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Religious Dissent in Late Antiquity reconsiders the Christianization of the late Roman Empire. The focus is on the shifting position of dissenting religious groups ('pagans' and 'heretics'). The book shows that the narrative is more nuanced than the simple Christian triumph over the classical world.
A comparative examination and interpretation of religious violence in the Graeco-Roman world and Late Antiquity.
This volume examines questions concerning the construction of gender and identity in the earliest days of what is now Judaism, Christianity, and Islam. Methodologically explicit, the contributions analyze textual and material sources related to these religious traditions in their cultural contexts. The sources examined are predominantly products of patriarchal elite discourses requiring innovative approaches to unveil aspects of gender otherwise hidden. This volume extends the discussion represented in the volume Gender and Second-Temple Judaism (2020) and highlights the fruitfulness of interdisciplinary research beyond anachronistic discipline distinctions.
Worshippers of the Gods tells how the Latin writers who witnessed the political and social rise of Christianity rethought the role of traditional religion in the empire and city of Rome. In parallel with the empire's legal Christianisation, it traces changing attitudes toward paganism from the last empire-wide persecution of Christians under the Tetrarchy to the removal of state funds from the Roman cults in the early 380s. Influential recent scholarship has seen Christian polemical literature-a crucial body of evidence for late antique polytheism-as an exercise in Christian identity-making. In response, Worshippers of the Gods argues that Lactantius, Firmicus Maternus, Ambrosiaster, and Ambrose offered substantive critiques of traditional religion shaped to their political circumstances and to the preoccupations of contemporary polytheists. By bringing together this polemical literature with imperial laws, pagan inscriptions, and the letters and papers of the senator Symmachus, Worshippers of the Gods reveals the changing horizons of Roman thought on traditional religion in the fourth century. Through its five interlocking case studies, it shows how key episodes in the Empire's religious history-the Tetrarchic persecution, Constantine's adoption of Christianity, the altar of Victory affair, and the 'disestablishment' of the Roman cults-shaped contemporary conceptions of polytheism. It also argues that the idea of a unified 'paganism', often seen as a capricious invention, actually arose as a Christian response to the eclectic, philosophical polytheism in vogue at Rome.
What does it mean to identify oneself as pagan or Christian in Late Antiquity and the Early Middle Ages? How are religious identities constructed, negotiated, and represented in oral and written discourse? How is identity performed in rituals, how is it visible in material remains? Antiquity and the Middle Ages are usually regarded as two separate fields of scholarship. However, the period between the fourth and tenth centuries remains a time of transformations in which the process of religious change and identity building reached beyond the chronological boundary and the Roman, the Christian and ‘the barbarian’ traditions were merged in multiple ways. Being Pagan, Being Christian in Late Antiquity and Early Middle Ages brings together researchers from various fields, including archaeology, history, classical studies, and theology, to enhance discussion of this period of change as one continuum across the artificial borders of the different scholarly disciplines. With new archaeological data and contributions from scholars specializing on both textual and material remains, these different fields of study shed light on how religious identities of the people of the past are defined and identified. The contributions reassess the interplay of diversity and homogenising tendencies in a shifting religious landscape. Beyond the diversity of traditions, this book highlights the growing capacity of Christianity to hold together, under its control, the different dimensions – identity, cultural, ethical and emotional – of individual and collective religious experience.
This book brings together a number of case studies to show some of the ways in which, as soon as the Roman Senate gained new political authority under Constantine and his successors, its members crowded the political scene in the West. In these chapters, Rita Lizzi Testa makes much of her work – the fruit of decades of research –available in English for the first time. The focus is on the aristocratics' passion for aruspical science, the political use of exphrastic poems, and even their control of the hagiographic genre in the late sixth century. She demonstrates how Roman senators were chosen as legates to establish proactive relations with Christian emperors, their ministers and military commanders, and Eastern and Western provincial elites. Senators wove a web of relations in the Eastern and Western empires, sewing and stitching the empire's fabric with their diplomatic skills, wealth, and influence, while lively and highly litigious assembly activity still required of them a cultured rhetoric. Through employing astute political strategies, they maintained their privileges, including their own beliefs in ancient cults. Christian Emperors and Roman Elites in Late Antiquity provides a crucial collection for students and scholars of Late Antique history and religion, and of politics in the Late Roman Empire.
