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Yvonne Whelan takes the reader from the contested iconography of Dublin as it evolved in the years before Independence through to the contemporary plans for the millennium spire on O'Connell Street, showing how a shift has taken place from an intensely political symbolic landscape to one that is increasingly apolitical, in tune with the changing nature of Irish politics, culture and society at the turn of the 21st century. In her comprehensive discussion of how the streetscape has changed, Whelan explores the capacity of the cultural landscape to underpin and reinforce particular narratives of identity and reveals the ways in which issues of street naming, building, designing and memorializing became firmly grounded in space and bound up with the politics of representation. Incorporating many pictures, maps and plans, "Reinventing Modern Dublin" is a work of historical, cultural and urban geography, a valuable addition to the growing body of knowledge about Dublin's historical geography and Irish urbanism.
During the 1960s, the physical landscape of Dublin changed more than at any time since the eighteenth century. In this period, the government began to invest in town planning, new opportunities arose for the country's architects, and the old buildings of the core began to be replaced by modern structures. The early manifestations of this process were well received, understood as the first visible signs of prosperity and broader social and economic modernization. However, this attitude was short lived. By the end of the 1960s, popular support for urban change had evaporated; a disparate movement of preservationists, housing activists, students, and architects emerged to oppose urban change and campaign for the retention of the city's heritage. The new buildings and urban forms had not brought the promised national rejuvenation. Instead, the rapid destruction of the extant city had come to be seen as symbolic of the corruption and failed promise of modernization. Modern Dublin examines this story. Using approaches from urban studies and cultural geography, the author reveals Dublin as a place of complex exchange between a variety of interest groups with different visions for the built environment, and thus for society and the independent nation. In so doing, Erika Hanna adds to growing literatures on civil society, heritage, and cultural politics since independence, and provides a fresh approach to social and cultural change in 1960s Ireland.
Dublin has experienced great—and often astonishing—change in its 1,400 year history. It has been the largest urban center on a deeply contested island since towns first appeared west of the Irish Sea. There have been other contested cities in the European and Mediterranean world, but almost no European capital city, David Dickson maintains, has seen sharper discontinuities and reversals in its history—and these have left their mark on Dublin and its inhabitants. Dublin occupies a unique place in Irish history and the Irish imagination. To chronicle its vast and varied history is to tell the story of Ireland. David Dickson’s magisterial history brings Dublin vividly to life beginning with its medieval incarnation and progressing through the neoclassical eighteenth century, when for some it was the “Naples of the North,” to the Easter Rising that convulsed a war-weary city in 1916, to the bloody civil war that followed the handover of power by Britain, to the urban renewal efforts at the end of the millennium. He illuminates the fate of Dubliners through the centuries—clergymen and officials, merchants and land speculators, publishers and writers, and countless others—who have been shaped by, and who have helped to shape, their city. He reassesses 120 years of Anglo-Irish Union, during which Dublin remained a place where rival creeds and politics struggled for supremacy. A book as rich and diverse as its subject, Dublin reveals the intriguing story behind the making of a capital city.
Shows how transnational corporations use lobby groups to shape EU policy. New updated edition
"Writing Modern Ireland' examines the complex literary manifestations of Ireland and Irishness from the turn of the twentieth century to very recently. Together with examinations of the nation, the collected essays consider Irish identities that may be sexual, racial, regional, gendered, disabled and able-bodied, traumatized and in the process of healing. Identity, like literary texts, is a constant process of making and remaking, revision and publication. This collection takes up the question of what it means to write modern Ireland, evoking the many resonances that name will carry: a mythic place, a land controlled from elsewhere, a nation hoped for and achieved, a nation denied and resisted, an island divided, an idea soaked in fantasies and dreams, a homeland abandoned in searches for brighter futures, a land of opportunity, a people who are many people, and a place defined by writers who both empower and challenge it. W. B. Yeats looms large, as he does in modern Irish writing, and in commemoration of his sesquicentennial year. Building on a themed issue of The South Carolina Review, the present volume is expanded and rededicated by Catherine E. Paul (Clemson University). It features critical essays by Ronald Schuchard on Yeats, Michael Sidnell on Beckett, Liam Harte on Sebastian Barry, Jefferson Holdridge on contemporary Irish poets, and Thomas Dillon Redshaw on the revival of the Cuala Press (illustrated), together with a host of significant scholarship and criticism by 14 additional international experts from the USA, UK, Belgium, France, and (of course) Ireland."-- p. [4] of cover.
A bold new account of the Age of Revolution, one of the most complex and vast transformations in human history “A fresh and illuminating framework for understanding our past and imagining our future. Powerfully argued and engagingly written, Patrick Griffin’s timely account of revolutionary regime change and reaction shows how a world of empires became our world of nation-states.”—Peter S. Onuf, coauthor of Most Blessed of the Patriarchs “When we speak of an age of revolution, what do we mean? In this synoptic, compelling book, Patrick Griffin asks the difficult questions and invites readers to reconsider the answers.”—Eliga Gould, author of Among the Powers of the Earth The Age of Atlantic Revolution was a defining moment in western history. Our understanding of rights, of what makes the individual an individual, of how to define a citizen versus a subject, of what states should or should not do, of how labor, politics, and trade would be organized, of the relationship between the church and the state, and of our attachment to the nation all derive from this period (c. 1750–1850). Historian Patrick Griffin shows that the Age of Atlantic Revolution was rooted in how people in an interconnected world struggled through violence, liberation, and war to reimagine themselves and sovereignty. Tying together the revolutions, crises, and conflicts that undid British North America, transformed France, created Haiti, overturned Latin America, challenged Britain and Europe, vexed Ireland, and marginalized West Africa, Griffin tells a transnational tale of how empires became nations and how our world came into being.
Dublin: A Writer's City takes the reader, area by area, through one of the world's great literary cities.
You may know all about the Easter Rising and the Good Friday Agreement, but did you know that the hypodermic needle was invented in Tallaght? Or that Dublin was the first city in the world to have a woman stockbroker, decades before London or New York? Or that the formula used to create the video game Tomb Raider was sketched on a bridge in Cabra in the nineteenth century? With one entry for every day of the year, this book marks the anniversaries of momentous events in Irish history: in politics, medicine, music, sport and innovation. In this accessible, comprehensive and authoritative book, discover the moments that have helped to shape the national identity of Ireland.
Investigates how the cinematic tendency of Joyce's writing developed from media predating filmFirst comprehensive consideration of Joyce in the context of pre-filmic 'cinematicity'.Research and analysis based on recent 'media archaeology'.Examines the shaping of Joyce's fiction by late-Victorian visual culture and science.Shows that key aspects of his literary experimentation derive from 'forgotten' popular cultural practices and 'vernacular modernism'.Shows Joyce's interaction with and critique of Modernity's developing 'media cultural imaginary'.In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science. The book reveals Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows. Close analyses of his works show how his techniques elaborated and critiqued their effects on modernity's 'media-cultural imaginary'.
A volume of essays to provide compelling evidence of the continuing relevance of Ireland to Beckett's writing.