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Buddhism is popularly seen as a religion stressing the truth of impermanence. How, then, to account for the long-standing veneration, in Asian Buddhist communities, of bone fragments, hair, teeth, and other bodily bits said to come from the historic Buddha? Early European and American scholars of religion, influenced by a characteristic Protestant bias against relic worship, declared such practices to be superstitious and fraudulent, and far from the true essence of Buddhism. John Strong's book, by contrast, argues that relic veneration has played a serious and integral role in Buddhist traditions in South and Southeast Asia-and that it is in no way foreign to Buddhism. The book is structured around the life story of the Buddha, starting with traditions about relics of previous buddhas and relics from the past lives of the Buddha Sakyamuni. It then considers the death of the Buddha, the collection of his bodily relics after his cremation, and stories of their spread to different parts of Asia. The book ends with a consideration of the legend of the future parinirvana (extinction) of the relics prior to the advent of the next Buddha, Maitreya. Throughout, the author does not hesitate to explore the many versions of these legends and to relate them to their ritual, doctrinal, artistic, and social contexts.
Focusing on the ninth to the fourteenth centuries, this study analyzes the ways in which relics functioned as material media for the interactions of Buddhist clerics, the imperial family, lay aristocrats, and warrior society and explores the multivocality of relics by dealing with specific historical examples. Brian Ruppert argues that relics offered means for reinforcing or subverting hierarchical relations. The author's critical literary and anthropological analyses attest to the prominence of relic veneration in government, in lay practice associated with the maintenance of the imperial line and warrior houses, and in the promotion of specific Buddhist sects in Japan.
Part One: The Portuguese and the Tooth Relic -- Chapter One: The Tale of the Portuguese Tooth and Its Sources -- Chapter Two: Where the Tooth Was Found: Traditions about the Location of the Relic in Sri -- Lanka -- Chapter Three: Whose Tooth Was It? Traditions about the Identity of the Relic -- Chapter Four: The Trial of the Tooth -- Chapter Five: The Destruction of the Tooth -- Conspectus of Part One: The Storical Evolution of the Tales of the Portuguese Tooth -- Part Two: The British and the Tooth Relic -- Chapter Six: The Cosmopolitan Tooth: The Relic in Kandy before the British Became Aware of -- It -- Chapter Seven: The British Takeover of 1815 and the Kandyan Convention -- Chapter Eight: The Relic Returns: The Tooth and Its Properties Restored to the Temple -- Chapter Nine: The Relic Lost and Recaptured: The Tooth and the Rebellion of 1817- -- Chapter Ten: The Relic Disestablished: Missionary Oppositions to the Tooth -- Chapter Eleven: Showings of the Tooth: The Story of the King of Siam's Visit (1897) -- Chapter Twelve: Showings of the Tooth: The Story of Queen Elizabeth's Shoes (1954).
This book is a serious study of relic veneration among South Asian Buddhists. Drawing on textual sources and archaeological evidence from India and Sri Lanka, including material rarely examined in the West, it looks specifically at the practice of relic veneration in the Sri Lankan Theravada Buddhist tradition. The author portrays relic veneration as a technology of remembrance and representation which makes present the Buddha of the past for living Buddhists. By analysing the abstract ideas, emotional orientation and ritual behaviour centred on the Buddha's material remains, he contributes to the 'rematerializing' of Buddhism which is currently under way among Western scholars. This book is an excellent introduction to Buddhist relics. It is well written and accessible and will be read by scholars and serious students of Buddhism and religious studies for years to come.
Embodying the Dharma explores the centrality of relic veneration in Asian Buddhist cultures. Long disregarded by Western scholars as a superstitious practice reflecting the popularization of "original" Buddhism, relic veneration has emerged as a topic of vital interest in the last two decades with the increased attention to Buddhist ritual practice and material culture. This volume includes studies of relic traditions in India, Japan, Tibet, Sri Lanka, and Thailand, as well as broader comparative analyses, including comparisons of Buddhist and Christian relic veneration.
Buddhism or Buddhisms? By the time they move on to Buddhism in Japan, many students who have studied its origins in India ask whether this is in fact the same religion, so different can they appear. In Buddhisms: An Introduction, Professor John S. Strong provides an overview of the Buddhist tradition in all its different forms around the world. Beginning at the modern day temples of Lumbini, where the Buddha was born, Strong takes us through the life of the Buddha and a study of Buddhist Doctrine, revealing how Buddhism has changed just as it has stayed the same. Finally, Strong examines the nature of Buddhist community life and its development today in the very different environments of Thailand, Japan, and Tibet. Enriched by the author’s own insights gathered over forty years, Buddhisms never loses sight of the personal experience amidst the wide-scope of its subject. Clear in its explanations, replete with tables and suggestions for further reading, this is an essential new work that makes original contributions to the study of this 2,500 year-old religion.
