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Once upon a time, boys and girls grew up and set aside childish things. Nowadays, moms and dads skateboard alongside their kids and download the latest pop-song ringtones. Captains of industry pose for the cover of BusinessWeek holding Super Soakers. The average age of video game players is twenty-nine and rising. Top chefs develop recipes for Easy-Bake Ovens. Disney World is the world’s top adult vacation destination (that’s adults without kids). And young people delay marriage and childbirth longer than ever in part to keep family obligations from interfering with their fun fun fun. Christopher Noxon has coined a word for this new breed of grown-up: rejuveniles. And as a self-confessed rejuvenile, he’s a sympathetic yet critical guide to this bright and shiny world of people who see growing up as “winding down”—exchanging a life of playful flexibility for anxious days tending lawns and mutual funds. In Rejuvenile, Noxon explores the historical roots of today’s rejuveniles (hint: all roads lead to Peter Pan), the “toyification” of practical devices (car cuteness is at an all-time high), and the new gospel of play. He talks to parents who love cartoons more than their children do, twenty-somethings who live happily with their parents, and grown-ups who evangelize on behalf of all-ages tag and Legos. And he takes on the “Harrumphing Codgers,” who see the rejuvenile as a threat to the social order. Noxon tempers stories of his and others’ rejuvenile tendencies with cautionary notes about “lost souls whose taste for childish things is creepy at best.” (Exhibit A: Michael Jackson.) On balance, though, he sees rejuveniles as optimists and capital-R Romantics, people driven by a desire “to hold on to the part of ourselves that feels the most genuinely human. We believe in play, in make believe, in learning, in naps. And in a time of deep uncertainty, we trust that this deeper, more adaptable part of ourselves is our best tool of survival.” Fresh and delightfully contrarian, Rejuvenile makes hilarious sense of this seismic culture change. It’s essential reading not only for grown-ups who refuse to “act their age,” but for those who wish they would just grow up.
Once upon a time, boys and girls grew up and set aside childish things. Nowadays, moms and dads skateboard alongside their kids and download the latest pop-song ringtones. Captains of industry pose for the cover of BusinessWeek holding Super Soakers. The average age of video game players is twenty-nine and rising. Top chefs develop recipes for Easy-Bake Ovens. Disney World is the world’s top adult vacation destination (that’s adults without kids). And young people delay marriage and childbirth longer than ever in part to keep family obligations from interfering with their fun fun fun. Christopher Noxon has coined a word for this new breed of grown-up: rejuveniles. And as a self-confessed rejuvenile, he’s a sympathetic yet critical guide to this bright and shiny world of people who see growing up as “winding down”—exchanging a life of playful flexibility for anxious days tending lawns and mutual funds. In Rejuvenile, Noxon explores the historical roots of today’s rejuveniles (hint: all roads lead to Peter Pan), the “toyification” of practical devices (car cuteness is at an all-time high), and the new gospel of play. He talks to parents who love cartoons more than their children do, twenty-somethings who live happily with their parents, and grown-ups who evangelize on behalf of all-ages tag and Legos. And he takes on the “Harrumphing Codgers,” who see the rejuvenile as a threat to the social order. Noxon tempers stories of his and others’ rejuvenile tendencies with cautionary notes about “lost souls whose taste for childish things is creepy at best.” (Exhibit A: Michael Jackson.) On balance, though, he sees rejuveniles as optimists and capital-R Romantics, people driven by a desire “to hold on to the part of ourselves that feels the most genuinely human. We believe in play, in make believe, in learning, in naps. And in a time of deep uncertainty, we trust that this deeper, more adaptable part of ourselves is our best tool of survival.” Fresh and delightfully contrarian, Rejuvenile makes hilarious sense of this seismic culture change. It’s essential reading not only for grown-ups who refuse to “act their age,” but for those who wish they would just grow up.
“Plus One is a smart and funny novel about Hollywood, but where it truly shines is in Noxon's stunning and painfully accurate depiction of the complex rhythms and growing pains of a marriage.” — Jonathan Tropper, author of This Is Where I Leave You and One Last Thing Before I Go "Well observed, honest, and laugh-out-loud funny, Plus One tells a story from the inside of show business about being on the outside."— Matthew Weiner, creator of Mad Men Christopher Noxon's debut novel Plus One is a comedic take on bread-winning women and caretaking men in contemporary Los Angeles. Alex Sherman-Zicklin is a mid-level marketing executive whose wife's fourteenth attempt at a TV pilot is produced, ordered to series, and awarded an Emmy. Overnight, she's sucked into a mad show-business vortex and he's tasked with managing their new high-profile Hollywood lifestyle. He falls in with a posse of Plus Ones, men who are married to women whose success, income, and public recognition far surpasses their own. What will it take for him to regain the foreground in his own life? Christopher Noxon is an accomplished journalist who has written for such publications as the New Yorker, Details, Los Angeles Magazine, Salon, and the New York Times Magazine; his first book, Rejuvenile: Kickball, Cartoons, Cupcakes, and the Reinvention of the American Grown-Up (Crown), earned him interviews on such shows as the Colbert Report and Good Morning America and generated features in USA Today, the Wall Street Journal, and Talk of the Nation; Ira Glass of This American Life called the book "an eye-opener." Noxon happens to be married to a top TV writer/producer and does the school chauffeuring for their three children, so he knows whereof he speaks regarding Plus Ones. He lives in Los Angeles, California.
