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Flannery O’Connor: Fiction Fired by Faith tells the remarkable story of the gifted young woman who set out from her native Georgia to develop her talents as a writer and eventually succeeded in becoming one of the most accomplished fiction writers of the twentieth century. Struck with a fatal disease just as her career was blooming, O’Connor was forced to return to her rural home and to live an isolated life, far from the literary world she longed to be a part of. In this insightful new biography, Angela Alaimo O’Donnell depicts O’Connor’s passionate devotion to her vocation, despite her crippling illness, the rich interior life she lived through her reading and correspondence, and the development of her deep and abiding faith in the face of her own impending mortality. She also explores some of O’Connor’s most beloved stories, detailing the ways in which her fiction served as a means for her to express her own doubts and limitations, along with the challenges and consolations of living a faithful life. O’Donnell’s biography recounts the poignant story of America’s preeminent Catholic writer and offers the reader a guide to her novels and stories so deeply informed by her Catholic faith. People of God is a series of inspiring biographies for the general reader. Each volume offers a compelling and honest narrative of the life of an important twentieth or twenty-first century Catholic. Some living and some now deceased, each of these women and men has known challenges and weaknesses familiar to most of us but responded to them in ways that call us to our own forms of heroism. Each offers a credible and concrete witness of faith, hope, and love to people of our own day.
Is it possible to write an artistically respectable and theoretically convincing religious novel in a non-religious age? Up to now, there has been no substantial application of theological criticism to the works of Hugh MacLennan and Morley Callaghan, the two most important Canadian novelists before 1960. Yet both were religious writers during the period when Canada entered the modern, non-religious era, and both greatly influenced the development of our literature. MacLennan’s journey from Calvinism to Christian existentialism is documented in his essays and seven novels, most fully in The Watch that Ends the Night. Callaghan’s fourteen novels are marked by tensions in his theology of Catholic humanism, with his later novels defining his theological themes in increasingly secular terms. This tension between narrative and metanarrative has produced both the artistic strengths and the moral ambiguities that characterize his work. Faith and Fiction: A Theological Critique of the Narrative Strategies of Hugh MacLennan and Morley Callaghan is a significant contribution to the relatively new field studying the relation between religion and literature in Canada.
Join David and Leigh Eddings on a fascinating behind-the-scenes tour of the extensive background materials they compiled before beginning the masterpiece of epic fantasy unforgettably set down in The Belgariad and The Malloreon and their two companion volumes, Belgarath the Sorcerer and Polgara the Sorceress. Our tour stretches from the wealthy Empire of Tolnedra to the remote Isle of the Winds, from the mysterious mountains of Ulgoland to the forbidding reaches of darkest Mallorea. Along the way, you will meet old friends and enemies alike. Rare volumes will be opened to your eyes. Sacred holy books in which you may read the secrets of the Gods themselves and of their prophets. Scholarly histories of the rise and fall of empires from the Imperial Library at Tol Honeth. The profound mysteries of the Malloreon Gospels. THE RIVAN CODEX will enrich your understanding of all that has gone before . . . and whet your appetite for more spectacular adventures from this talented team.
It's 1855, but not as we know it. The schism between the One True French Catholic Church and the heretical Italian Catholic Church has stoked three centuries of conflict, imploding the dream of European ascendancy. Thousands flee the Spanish Inquisition for havens in Germany, France, Britain and the colonies of the New World. The face and character of London has been indelibly altered by generations of refugees. Tasked with keeping order and preserving the ecumenical vision of the Holy French Catholic Church in the face of throngs clamoring for traditional British values, the London police find themselves in an awkward position. And nobody is quite sure how to deal with the technological innovation of animates: mindless laborers crafted from the body parts of the dead. A murderous plot with far-reaching implications casts a city torn between renaissance and tyranny as the unwitting catalyst for unspeakable global calamity. The fate of this world lies, as it often does, in the hands of a motley and disparate crew brought together by inglorious serendipity. Ironworks and iron fists will take London, and the Old World with it, to the cutting edge of a treacherous new century.
