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Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the ‘habitats’, ‘natural milieus’, ‘places’ or ‘shelters’ that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns. With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides: 16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures An exploration of the relations between human and political life An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.
Examining the complex social and material relationships between architecture and ecology which constitute modern cultures, this collection responds to the need to extend architectural thinking about ecology beyond current design literatures. This book shows how the ‘habitats’, ‘natural milieus’, ‘places’ or ‘shelters’ that construct architectural ecologies are composed of complex and dynamic material, spatial, social, political, economic and ecological concerns. With contributions from a range of leading international experts and academics in architecture, art, anthropology, philosophy, feminist theory, law, medicine and political science, this volume offers professionals and researchers engaged in the social and cultural biodiversity of built environments, new interdisciplinary perspectives on the relational and architectural ecologies which are required for dealing with the complex issues of sustainable human habitation and environmental action. The book provides: 16 essays, including two visual essays, by leading international experts and academics from the UK, US, Australia, New Zealand and Europe; including Rosi Braidotti, Lorraine Code, Verena Andermatt Conley and Elizabeth Grosz A clear structure: divided into 5 parts addressing bio-political ecologies and architectures; uncertain, anxious and damaged ecologies; economics, land and consumption; biological and medical architectural ecologies; relational ecological practices and architectures An exploration of the relations between human and political life An examination of issues such as climate change, social and environmental well-being, land and consumption, economically damaging global approaches to design, community ecologies and future architectural practice.
Set against the background of a ‘general crisis’ that is environmental, political and social, this book examines a series of specific intersections between architecture and feminisms, understood in the plural. The collected essays and projects that make up the book follow transversal trajectories that criss-cross between ecologies, economies and technologies, exploring specific cases and positions in relation to the themes of the archive, control, work and milieu. This collective intellectual labour can be located amidst a worldwide depletion of material resources, a hollowing out of political power and the degradation of constructed and natural environments. Feminist positions suggest ways of ethically coping with a world that is becoming increasingly unstable and contested. The many voices gathered here are united by the task of putting critical concepts and feminist design tools to use in order to offer experimental approaches to the creation of a more habitable world. Drawing inspiration from the active archives of feminist precursors, existing and re-imagined, and by way of a re-engagement in the histories, theories and projected futures of critical feminist projects, the book presents a collection of twenty-three essays and eight projects, with the aim of taking stock of our current condition and re-engaging in our precarious environment-worlds.
Popular notions of sustainability in architecture and urbanism idealizes nature as primary over the mediated complexity that is inevitable in a modern city's functioning. More specifically, contemporary ecological debates and models have failed to sufficiently account for the convergence of computers, automation and machine intelligence with the physical and social environments that is gradually emerging in the post-digital condition. The following publication takes an ecological view to interpret critically the micro-ecology of Amazon's automated warehouses which rely on adaptive machine intelligence which is further examined critically within the framework of cybernetic systems. Paradoxically, it also happens to thrive within the logic of the dominant global mode of consumption and production which is capitalism. Most importantly, this relational ecology lies at the intersection of the mediated complexity where the digital and physical worlds meet.
Bringing Graham Harman's philosophy into direct confrontation with contemporary architectural theory in new and creative ways, Is There an Object-Oriented Architecture? provides a dialogue between Harman and six of the world's leading architectural thinkers, Adam Sharr, Lorens Holm, Jonathan Hale, Peg Rawes, Patrick Lynch and Peter Carl. Harman's object-oriented philosophy is one that sees the universe as a carnival of equal “objects” with no hierarchy between humans and nonhumans. In his model, unicorns, triangles, bicycles, neutrons, and humans are all things with enduring essences that outlast their partial transformations. It is a strikingly democratic vision of the universe that knocks humans off their ontological pedestal as arbiters of what is real. It also radically challenges the very precepts of architectural theory, the structure of which remains stubbornly human-centric as it seeks to give form to the human being's place at the centre of the cosmos. In this new book, each thinker develops the implications of Harman's philosophy for the future of architecture by entering into a direct exchange with the philosopher and his thinking, both questioning him and questioning with him.
Waste and Urban Regeneration examines the Nanjido region of Seoul and its transformation from Nanjido Landfill to the World Cup Park, and its relation to the urban ecology within the context of the city’s urban development during the late twentieth and early twenty-first centuries. The study analyses the urban ecological meanings of the site’s two distinct forms by consolidating them with the Lefebvrian urban theory and relational ecological theories. This book looks at environmental transformations and their link to South Korea’s political and economic changes; how Seoul City controlled waste populations, the borderline characterisations of the inhabited landfill and its community, the regeneration of the landfill into the post-landfill park and site-specific artworks which explored the conflict between the invisible presence of the landfill’s garbage and its history. As one of the first accounts of a landfill and landfill-turned-park of South Korea, this study is a must-read for academics and researchers interested in waste management, ecology, landscape theory and history.
