer, animal sacrifice, the sounds and movements of wake keeping, the play of the drums all come under Friedson’s careful scrutiny, as does his own position and experience within this ritual-dominated society.
This book examines Maya sacrifice and related posthumous body manipulation. The editors bring together an international group of contributors from the area studied: archaeologists as well as anthropologists, forensic anthropologists, art historians and bioarchaeologists. This interdisciplinary approach provides a comprehensive perspective on these sites as well as the material culture and biological evidence found there
An account of the organized underworld of ritualistic terror operating in a picturesque Massachusetts town discusses the work of police, forensic scientists, and anthropologists to piece together a series of crimes. Reprint.
Successful working of any of these devotions will enable you to share consciousness with the Angel of Death as well as becoming 'one' with your own death.
An international, cross-disciplinary investigation of ancient religious practices and their material remains yields fresh insights and poses new questions
This book examines a type of object that was widespread and very popular in classical antiquity - votive offerings in the shape of parts of the human body. It collects examples from four principal areas and time periods: Classical Greece, pre-Roman Italy, Roman Gaul and Roman Asia Minor. It uses a compare-and-contrast methodology to highlight differences between these sets of votives, exploring the implications for our understandings of how beliefs about the body changed across classical antiquity. The book also looks at how far these ancient beliefs overlap with, or differ from, modern ideas about the body and its physical and conceptual boundaries. Central themes of the book include illness and healing, bodily fragmentation, human-animal hybridity, transmission and reception of traditions, and the mechanics of personal transformation in religious rituals.
Set against the contemporary thinking of the city as a spectacle, SpaceDBodyDRitual: Performativity in the City establishes everyday life in the city as a ground for authentic experience. Reena Tiwari emphasizes the city as a space of lived experience-an intricately layered space giving people a poetic experience, responding to their memories and desires. She also explores the conflict between two ideas: the idea of thee 'city as text' to be read and understood from a distance, and the 'city as body,' where the body, after writing the text through its performance, achieves the capacity to read and understand it. SpaceDBodyDRitual demonstrates that the abstract 'seeing' embedded in the 'city as a text' is underwritten by the idea of power operating at deeper levels in the city. This hidden power is the power of the user's body in space. Furthermore, Tiwari proposes that an understanding of the 'city as body' through lived experience-through rhythmanalysis, where rhythms of everyday and extra everyday practices are understood-leads to the design of an environment that is evocative and is able to generate a bodily response from the user. To understand the rhythms, it becomes essential to know the way users inhabit, understand and map or present the city spaces by their bodies. SpaceDBodyDRitual will compel its readership to think of the parameters of spatial design as cultural generator.
Over a 1000 tiny bronze artefacts were found alongside the remains of a man in a Dutch barrow that was excavated in laboratory conditions. The objects had been dismantled and taken apart, all to be destroyed by fire in what appears to have been a pars pro toto burial. In essence, a person and a place were being transformed through destruction. Based on the meticulous excavation and a range of specialist and comprehensive studies of finds, a prehistoric burial ritual now can be brought to life in surprising detail. This Iron Age community used extraordinary objects that find their closest counterpart in the elite graves of the Hallstatt culture in Central Europe.
This is the first book to provide a systematic overview of social zooarchaeology, which takes a holistic view of human-animal relations in the past. Until recently, archaeological analysis of faunal evidence has primarily focused on the role of animals in the human diet and subsistence economy. This book, however, argues that animals have always played many more roles in human societies: as wealth, companions, spirit helpers, sacrificial victims, totems, centerpieces of feasts, objects of taboos, and more. These social factors are as significant as taphonomic processes in shaping animal bone assemblages. Nerissa Russell uses evidence derived from not only zooarchaeology, but also ethnography, history and classical studies, to suggest the range of human-animal relationships and to examine their importance in human society. Through exploring the significance of animals to ancient humans, this book provides a richer picture of past societies.
For the Tumbuka people of Malawi, traditional medical practices are saturated with music. Steven M. Friedson explores a health care system populated by dancing prophets, singing patients, and drummed spirits.