Though stressing that Flannery O'Connor was first and foremost a writer of fiction, John Desmond maintains in Risen Sons that her orthodox Catholic theology stands at the center of her vision, providing the metaphysical base from which the fiction evolved. Given this religious context, Desmond contends that O'Connor's stated view of fiction-writing as an "incarnational act" suggests a direct connection between the practice of fiction-writing and the Incarnation of Christ--the pivotal historic event which her fiction seeks to imitate and through which her vision is revealed. O'Connor's attempts to create images that would connect the Incarnation with fictional incarnation, Mystery with mystery, were not immediately realized in her early works. It was only with Wise Blood that she came to recognize Christian historical vision as her particular fictional subject and the analogical method as the appropriate fictional strategy. This discovery made possible the convergence of her metaphysics, historical vision, and artistic technique, providing the thematic and structural basis for the quality of "unique wholeness" that distinguishes all her works. Desmond suggests that O'Connor achieved the fullest development of her analogical vision and most complete identification of thought and technique in her novel The Violent Bear It Away. Her dramatic rendering of the route Tarwater takes before he can comprehend the transcendent, mysterious source of personality and the meaning of personhood in history parallels the actions of Christ, embodying O'Connor's complex and dramatic vision of the mind's engagement with history in all its ultimate extensions of meaning.
Discover the secrets to crafting a successful novel in this guide by a master writer & instructor and New York Times–bestselling author. Bestselling author David Farland taught dozens of writers who went on to staggering literary success, including such #1 New York Times Bestsellers as Brandon Mull (Fablehaven), Brandon Sanderson (Wheel of Time), James Dashner (The Maze Runner) and Stephenie Mayer (Twilight). In this book, Dave teaches how to analyze an audience and outline a novel to appeal to a wide readership. The secrets found in his unconventional approach will help you understand why so many of his authors went on to prominence. Hailed as “the wizard of storytelling,” Dave was an award-winning, international best-selling author with more than fifty novels in print, and a tireless mentor and instructor of new writers. His book Million Dollar Outlines is a seminal work teaching authors how to create a blueprint for a novel that can lead to bestseller success.
What does science have to do with science fiction? What does science fiction have to do with scientists? What does religion have to do with science and science fiction? In the spiritual vacuum of our post-Christian West, new mythologies continually arise. The sources of much religious speculation, however, may be surprising. Author James Herrick directs our attention to a wide range of scientists, filmmakers, science fiction writers and religious philosophers and discovers there the role that science and science fiction have played in such mythmaking. From scientists such as Francis Bacon, Francis Crick, Carl Sagan and Freeman Dyson, to filmmakers such as George Lucas and Steven Spielberg, to science fiction writers such as Olaf Stapledon, Sir Arthur C. Clarke, Robert Heinlein and Isaac Asimov, Herrick finds a curious collusion of science with science fiction for promoting and justifying alternative spiritualities. The rise of these new mythologies, he argues, is no longer a curiosity at the edge of Western culture. This alchemy is catalyzing a religious vision of new gods, a new humanity, and alien races with superior intelligence and secret knowledge. This new mythology overshadows the realms of politics, science and religion. Should we follow such visions? Does science endorse these mythologies? Are we being offered a spirituality superior to the Judeo-Christian tradition? This book will help you decide.
A leading George MacDonald scholar presents a fascinating introduction to the 19th century Scottish author’s views on Christianity, faith, and God. The Victorian author, poet, and theologian George MacDonald inspired some of the greatest writers of the early 20th century, including C.S. Lewis, who said MacDonald’s books were pivotal in leading him toward Christianity. While MacDonald’s beloved fiction—including classics like Robert Falconer and At the Back of the North Wind—remain popular, his sermons and nonfiction writings on faith are less well-known. Now MacDonald scholar and biographer Michael Phillips presents a comprehensive introduction to George MacDonald’s theological ideas. In George MacDonald’s Spiritual Vision, Phillips provides extensive, thematically arranged quotes from the author’s writings. This brief volume covers topics from the nature and character of God to salvation, justice and atonement.
In an entertaining re-examination of Rudy Wiebe's major novels, Penny van Toorn presents a completely new way of reading one of Canada's foremost contemporary writers. She analyzes Wiebe's struggle to control the "socially contested territory" of language, and identifies the principles that underlie his complex narrative structures.
For students and scholars of historiography, the theory of history, and literary studies, Robert Doran (French and comparative literature, U. of Rochester) gathers together 23 previously uncollected essays written by theorist and historian Hayden White (comparative literature, Stanford U.) from 1957 to 2007, on his theories of historical writing and narrative. Essays are organized chronologically and reveal the evolution of White's thought and its relationship to theories of the time, as well as the impact on the way scholars think about historical representation, the discipline of history, and how historiography intersects with other areas, especially literary studies. They specifically address theory of tropes, theory of narrative, and figuralism.