Explores how Christians created, used, and adapted religionized categories of non-Christians through the centuries Christian Imaginations of the Religious Other traces the genealogy of religionization, the various ways Christians throughout history have created a sense of religious normativity while simultaneously producing various categories of non-Christian "otherness." Covering a broad expanse of processes, practices, and socio-political contexts, this innovative volume analyzes the complex intersections of patterns of religionization in different eras while investigating their entanglements with racialization, sexualization, and ethnicization. With a readable and accessible style, Marianne Moyaert offers a nuanced and well-balanced critical analysis of how and why Christianity’s others were named, categorized, essentialized, and governed by those exemplifying Christian normativity in Western European society. The author takes a longue durée approach — a long-term perspective on history that extends past human memory and the archaeological record — that integrates different case studies and a variety of ecclesial, theological, and literary documents. Throughout the text, Moyaert demonstrates how religionization shaped the ways Christians classified people, organized Christian societies, interacted with different Christian and non-Christian groups, and more. Surveys the relationship between shifts in Christian normativity and the way non-Christians are imagined Helps readers connect the lasting effects of patterns of religionization with their everyday experiences Discusses the role of Christian expansion in the differential and unequal treatment of Christianity’s others Examines legal regulations and disciplinary practices that were established to define the boundaries between Christians and non-Christians Incorporates a wide range of scholarly resources, cutting-edge research, and the most recent insights and issues in the field Includes textboxes with helpful summaries, illustrations, and commentary in each chapter Christian Imaginations of the Religious Other: A History of Religionization is an excellent textbook for undergraduate and graduate courses in interreligious studies, comparative theology, theological approaches to religious diversity, Christian-Jewish-Muslim relations, race and religion, and theorizing religion.
In this book, Angelika Neuwirth provides a new approach to understanding the founding text of Islam. Typical exegesis of the Qur'an treats the text teleologically, as a fait accompli finished text, or as a replica or summary of the Bible in Arabic. Instead Neuwirth approaches the Qur'an as the product of a specific community in the Late Antique Arabian peninsula, one which was exposed to the wider worlds of the Byzantine and Sasanian empires, and to the rich intellectual traditions of rabbinic Judaism, early Christianity, and Gnosticism. A central goal of the book is to eliminate the notion of the Qur'an as being a-historical. She argues that it is, in fact, highly aware of its place in late antiquity and is capable of yielding valuable historical information. By emphasizing the liturgical function of the Qur'an, Neuwirth allows readers to see the text as an evolving oral tradition within the community before it became collected and codified as a book. This analysis sheds much needed light on the development of the Qur'an's historical, theological, and political outlook. The book's final chapters analyze the relationship of the Qur'an to the Bible, to Arabic poetic traditions, and, more generally, to late antique culture and rhetorical forms. By providing a new introduction to the Qur'an, one that uniquely challenges current ideas about its emergence and development, The Qur'an and Late Antiquity bridges the gap between Eastern and Western approaches to this sacred text.
This study examines third- and fourth-century portraits of married Christians and associated images, reading them as visual rhetoric in early Christian conversations about marriage and celibacy, and recovering lay perspectives underrepresented or missing in literary sources. Historians of early Christianity have grown increasingly aware that written sources display an enthusiasm for asceticism and sexual renunciation that was far from representative of the lives of most early Christians. Often called a “silent majority,” the married laity in fact left behind a significant body of work in the material record. Particularly in and around Rome, they commissioned and used such objects as sarcophagi, paintings, glass vessels, finger rings, luxury silver, other jewellery items, gems, and seals that bore their portraits and other iconographic forms of self-representation. This study is the first to undertake a sustained exploration of these material sources in the context of early Christian discourses and practices related to marriage, sexuality, and celibacy. Reading this visual evidence increases understanding of the population who created it, the religious commitments they asserted, and the comparatively moderate forms of piety they set forth as meritorious alternatives to the ascetic ideal. In their visual rhetoric, these artifacts and images comprise additional voices in Late Antique conversations about idealized ways of Christian life, and ultimately provide a fuller picture of the early Christian world. Plentifully illustrated with photographs and drawings, this volume provides readers access to primary material evidence. Such evidence, like textual sources, require critical interpretation; this study sets forth a careful methodology for iconographic analysis and applies it to identify the potential intentions of patrons and artists and the perceptions of viewers. It compares iconography to literary sources and ritual practices as part of the interpretive process, clarifying the ways images had a rhetorical edge and contributed to larger conversations. Accessibly written, The Visual Rhetoric of the Married Laity in Late Antiquity is of interest to students and scholars working on Late Antiquity, early Christian and late Roman social history, marriage and celibacy in early Christianity, and early Christian, Roman, and Byzantine art.