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Landes traces the life and career of Ademar of Chabannes--a monk, historian, liturgist, and hagiographer who lived at the turn of the first Christian millennium. Using over 1,000 folios of autograph manuscript that Ademar left behind, Landes has been able to reconstruct in great detail the development of Ademar's career and the events of his day.
"Apocalypticism has been the source of hope and courage for the oppressed, but has also given rise, on many occasions, to fanaticism and intolerance. The essays in this volume seek neither to apologize for the extravagance of apocalyptic thinkers nor to excuse the perverse actions of some of their followers. Rather, they strive to understand a powerful, perhaps even indispensable, element in the history of Western religions that has been the source of both good and evil, and still is yet today."The Editors The Continuum History of Apocalypticism is a 1-volume, select edition of the 3-vol. Encyclopedia of Apocalypticism first published in 1998. The main historical surveys that provided the spine of the Encyclopedia have been retained, while essays of a thematic nature, and a few whose subject matter is not central to the historical development, have been omitted. The work begins with 8 articles on "The Origins of Apocalypticism in the Ancient World," extending from ancient Near Eastern myth through the Old Testament to the Dead Sea Scrolls, Jesus, Paul, and the Book of Revelation. Next are 7 articles on "Apocalyptic Traditions from Late Antiquity to ca. 1800 C.E.," including early Christian theology, radical movements in the Middle Ages, and both Jewish and Islamic apocalypticism in the classic period. The final section, "Apocalypticism in the Modern Age," includes 10 articles on apocalypticism in the Americas, in Western and Eastern Europe, and, finally, in modern Judaism and modern Islam.
No detailed description available for "Burning Bodies".
Millennialists through the ages have looked forward to the apocalyptic moment that will radically transform society into heaven on earth. They have delivered withering critiques of their own civilizations and promised both the impending annihilation of the forces of evil and the advent of a perfect society. And all their promises have invariably failed. We tend, therefore, to dismiss these prophets of doom and salvation as crackpots and madmen, and not surprisingly historians of our secular era have tended to underestimate their impact on our modern world. Now, Richard Landes offers a lucid and ground-breaking analysis of this widely misunderstood phenomenon. This long-awaited study shows that many events typically regarded as secular--including the French Revolution, Marxism, Bolshevism, Nazism--not only contain key millennialist elements, but follow the apocalyptic curve of enthusiastic launch, disappointment and (often catastrophic) re-entry into "normal time." Indeed, as Landes examines the explicit millennialism behind such recent events as the emergence of Global Jihad since 1979, he challenges the common notion that modern history is largely driven by secular interests. By focusing on ten widely different case studies, none of which come from Judaism or Christianity, he shows that millennialism is not only a cultural universal, but also an extremely adaptive social phenomenon that persists across the modern and post-modern divides. At the same time, he also offers valuable insight into the social and psychological factors that drive such beliefs. Ranging from ancient Egypt to modern-day UFO cults and global Jihad, Heaven on Earth both delivers an eye-opening revisionist argument for the significance of millennialism throughout history and alerts the reader to the alarming spread of these ideologies in our world today.
Hagiography, or writing about and illustrating the lives of saints, was one of the most creative areas for artistic inspiration in the literature and arts of the Middle Ages. This book explores the sumptuously illustrated saints' lives that were made in medieval Europe. Cynthia Hahn discusses a broad range of manuscripts and other artifacts, many of which are reproduced here, and provides an analysis of their pictorial and narrative structure. Hahn's book is a virtual compendium of images-many rarely published-as well as a learned study that deepens our understanding of the role of various types of saints, the nature of their audience, and the historical moment when individual works were produced. After two informative introductory chapters setting the historical and narrative context of pictorial hagiography, Hahn considers the Lives of Martyrs and Virgins, Bishops, Monks and Abbots, and Kings and Queens, and concludes with an examination of the extraordinary chronicles and illustrations of the lives of saints by the English monk Matthew Paris. She considers such questions as: Why were illustrated saints' lives produced in such great numbers during this period? Why were they illustrated at all given the trouble and expense of such illustration? And to whom did the saints' lives appeal, and how did their readers use them? As she addresses these and other intriguing questions, Hahn traces changes that occurred over time both in the images and the stories, and shows how their creators, mostly the intellectual elite, were finely attuned to audience reception. This important aspect of hagiographic production has received scant attention in the past, and as she considers this issue in light of contemporary narrative theory, Hahn brings us to a fresh appreciation of these intricately illustrated manuscripts and their multiple audiences.
Written in a clear and engaging style, Weaver's story chronicles not only the progress of Jesus research but also the cultural drifts and sociological phenomena that relate to the varying pictures of Jesus that scholarship has produced.
Jesus' promise that "the end" draws near has spawned an expectation of that grand event across various religious groups. This volume examines the abiding social issues that surround the continued presence of apocalyptic anticipation by setting them in historical, present-day, and future manifestations. Approaching this fervent expectation from a broad perspective, Gribben and Newport explore the contemporary movements with insightful analysis that provokes discussion and even self-reflection.
This book stands at the intersection of recent work in historiography and the study of political culture in the early Middle Ages. It takes the autograph manuscript of a tenth-century monk, Richer, as a point of entry into the author's world, and asks how he and his contemporaries in the religious and intellectual community of Reims engaged in Frankish politics. By shifting focus from the events and actors that typically occupy centre stage in political theatre to the writing of history and its authors, it offers a sustained reflection on the relationship between politics and history. As a case study it aims, ultimately, to articulate new possibilities for the study of early medieval politics and, at the same time, to provide a model for a type of historical inquiry in which the development of questions and the exploration of possibilities stand more prominent than the conclusions drawn from them.
William Chester Jordan’s scholarship has demonstrated the complexity of negotiating power at both the center and margins of medieval society, taking us into the inner chambers of medieval power structures where kings, churchmen and courtiers dwell to the margins of society inhabited by disenfranchised peoples such as Jews, women and the poor. Center and Periphery: Studies on Power in the Medieval World in Honor of William Chester Jordan, edited by Katherine L. Jansen, G. Geltner and Anne E. Lester, honors Professor Jordan by taking up these themes and expanding them from France into Spain, Italy, the Lowlands, and the Mediterranean. The volume highlights how Jordan’s work inspired and influenced a generation of medievalists working in North America and Europe today. Contributors are John W. Baldwin, Adam J. Davis, Jonathan Elukin, Hussein Fancy, Michelle Garceau, G. Geltner, Erica Gilles, Holly J. Grieco, Maya Soifer Irish, Katherine L. Jansen, Emily Kadens, Richard Landes, Jacques Le Goff, Anne E. Lester, Christopher MacEvitt, David Nirenberg, Mark Gregory Pegg , Jarbel Rodriguez, E.M. Rose and Teofilo Ruiz.