Download Free Reinventing The Middle Ages The Renaissance Book in PDF and EPUB Free Download. You can read online Reinventing The Middle Ages The Renaissance and write the review.

The fourteen essays presented in this volume contribute substantially to the study of the reinvention of the Middle Ages and the Renaissance. They take an historicized approach to constructions of the past, and most address the relatively new field of Medievalism. All of them focus on how and why the present of any period uses the past to promote its own opinions, beliefs, doctrines or views. In particular, the volume demonstrates that reinventions of past eras or figures can be motivated by a nationalistic desire to create cultural 'roots', to discover origins that justify a regime or group's self-identity, to appropriate a cultural icon or neglected author for a particular political agenda, or to reflect on contemporary social issues via a remote time and place. Reworkings or adaptations of earlier culture often tell us more about the age in which they were produced than the one revived or revisited. This volume features five essays that treat medieval subjects; four focus on Tudor and Stuart figures, religion or politics; and five concentrate on nineteenth-century uses of medieval or early modern events, literary conventions, settings and themes.
The Middle Ages, in our cultural imagination, are besieged with ideas of wars, tournaments, plagues, saints and kings, knights, lords and ladies. In his era-defining work, Inventing the Middle Ages, Norman Cantor shows that these presuppositions are in fact constructs of the twentieth century. Through close study of the lives and works of twenty of the twentieth century's most prominent medievalists, Cantor examines how the genesis of this fantasy arose in the scholars' spiritual and emotional outlooks, which influenced their portrayals of the Middle Ages. In the course of this vigorous scrutiny of their scholarship, he navigates the strong personalities and creative minds involved with deft skill. Written with both students and the general public in mind, Inventing the Middle Ages provided an alternative framework for the teaching of the humanities. Revealing the interconnection between medieval civilisation, the culture of the twentieth century and our own assumptions, Cantor provides a unique standpoint both forwards and backwards. As lively and engaging today as when it was first published in 1991, his analysis offers readers the core essentials of the subject in an entertaining and humorous fashion.
Hollywood Knights examines Hollywood Arthuriana as political nostalgia offered to American viewers during times of cultural crisis: the red scare of the 1950s, the breakdown of traditional authority in the 1960s and 1970s, the turn to the right in the 1980s and the redemption of masculine and national authority in the 1990s. Its analysis of these films explores their proposal of an ideal past - an Americanized Camelot and a democratized chivalry - as the solution to the problems of a troubled present, a solution that will ensure prosperity in the homeland and a globally beneficial American authority abroad.
Some colleagues from the Instituto de Arquitetos do Brasil – IAB (Brazilian Institute of Architects) and I spent some years organizing the 27th World Congress of Architects, initially planned to be held in July 2020 in Rio de Janeiro. However, the pandemic caught us along the way and we had to postpone the event until 2021. From March to July 2021, debates, conferences, lectures, exhibitions, films, and many other activities – almost all of them online – were carried out with hundreds of leading professionals and almost 100,000 participants from 195 countries. With such a diversity of prominent names, as we had intended, a unifying idea emerged: we are all together and it is up to us to contribute creating better, prettier, more climate-friendly, and less unequal cities. It did seem that the subject of the Congress (which was defined still in 2014, when Rio was elected as the host city) had been premonitory: "All the worlds. Just one world. Architecture 21". On the eve of his 100th birthday, French philosopher Edgar Morin drew attention to the possibility that the aftermath of the pandemic could give rise to new world-transforming forces, however fragile they might be. And that given this possibility, our path should be one of hope. This thought has inspired the World Congress of Architects and, somehow, also this book. I gathered a handful of texts and wrote a few others under the impact of the challenge to turn the 21st century into a more humane place. I state no thesis here, but rather a plea. I am very grateful to everyone who contributed to making this book a reality, starting from the initial (and continuous) motivation as offered to me by my dear Rosana Lanzelotte, from Musica Brasilis. I'd like to highlight the great performance of RioBooks' publisher Denise Corrêa, whom my colleague Verena Andreatta had recommended me, and the competence of a few others: architect Anita Di Marco's in the thematic review of this volume; Sylvia Cardim's in the sophisticated graphic design; my friend and colleague André Luiz Pinto's in selecting and treating the images presented here; my dearest old friend and great artist Thereza Miranda's inspiration for the presentation of the book; and finally Victor Burton's in conceiving the book cover. In part, some of the ideas stated here resulted from special contributions by dear friends such as Fabiana Izaga, André Luiz Pinto, Eucanaã Ferraz, and Graça Matias Ferraz. Some topics were discussed in the creative environment of the Graduate Program in Urbanism at FAU UFRJ. I thank my children Pedro, Tiago, and Aninha, who took care of me with tenderness and understood my effort to conclude these texts. I owe a special thanks to the Rio de Janeiro city government and its Culture Department for promoting this book using the ISS Incentive Law, as well as to the sponsoring companies Grupo Globo, Icatu, and STX Empreendimentos. Both the book and I were extremely honored by the references made by Ruy Castro, Zuenir Ventura, and Luiz Fernando Janot, whom I thank in the hope of living up to their expectations. However, I count on their generosity and yours, dear reader, in understanding that this is but a small amount of mortar to help build better cities. It is hope!