Architecture and Affect is motivated by two questions: Why does dismissed affective evidence trouble us? What would it mean for architecture to assemble such discrepant evidence into its discourse? Arguing that the persistent refrains of lived affect dwell in architecture, this book traces such refrains to a concept of architecture wedged in the middle ground—jammed amidst life, things and events. Rather than being aloof from its surrounds, architecture-in-the-midst challenges an autonomous epistemology. Beyond accounting for the vivid but excluded, this book develops a frame and a disposition for thinking critically about, speculatively through, and being grounded by, encounter. Examining affect through a constellation of spaces in contemporary Singapore, it details architecture’s uneasy but inextricable relationship with key subjects relegated to the incommensurate, the peripheral, the scenic and the decorative. The outcome is a politicized architectural discourse simultaneously grounded and speculative; bridging depth and intuition, thinking and feeling.
This book examines architecture, image, and media relationships as productive for architecture and architectural discourses. By arguing that the relationships between architecture and media cannot be dismissed via linear criticism of architecture and media or image, these relations are instead seen as a part of a sphere (a mediasphere) of complex relationships. In lieu of anything like a consensus on the contemporary condition of architecture (referring to the late twentieth and the twenty-first centuries), the starting point of this book is that the relationships between architecture, media, and images continue to multiply, owing to continuous technological advancements. Contemporary architecture considered in this book is related to the selected circumstances of high visibility, where architectural images are propelled into visibility and conflated with non-architectural images. This takes architecture outside of architectural-only discourse and into the public realm. By granting higher visibility to both the architectural images and architecture in the public realm, architecture can also be influenced by the various perceptions of the general public and can enter public consciousness via non-architectural media. With increased visibility, architecture’s far-reaching presence calls for more structured analysis of its nature and potential. As the analysed architecture in this book is associated with the discourses outside of architecture (some of which relate to terrorism, natural disaster, and branding and consumption), the limits of contemporary architectural discipline are questioned and extended. This book is written for academics and students in architectural history, theory, and criticism, particularly those interested in visual and media studies.
For Dutch see below. --ENGLISH-- Today, under the pressure of climate change and ecological catastrophe, environmentalism has become a key driver to rethink the architectural discipline. The publication Habitat: Ecology Thinking in Architecture aims to highlight some of the historical sources of ecological approaches that are currently reshaping the architectural field. The book will point out the paradigmatic shift in thinking about the built environment as something inherently contextual and relational. By demonstrating the continuities, disruptions and transformations at stake, the book will deepen the ongoing conversations, while suggesting directions for future research. Based on selections from the archival resources of the national collection of Het Nieuwe Instituut in Rotterdam, and with additional materials from international archives, the book presents a lavish documentation of design proposals and research projects that map key positions since the 1950s, when the idea of 'habitat' was first investigated to reconceptualize architecture and its larger purpose, especially in the circles of the CIAM and Team 10. --NEDERLANDS-- In het zicht van de klimaatverandering en de op handen zijnde ecologische catastrofe is milieubewustzijn vandaag de dag een belangrijke reden om de architectonische discipline te heroverwegen. Het boek Habitat: Ecology Thinking in Architecture belicht sommige van de historische bronnen van de ecologische opvattingen die ten grondslag liggen aan de hervormingen die momenteel plaatsvinden in de architectuur. Er wordt aandacht besteed aan de paradigmatische verschuiving in het denken over de gebouwde omgeving als iets dat inherent contextueel en relationeel is. Dit boek beschrijft de continuïteit, onderbrekingen en transformaties die er aan de orde zijn en intensiveert niet alleen het huidige debat, maar biedt ook suggesties voor toekomstig onderzoek. Op basis van selecties uit de archieven van de nationale collectie van Het Nieuwe Instituut in Rotterdam en aanvullend materiaal uit internationale archieven wordt in dit boek een uitgebreide documentatie van ontwerpvoorstellen en onderzoeksprojecten gepresenteerd. Het biedt een overzicht van sleutelposities sinds de jaren 1950, toen het concept 'habitat' voor het eerst werd onderzocht in een poging de architectuur en haar doel in het algemeen te heroverwegen, met name in de kringen van het CIAM en Team 10. Bron: Flaptekst, uitgeversinformatie.
This book brings together a diverse group of theoreticians to explore architectural theory as a discipline, assessing its condition and relevance to contemporary practice. Offering critical assessment in the face of major social and environmental issues of today, 17 original contributions address the relevance of architectural theory in the contemporary world from various perspectives, including but not limited to: politics, gender, representation, race, environmental crisis, and history. The chapters are grouped into two distinct sections: the first section explores various historical perspectives on architectural theory, mapping theory’s historiographical turn and its emergence and decline from the 1960s to the present; the second offers alternative visions and new directions for architectural theory, incorporating feminist and human rights perspectives, and addressing contemporary issues such as Artificial Intelligence and the Age of Acceleration. This edited collection features contributions from renowned scholars as well as emergent voices, with a Foreword by David Leatherbarrow. This book will be of great interest to graduate and upper-level students of architecture, as well as academics and practicing architects.