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The remains of Tai Fu's lost collection Kuang-i chi preserve three hundred short tales of encounters with the other world. This study analyses these tales.
Exploring the works of key women writers within their cultural, artistic and socio-political contexts, this book considers changes in the perception of women in early modern China. The sixteenth century brought rapid developments in technology, commerce and the publishing industry that saw women emerging in new roles as both consumers and producers of culture. This book examines the place of women in the cultural elite and in society more generally, reconstructing examples of particular women’s personal experiences, and retracing the changing roles of women from the late Ming to the early Qing era (1580-1700). Providing rich detail of exceptionally fine, interesting and engaging literary works, this book opens fascinating new windows onto the lives, dreams, nightmares, anxieties and desires of the authors and the world out of which they emerged.
Compiled during the Song dynasty (960–1279) at the behest of Emperor Taizong, the Taiping Guangji anthologized thousands of pages of unofficial histories, accounts, and minor stories from the Tang dynasty (618–907). The twenty-two tales translated in this volume, many appearing for the first time in English, reveal the dynamism and diversity of society in Tang China. A lengthy Introduction as well as introductions to each selection further illuminate the social and historical contexts within which these narratives unfold. This collection offers a wealth of information for anyone interested in medieval Chinese history, religion, or everyday life.
Original Scholarly Monograph
Ethnic Identity in Tang China is the first work in any language to explore comprehensively the construction of ethnicity during the dynasty that reigned over China for roughly three centuries, from 618 to 907. Often viewed as one of the most cosmopolitan regimes in China's past, the Tang had roots in Inner Asia, and its rulers continued to have complex relationships with a population that included Turks, Tibetans, Japanese, Koreans, Southeast Asians, Persians, and Arabs. Marc S. Abramson's rich portrait of this complex, multiethnic empire draws on political writings, religious texts, and other cultural artifacts, as well as comparative examples from other empires and frontiers. Abramson argues that various constituencies, ranging from Confucian elites to Buddhist monks to "barbarian" generals, sought to define ethnic boundaries for various reasons but often in part out of discomfort with the ambiguity of their own ethnic and cultural identity. The Tang court, meanwhile, alternately sought to absorb some alien populations to preserve the empire's integrity while seeking to preserve the ethnic distinctiveness of other groups whose particular skills it valued. Abramson demonstrates how the Tang era marked a key shift in definitions of China and the Chinese people, a shift that ultimately laid the foundation for the emergence of the modern Chinese nation. Ethnic Identity in Tang China sheds new light on one of the most important periods in Chinese history. It also offers broader insights on East Asian and Inner Asian history, the history of ethnicity, and the comparative history of frontiers and empires.
This book focuses on how women and love are portrayed in chuanqi fiction, a genre of Chinese literature of the Tang dynasty. It argues that the emergence of "love" as a theme in Chinese literature is closely related to the historical background of the Tang dynasty.
This book traces the evolving uses of writing to command assent and obedience in early China, an evolution that culminated in the establishment of a textual canon as the foundation of imperial authority. Its central theme is the emergence of this body of writings as the textual double of the state, and of the text-based sage as the double of the ruler. The book examines the full range of writings employed in early China, such as divinatory records, written communications with ancestors, government documents, the collective writings of philosophical and textual traditions, speeches attributed to historical figures, chronicles, verse anthologies, commentaries, and encyclopedic compendia. Lewis shows how these writings served to administer populations, control officials, form new social groups, invent new models of authority, and create an artificial language whose mastery generated power and whose graphs became potent objects. Writing and Authority in Early China traces the enterprise of creating a parallel reality within texts that depicted the entire world. These texts provided models for the invention of a world empire, and one version ultimately became the first state canon of imperial China. This canon served to perpetuate the dream and the reality of the imperial system across the centuries.
Intellectually and visually stimulating, this important landmark book looks at the religious, political, social and artistic significance of the Imperial tombs of the Tang Dynasty (618-907 AD). It traces the evolutionary development of the most elaborately beautiful imperial tombs to examine fundamental issues on death and the afterlife in one of the world's most sophisticated civilizations. Selected tombs are presented in terms of their structure, artistic programs and their purposes. The author sets the tombs in the context of Chinese attitudes towards the afterlife, the politics of mausoleum architecture, and the artistic vocabulary which was becoming the mainstream of Chinese civilization.
The Tang dynasty is often called China’s “golden age,” a period of commercial, religious, and cultural connections from Korea and Japan to the Persian Gulf, and a time of unsurpassed literary creativity. Mark Lewis captures a dynamic era in which the empire reached its greatest geographical extent under Chinese rule, painting and ceramic arts flourished, women played a major role both as rulers and in the economy, and China produced its finest lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in extensive trade on sea and land. Merchants from Inner Asia settled in the capital, while Chinese entrepreneurs set off for the wider world, the beginning of a global diaspora. The emergence of an economically and culturally dominant south that was controlled from a northern capital set a pattern for the rest of Chinese imperial history. Poems celebrated the glories of the capital, meditated on individual loneliness in its midst, and described heroic young men and beautiful women who filled city streets and bars. Despite the romantic aura attached to the Tang, it was not a time of unending peace. In 756, General An Lushan led a revolt that shook the country to its core, weakening the government to such a degree that by the early tenth century, regional warlordism gripped many areas, heralding the decline of the Great Tang.
Based on translations of an unique Tang text, the Collected Statements, this work explores a worthy social commentary on the examination life that its compiler witnessed. Gradually providing a full picture of the civil service examination, it describes the emergence of the literary culture surrounding civil service examination recruitment during China's Tang dynasty (618-907); considers the series of rituals that Tang examination candidates underwent throughout the annual examinations; contrasts lavish court ceremonies of the early Tang period with more private rituals of acknowledgement that became fashionable in the second half of the dynasty. An annual programme of rituals became the cardinal definition of examination recruitment for both participants and onlookers. With valuable insights into the political and social tensions in the Tang history of competitive examination degrees.