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This Keep Calm and Reload journal features: - 117 blank lined pages for writing down your thoughts, plans, projects, and ideas.- 6x9 size for a comfortable writing and traveling experience. Perfect size for journaling and fits easily in your backpack, bag, or purse. - cream color paper suited for ink and gel pens, pencils, or colored pencils.- a Keep Calm and Reload bullet and casing themed cover specifically designed for gun owners that reload their own ammunition!- and a matte finish cover for a professional look and feel.This standard journal design will work perfectly for a variety of writing needs and is sure to help you capture your ideas and inspirations for creating the perfect reloads! Capture your thoughts, memories, feelings, and new ideas or use as a gratitude journal. Take it to business meetings to record notes and conversations (and all your doodles!). Try keeping this journal in your kitchen for creating simple grocery lists or recipe ideas. Also suitable as a travel journal or dream journal, password keeper, or even for recording your goals and accomplishments! Makes an awesome gift for friends and family.If you are looking for a more specific journal or notebook with specific and customized interiors make sure you click on our brand name, Bouncing Sloth Books. You'll find additional offerings such as dot grid and bullet journals, composition notebooks, graph paper notebooks, prayer and sermon journals, recipe and gardening journals, blank sketch books, and more!
Marines In The Revolution by Charles Richard Smith; Charles H Waterhouse "Traces the activities of one special group of Marines; the successes and failures of the group as a whole, and the fundamental aspects of modern Marine amphibious doctrine which grew out of Continental Marine experience during the eight-year fight for American independence."
This 860-page collection contains all of Robert E. Howard's Conan the Cimmerian stories published during his lifetime, contextualized with biographical details of their author. The hardcover, a Multimedia Bundle Edition, includes the e-book and audiobook editions as downloadable bonus content. Excerpt from Introduction: "When the first Conan of Cimmeria story appeared in the pages of Weird Tales magazine in December 1932, nothing quite like it had ever before appeared in print.Author Robert E. Howard had been writing stories broadly similar to it for half a decade; but it was with Conan, and the Hyborian Age storyworld in which he was placed, that Howard finally fully doped out the sub-genre that would become known as "sword and sorcery," of which Howard is today considered the founding father. "Conan's origins date back to an experiment in 1926 titled "The Shadow Kingdom," featuring the character Kull, exile of Atlantis. The idea -- Howard's great innovation -- was, at its core, historical fiction set in a pre-historical period. That pre-historical period -- being, of course, lost in the mists of time -- could contain anything Howard might like to include: evil races of sentient snake-things, sorcerers, undead creatures, demons walking upon the earth, anything. "In other words, Howard was creating a secular mythology. "And as with any mythology, secular or no, there would be a hero, a Ulysses or a Theseus, an exceptional man of legend striding through that myth-world, sword in hand, righting wrongs and slaying supernatural monsters and, along the way, providing metaphorical insight onto his world and ours. "At the same time, he was finding success with another historical-fiction-fusion innovation: The grim, savage English Puritan Solomon Kane. Kane's world was the skull-strewn chaos of Europe and north Africa during the Thirty Years War, in the early 1600s. Little enough is known about specific events during that dark time that it was possible to take historical liberties with it as a storyworld, so that it could accommodate dark magic, walking skeletons, vampires, magic staffs, and, of course, N'Longa the witch-doctor. "Howard quickly realized he was onto something with Solomon Kane. The first Solomon Kane story, "Red Shadows," appeared in August 1928 in Weird Tales, and readers loved it. Here was a dark, brooding world of menace and witchcraft connected pseudo-genealogically to their own. It was easy for readers to "take the ride" -- to suspend their disbelief and envision Kane's adventures as a part of the real world. "But, perhaps the connection with the real world was too close. The countries of 1630s Europe are well known; the causes of the conflict fully understood. There was only so much Howard could do in Solomon Kane's world. Moreover, Solomon Kane is just a hard character to root for. Unlike Kull, he is, not to put too fine a point on it, really not a sane man. "So it makes perfect sense that after the shadowy, prehistoric world of Kull and the dark, necromantic world of Solomon Kane, Howard would combine these two precursors to develop a world that was far enough into the distant past to be free of actual historical constraints -- like Kull's -- yet close enough to the present to still exist as echoes and legends in the world's mythologies. "And so Howard created The Hyborian Age, circa 10,000 B.C. And to play the role of our avatar as we explore this shadowy, almost-historical world, he gave us Conan the Cimmerian - to tread the jeweled thrones of the Earth under his sandalled feet."
