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The chaotic and reputedly immoral behaviour of the miners who made up the gold rush to the Californian frontier greatly worried the evangelical protestants from the Northeast. They sent missionaries to spread the word and transplant their beliefs. This book is the story of that enterprise.
The chaotic and reputedly immoral society of the California mining frontier during the gold rush period greatly worried Protestant evangelicals from the Northeast, and they soon sent missionaries westward to transplant their religious institutions, beliefs, and practices in the area. This book tells the story of that enterprise, showing how it developed, why it failed, and what patterns of religious adherence evolved in the West in place of evangelical Protestantism. Laurie Maffly-Kipp begins by analyzing the eastern-based religious ideology that underlay the movement westward and by investigating the motives behind the founding of home mission boards dedicated to the spread of Christianity and civility among new settlers. Drawing on the diaries, letters, and journals of hundreds of California "argonauts," Maffly-Kipp describes those missionaries and their wives sent to California after 1848 and the virtually all-male mining society that resisted the missionaries' notions of moral order and in turn created new religious beliefs and practices. Maffly-Kipp argues that despite its alleged immorality, the California gold rush was actually one of the most morally significant events of the nineteenth century, for it challenged and brought into conflict the cherished values of antebellum American culture: a commitment to spiritual and social progress; a concern with self-discipline, moral character, and proper gender roles; and a thirst for wealth fostered by the spirit of free enterprise.
A panoramic introduction to religion in America, newly revised and updated
This volume takes an interdisciplinary approach to the study of religious cultural exchanges around the Pacific in the period 1500-1900, relating these to economic and political developments and to the expansion of communication across the area. It brings together twenty-two pieces, from diaries of religious exiles and missionary field observations, to studies from a variety of academic disciplines, so enabling a multitude of voices to be heard. The articles are grouped in sections dealing with the Islamic period, the Iberian Catholic period, the Jewish diaspora, the Russian Orthodox church, the epoch of Protestant culture and finally Asian immigrant religions in the West; a substantial introduction contextualizes these chapters in terms of both historical and contemporary approaches.
"Stott finds that male behavior could be strikingly similar in diverse locales, from taverns and boardinghouses to college campuses and sporting events. He explores the permissive attitudes that thrived in such male domains as the streets of New York City, California during the gold rush, and the Pennsylvania oil fields, arguing that such places had an important influence on American society and culture. Stott recounts how the cattle and mining towns of the American West emerged as centers of resistance to Victorian propriety. It was here that unrestrained male behavior lasted the longest, before being replaced with a new convention that equated manliness with sobriety and self-control.".
Frontier Figures is a tour-de-force exploration of how the American West, both as physical space and inspiration, animated American music. Examining the work of such composers as Aaron Copland, Roy Harris, Virgil Thomson, Charles Wakefield Cadman, and Arthur Farwell, Beth E. Levy addresses questions of regionalism, race, and representation as well as changing relationships to the natural world to highlight the intersections between classical music and the diverse worlds of Indians, pioneers, and cowboys. Levy draws from an array of genres to show how different brands of western Americana were absorbed into American culture by way of sheet music, radio, lecture recitals, the concert hall, and film. Frontier Figures is a comprehensive illumination of what the West meant and still means to composers living and writing long after the close of the frontier.
Racial and religious groups have played a key role in shaping the American West, yet scholars have for the most part ignored how race and religion have influenced regional identity. In this collection, eleven contributors explore the intersections of race, religion, and region to show how they transformed the West. From the Punjabi Mexican Americans of California to the European American shamans of Arizona to the Mexican Chinese of the borderlands, historical meanings of race in the American West are complex and are further complicated by religious identities. This book moves beyond familiar stereotypes to achieve a more nuanced understanding of race while also showing how ethnicity formed in conjunction with religious and regional identity. The chapters demonstrate how religion shaped cultural encounters, contributed to the construction of racial identities, and served as a motivating factor in the lives of historical actors. The opening chapters document how religion fostered community in Los Angeles in the first half of the twentieth century. The second section examines how physical encounters—such as those involving Chinese immigrants, Hermanos Penitentes, and Pueblo dancers—shaped religious and racial encounters in the West. The final essays investigate racial and religious identity among the Latter-day Saints and southern California Muslims. As these contributions clearly show, race, religion, and region are as critical as gender, sexuality, and class in understanding the melting pot that is the West. By depicting the West as a unique site for understanding race and religion, they open a new window on how we view all of America.
Between the Revolution and the Civil War, the dialogue of religious skepticism and faith profoundly shaped America. Although usually rendered nearly invisible, skepticism touched-and sometimes transformed-more lives than might be expected from standard accounts. This book examines Americans wrestling with faith and doubt as they tried to make sense of their world.
Reveals the triumphs and struggles of contemporary Christian congregations to express female imagery of God in worship. Many Christians do not know the Bible contains female images of God because they have never heard nor seen them in church. In Women, Ritual, and Power, Elizabeth Ursic gives the reader insight into four Christian communities that worship God with female imagery, both as a worship focus and a community identity. These Methodist, Presbyterian, Lutheran, and Catholic congregations operate within their established church denominations and are led by either ordained Protestant ministers or vowed Catholic sisters. Because expressing God-as-She can expose strident claims for maintaining God-as-He, this book shows not only how patriarchy continues to operate in churches today, but also how it is being successfully challenged through liturgy. “Women, Ritual, and Power is an important contribution to the theological world. Elizabeth Ursic sheds light on what has enabled churches to include female images for the divine and provides multiple narratives of the negative reactions to such images. As she displays how gender is understood in Christian worship with evidence that some churches do include feminist imagery, the continuing presence of patriarchy is also revealed. The book is basically about the constructive function of the inclusion of feminine images for all. One of the main reasons we need this book is that Ursic perceives there is a much wider/larger group of Christians who would love to have more feminist images than is recognized in churches and church practices.” — Mary McClintock Fulkerson, author of Changing the Subject: Women’s Discourses and Feminist Theology
This classic work, winner of the 1973 National Book Award in Philosophy and Religion and Christian Century's choice as the Religious Book of the Decade (1979), is now issued with a new chapter by noted religious historian David Hall, who carries the story of American religious history forward to the present day. Praise for the earlier edition: ?An unusual and praiseworthy book. . . . It takes a modern, almost anthropological view of history, in which worship is a part of a web of culture along with play, love, dress, and language.”?B.A. Weisberger, Washington Post Book World ?The most detailed, most polished of the works in its tradition.”?Martin E. Marty, New York Times Book Review ?An intellectual delight that one does not so much read as savor.”?America ?The definitive one-volume study by the leading authority.”?Christianity Today ?No one writing or thinking hereafter about America's past will be able to ignore Ahlstrom's magisterial account of the religious element.”?American Historical Review