The Present Book Examines The Various Caskets, The Different Kinds Of Material Used For Preparing Them, Their Shapes And Sixes And Finally The Method Of Consecration Followed For Enshrining These Holy Relics. Alongside It Also Provides An Uptodate Account Of Buddhism In South India, The Author, Taking Into Consideration The Archaeological And Literacy Data, Tries To Set At Rest The Conflicting Opinions Held By Scholars Regsrding The Identification Of Dantapura, Photographs, Sketches, Etc., Which Lie Scattered In Various Reports.
As belief in the Buddha grew and his teachings were transmitted across Asia, Buddhist images, scriptures, and relics were duplicated and reduplicated to satisfy the needs of increasing numbers of the faithful. Yet how were these countless copies of sacred objects able to retain their authenticity and efficacy? Authentic Replicas explores how Buddhists in medieval China (seventh to twelfth centuries) solved this conundrum through the use of traditional methods of replication such as stamping, mold casting, and woodblock printing to create objects that fulfilled the spiritual aspirations of those who possessed them. Setting aside Western notions about the relative value of copies versus the “original,” the book posits Buddhist ideas on what imbues an object with credibility and authority and offers fresh insights into the ways authenticity was represented and reproduced in the Chinese Buddhist context. Each section of the volume focuses on an area of artistic output to provide readers with a thorough grasp of the theological concepts underpinning each act of duplication. Part I looks at the replication of sutras to clarify how the spiritual value of a handwritten sutra differed from a printed one. In Part II, clay tablets, woodblock prints, silk paintings, and cave murals are examined to trace iconographic lineages and uncover the divine identity in each new replica. The chapters in Part III describe in detail the copying of the Buddha’s bodily relics and the endlessly repeated votive act of burying these in stupas. Of particular significance is the visual and textual vocabulary used on reliquaries to persuade adherents to believe in the actual presence of the Buddha concealed inside. Deftly weaving together data and research from several disciplines, including Buddhist studies, archaeology, and art history, Authentic Replicas vividly conveys how replication lay at the heart of Buddhist worship in medieval China, offering a new understanding of how religious belief guided the artistic output of an entire age.
Gandhara, the ancient name for the region around modern Peshawar in northern Pakistan, was of pivotal importance in the production of Buddhist texts and art in the first centuries CE. Since the mid-nineteenth century, excavations of Gandharan monastery sites have revolutionized the study of early Buddhism. Among the treasures unearthed are hundreds of reliquaries--containers housing relics of the Buddha. This volume combines art history, Buddhist history, ancient Indian history, archaeology, epigraphy, linguistics, and numismatics to clarify the significance and function of these reliquaries. The story begins with the Buddha's last days, his death and funerary arrangements, and the distribution of the cremated remains, which initiated a relic cult. Chapters describe Gandharan reliquary types and subgroups, the archaeological and historical significance of collections, and the paleographic and linguistic interpretation of the inscriptions on the reliquaries. The 400 reliquaries illustrated and surveyed are from museums and private collections in Pakistan, India, Japan, Europe, and North America. Stone is the primary material of construction, along with bronze, gold, and silver. Shapes range from spherical and cylindrical to miniature stupas, a configuration that provides valuable information about the history of this Buddhist monumental form. David Jongeward is a visiting scholar at the Asian Institute, Munk School of Global Affairs, University of Toronto. Elizabeth Errington is curator of the Charles Masson Project, British Museum Department of Coins and Medals. Richard Salomon is professor of Asian languages and literature at the University of Washington. Stefan Baums is assistant adjunct professor of South and Southeast Asian studies at the University of California, Berkeley, and a research fellow at the School of Asian Studies, Leiden University.
Buddhist chronicles have long been had a central place in the study of Buddhism. Scholars, however, have relied almost exclusively on Pali works that were composed by elites for learned audiences, to the neglect of a large number of Buddhist histories written in local languages for popular consumption. The Sinhala Thūpavamsa, composed by Parakama Pandita in thirteenth-century Sri Lanka, is an important example of a Buddhist chronicle written in the vernacular Sinhala language. Furthermore, it is among those works that inform public discussion and debate over the place of Buddhism in the Sri Lankan nation state and the role of Buddhist monks in contemporary politics. In this book Stephen Berkwitz offers the first complete English translation of the Sinhala Thūpavamsa. Composed in a literary dialect of Sinhala, it contains a richly descriptive account of how Buddhism spread outside of India, replete with poetic embellishments and interpolations not found in other accounts of those events. Aside from being an important literary work, the Sinhala Thūpavamsa. is a text of considerable historical and religious significance. It comprises several narrative strands that relate the life story of the Buddha and the manner in which Buddhist teachings and institutions were established on the island of Sri Lanka in ancient times. The central focus of this work concerns the variety of relics associated with the historical Buddha, particularly how the relics were acquired and the presumed benefits of venerating them. The text also relates the mythological history of the Buddha's previous lives as a bodhisattva and concludes with a prediction about the future Buddha Maitreya. Reflection on Buddhist ethics and instruction on the Dharma, or the Buddha's teaching, are found throughout the work, indicating that this historical narrative was meant both to recall the past and give rise to religious practice among contemporary readers and listeners. This new translation makes a significant work more widely accessible in the West and adds to our knowledge of how local Buddhist communities imagined and represented their religious and cultural heritages in written works.