Interrogations of materiality and geography, narrative framework and boundaries, and the ways these scholarly pursuits ripple out into the wider cultural sphere. Early medieval England as seen through the lens of comparative and interconnected histories is the subject of this volume. Drawn from a range of disciplines, its chapters examine artistic, archaeological, literary, and historical artifacts, converging around the idea that the period may not only define itself, but is often defined from other perspectives, specifically here by modern scholarship. The first part considers the transmission of material culture across borders, while querying the possibilities and limits of comparative and transnational approaches, taking in the spread of bread wheat, the collapse of the art-historical "decorative" and "functional", and the unknowns about daily life in an early medieval English hall. The volume then moves on to reimagine the permeable boundaries of early medieval England, with perspectives from the Baltic, Byzantium, and the Islamic world, including an examination of Vercelli Homily VII (from John Chrysostom's Greek Homily XXIX), Hārūn ibn Yaḥyā's Arabic descriptions of Barṭīniyah ("Britain"), and an consideration of the Old English Orosius. The final chapters address the construction of and responses to "Anglo-Saxon" narratives, past and present: they look at early medieval England within a Eurasian perspective, the historical origins of racialized Anglo-Saxonism(s), and views from Oceania, comparing Hiberno-Saxon and Anglican Melanesian missions, as well as contemporary reactions to exhibitions of Anglo-Saxon kingdoms and Pacific Island cultures. Contributors: Debby Banham, Britton Elliott Brooks, Caitlin Green, Jane Hawkes, John Hines, Karen Louise Jolly, Kazutomo Karasawa, Carol Neuman de Vegvar, John D. Niles, Michael W. Scott, Jonathan Wilcox
An introduction to medievalism offering a balance of accessibility and sophistication, with comprehensive overviews as well as detailed case studies.
For 2000 years the Bible has provided evidence and witness for the beliefs of three major world religions. Some consider the Bible dangerous, while others have died for it, but the response to the Bible is always passionate. This book relates the story of such passions, from the Roman Empire to the present. It is a story primarily about individuals, the drama of their lives woven into the tapestry of their times: barbarian invasions, Black Death, Waldensian heresy, the pageantry of medieval romance, the debauchery of the medieval Vatican, the spirit of the Renaissance, the tradition of monk and scholar. All of these historical currents influenced the text--now corrupted and distorted and existing in a confusing number of versions. This book tells how today's Bible came to be what it is and provides an understanding of the richness of its text.
'Absorbing' - Guardian 'Arnold-Forster is a shrewd critic and delightful guide . . . She carries weighty learning lightly – embracing everything relevant, from dubious neuroscience to cod sociology.' - The Telegraph In Nostalgia: A History of a Dangerous Emotion, Agnes Arnold-Forster blends neuroscience and psychology with the history of medicine and emotions to explore the evolution of nostalgia from its first identification in seventeenth-century Switzerland (when it was held to be an illness that could, quite literally, kill you) to the present day (when it is co-opted by advertising agencies and politicians alike to sell us goods and policies). Nostalgia is a social and political emotion, vulnerable to misuse, and one that reflects the anxieties of the age. It is one of the many ways we communicate a desire for the past, dissatisfaction with the present and our visions for the future. Arnold-Forster’s fascinating history of this complex, slippery emotion is a lens through which to consider the changing pace of society, our collective feelings of regret, dislocation and belonging, the conditions of modern and contemporary work, and the politics of fear and anxiety. It is also a clear-eyed analysis of what we are doing now, how we feel about it and what we might want to change about the world we live in. ‘Arnold-Forster belongs to that valuable non-jargon-spouting breed of academic who is capable of explaining complex ideas in simple language.’ - The Times
Annually published since 1930, the International bibliography of Historical Sciences (IBOHS) is an international bibliography of the most important historical monographs and periodical articles published throughout the world, which deal with history from the earliest to the most recent times. The works are arranged systematically according to period, region or historical discipline, and within this classification alphabetically. The bibliography contains a geographical index and indexes of persons and authors.
Beginning in 1976 with the first issue of the journal Studies in Medievalism, all things medieval and the concept of medievalism became a hot topic in culture studies. Medievalism examines how different groups, individuals, or eras use and shape the image of the Middle Ages, differentiating between historical knowledge of the Middle Ages and what we have made the period out to be. The 13 essays in this book explore the medieval invasion of today's media and consider the various ways--from film and print to websites and video games--that the Middle Ages have been packaged for consumption. Essays encompass diverse theoretical perspectives and are grouped loosely around distinct functions of medievalism, including the exposure of recent social concerns; the use of medieval images in modern political contexts; and the medieval's influence on products of today's popular culture. The legitimization of the study of medievalism and the effect of medievalism on the more traditional subject of medieval studies are also discussed. Instructors considering this book for use in a course may request an examination copy here.