This illustrated history of the civil rights movement draws parallels to current events and offers inspiration for today’s young change-makers. Revisiting episodes from the civil rights movement of the 1950s and ’60s, Good Trouble highlights essential lessons for modern-day activists and the civically minded. In words and vivid pen-and-watercolor illustrations, journalist Christopher Noxon dives into the real stories behind the front lines of the Montgomery bus boycott and the Greensboro lunch counter sit-ins. Noxon profiles notable figures such as Rosa Parks and Bayard Rustin, all while exploring the parallels between the civil rights movement era and the present moment. This thoughtful, fresh approach is sure to inspire conversation, action, and, most importantly, hope.
After college, Rick Lax moved back into his parents' house. The closest thing he had to a job was eating his parents' food, sitting on his parents' couch, and watching The Price is Right. An amateur magician, he spent the rest of his time practicing card tricks and rope tricks. And though he could tie four different slipknots, the necktie posed some difficulties. Rick's father, a successful Michigan attorney, told Rick it was time to move out and enter the real world. Rick certainly wasn't going to get a job, so he went to law school instead. This is the story of Rick's journey from childhood to lawyerhood. In Lawyer Boy, Rick uses the skills he developed as a magician to succeed in class, and learns how to become a lawyer without becoming his father. His journey through law school was exhausting, exciting, and infuriating, and, the way he tells it, so funny it's criminal.
In a hilarious look at real life on the comedy circuit, some of America's most famous comics share their own stories of life on the road, gigs gone wrong, and unexpected, zany moments, with contributions by Jay Leno, Jerry Seinfeld, Chris Rock, Mike Myers, Bill Maher, Joan Rivers, Jeff Foxworthy, and others.
This oft-quoted all-time favorite of the medical community will gladden--and strengthen--the hearts of patients, doctors, and anyone entering medical study, internship, or practice. With unassailable logic and rapier wit, the sage Dr. Oscar London muses on the challenges and joys of doctoring, and imparts timeless truths, reality checks, and poignant insights gleaned from 30 years of general practice--while never taking himself (or his profession) too seriously. The classic book on the art and humor of practicing medicine, celebrating its 20th anniversary in a new gift edition with updates throughout. Previous editions have sold more than 200,000 copies. The perfect gift for med students and grads as well as new and practicing physicians. Approximately 17,000 students graduate from med school each spring in North America.
“Show me Heaven! I have seen hell.” —Patricia Neal Larry King, world-famous radio and television personality, has asked the talented, the beautiful, the wise, and the rich a question all of us have pondered: How would you like to be remembered after your death? The result is REMEMBER ME WHEN I'M GONE, an entertaining and eloquent collection of “last words” from people in the arts, in politics, in sports, and in business, mostly still alive. In telling and moving reflections, often leavened by self-deprecating humor, these celebrities look back on their lives, their ambitions, their mistakes, and their accomplishments. The contributions range from pithy one-liners by Yogi Berra (“It’s over.”), Dave Barry, George Carlin, and Liz Smith (“Excuse my dust!”); to inspired sketches by Stephen King and Peter Falk; to candid reflections from Don Shula, Fred Rogers, and Chevy Chase; to hilarious rants from Margaret Cho and Tommy Lee; and a last request by Arthur Hailey. Often surprising and always memorable, REMEMBER ME WHEN I'M GONE is a timeless collection by stars who will live on forever.
What is the American middle class? What does it want? In search of these answers The Good Life tackles the assumptions Americans make and have made about their own culture—about the meaning of equality, success, personal and national security, acceptable ways of dressing and loving and raising children, and, most important, individual freedom. Loren Baritz, a noted observer of American society, leads us to discover not only what Americans are after, but what they usually get in the end. Revealing the realities, the illusions, and the myths of the American middle class, The Good Life makes an exceptional contribution to the understanding of the American way of life. Its broad, incisive, scholarly commentary is sure to arouse controversy and debate.
A Companion to Media Fandom and Fan Studies offers scholars and fans an accessible and engaging resource for understanding the rapidly expanding field of fan studies. International in scope and written by a team that includes many major scholars, this volume features over thirty especially-commissioned essays on a variety of topics, which together provide an unparalleled overview of this fast-growing field. Separated into five sections—Histories, Genealogies, Methodologies; Fan Practices; Fandom and Cultural Studies; Digital Fandom; and The Future of Fan Studies—the book synthesizes literature surrounding important theories, debates, and issues within the field of fan studies. It also traces and explains the social, historical, political, commercial, ethical, and creative dimensions of fandom and fan studies. Exploring both the historical and the contemporary fan situation, the volume presents fandom and fan studies as models of 21st century production and consumption, and identifies the emergent trends in this unique field of study.