Get Behind the Wheel with Sim City 4! ·Essential details on U-Drive-It! mode, including how to use vehicles to complete missions ·Exclusive strategies for building a smooth-running metropolis ·All-new civic, reward, and landmark structures covered ·New mass transit and bridge options to streamline your city ·Exhaustive tips for thwarting disasters such as road accidents and train derailments ·Fun hints for creating your own street names and otherwise personalizing your cities ·Get creative with Lot Editor and SimCity Scape
At the beginning of the Second World War the Nazi hierarchy at an early stage, had fully recognized the importance of controlling the depiction of military conflict in order to ensure the continued morale of their combat troops by providing a bridge between the soldiers and their families. Promoting the use of photographic record also allowed the Nazis to exercise control over negative depictions of the war. In contrast, the British military and political decision makers were reluctance to embrace any potential propaganda benefits of film and photographic material in the build up to and the early months of the Second World War. Military commanders in the field were conscious that their tactical blunders could be recorded on film and still photographs and made available to the British public. Visions such as the First World War use of troops as fodder for machine guns and the ensuing mud-coated corpses of British troops were not the sort of record of the conflict that British generals in the field were willing to contemplate. British politicians and their generals feared that a realistic presentation of the horror of war could have an adverse effect on recruiting. However, pressure was to come from across the Atlantic where the refusal to allow reporting of the war was harming Britain's cause in the United States and British diplomats overseas reported that the Germans were winning the propaganda war throughout the unoccupied countries of Europe. This belated acceptance of the need for open reporting of the conflict meant that when it was finally accepted as useful the P.R.2 Section (Public Relations) at the War Office and the British Military found itself in a 'catch up' situation. Despite the disadvantages of such a slow start, the British combat cameramen grew in strength throughout the conflict, producing films such as Desert Victory, Tunisian Victory, Burma Victory, The True Glory and a huge stock of both cine and still material lodged as 'Crown Property' in the Imperial War Museum, London. The British Army Film and Photographic Unit's material represents some of the most frequently used records of historical events and key figures of the period. It is utilized by film producers and television program makers without the camera men who shot the footage being listed in program credits. This book does not seek to denigrate the work of others such as Accredited War Correspondents but it does seek to accord to the combat camera men of the A.F.P.U. the recognition they are entitled to, but have never received, for their enormous and unique contribution to the historical record of the Second World War. Based on memoirs, personal letters and interviews with the AFPU camera men, this book reveals the development of the unit and tells the human story of men who used cameras as weapons of war.
Drawing on years of interviews with surviving combat cameramen, a distinguished military historian explores the historic importance of cameramen on the battlefield, revealing the unparalleled excitement of the military photographers' experiences and the richness of their legacy. Photos.
Bill Mauldin, American most widely read editorial cartoonist, writes of his survival of a broken home, being jailed at fifteen, infuriating General Patton with his satire during W.W. II, and being wounded.
Colonel Askins is an adventurer. Whether it be fighting his way out of an ambush, hunting tiger in Asia or sniping along the Rhine, Askins has done it with gusto. Here he recounts his early days as a forest ranger, his decade of slinging lead on the Mexican border, his astounding success as a competitive pistol shot, his combat participation in World War II, his adventures as a paratrooper in Vietnam and his career as one of the world's leading big-game hunters.