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Shows how transnational corporations use lobby groups to shape EU policy. New updated edition
The result is a major literary history of modern Ireland, combining detailed and daring interpretations of literary masterpieces with assessments of the wider role of language, sport, clothing, politics, and philosophy in the Irish revival.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Ireland appears to be in the process of a remarkable social change, a process which has dramatically reversed a hitherto seemingly unstoppable economic decline. This exciting new book systematically scrutinises the interpretations and prescriptions that inform the 'Celtic Tiger'. Takes the standpoint that a more critical approach to the course of development being followed by the Republic is urgently required. Sets out to expose the fallacies that drive the fashionable rhetoric of Tigerhood. An esteemed list of contributors deal with issues such as immigration, the role of women, globalisation, and changing economic and social conditions.
This collection of essays aims to provide new insights into the debate on postnationalism in Ireland from the perspective of narrative writing.
Yvonne Whelan takes the reader from the contested iconography of Dublin as it evolved in the years before Independence through to the contemporary plans for the millennium spire on O'Connell Street, showing how a shift has taken place from an intensely political symbolic landscape to one that is increasingly apolitical, in tune with the changing nature of Irish politics, culture and society at the turn of the 21st century. In her comprehensive discussion of how the streetscape has changed, Whelan explores the capacity of the cultural landscape to underpin and reinforce particular narratives of identity and reveals the ways in which issues of street naming, building, designing and memorializing became firmly grounded in space and bound up with the politics of representation. Incorporating many pictures, maps and plans, "Reinventing Modern Dublin" is a work of historical, cultural and urban geography, a valuable addition to the growing body of knowledge about Dublin's historical geography and Irish urbanism.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This is a distinctive book that examines the diversity and energy of writing in a period marked by the unparalleled global prominence of Irish culture. This collection provides a wide-ranging survey of fiction, poetry and drama over the last two decades, considering both well-established figures and also emerging writers who have received relatively little critical attention. Contributors explore the central developments within Irish culture and society that have transformed the writing and reading of identity, sexuality, history and gender. The book examines the impact of Mary Robinson’s Presidency; growing cultural confidence ‘back home’; legislative reform on sexual and moral issues; the uneven effects generated by the resurgence of the Irish economy (the ‘Celtic Tiger’ myth); Ireland’s increasingly prominent role in Europe; and changing reputation. In its breadth and critical currency, this book will be of particular interest to academics and students working in the fields of literature, drama and cultural studies.
Where and what is Ireland?--What are the identities of the people of Ireland?--How has European Union membership shaped Irish people's lives and interests?--How global is local Ireland?This book argues that such questions can be answered only by understanding everyday aspects of Irish culture and identity. Such understanding is achieved by paying close attention to what people in Ireland themselves say about the radical changes in their lives in the context of wider global transformation. As notions of sex, religion, and politics are radically reworked in an Ireland being re-imagined in ways inconceivable just a generation ago, anthropologists have been at the forefront of recording the results. The first comprehensive book-length introduction to anthropological research on the island as a whole, The Anthropology of Ireland considers the changing place in a changing Ireland of religion, sex, sport, race, dance, young people, the Travellers, St Patrick's Day and much more.
In the space of a few short decades, Ireland has become one of the most globalised societies in the Western world. The full ramifications of this transformation for traditional Irish communities, religious practice, economic activity, as well as literature and the arts, are as yet unknown. What is known is that Ireland's largely unthinking embrace of globalisation has at times had negative consequences. Unlike some other European countries, Ireland has eagerly and sometimes recklessly grasped the opportunities for material advancement afforded by the global project. This collection of essays, largely the fruit of two workshops organised under the auspices of the Humanities Institute of Ireland at University College Dublin and the National Centre for Franco-Irish Studies in the Institute of Technology, Tallaght, explores how globalisation has taken such a firm hold on Irish society and provides a cultural perspective on the phenomenon. The book is divided into two sections. The first examines various manifestations of globalisation in Irish society whereas the second focuses on literary representations of globalisation. The contributors, acknowledged experts in the areas of cultural theory, religion, sociology and literature, offer a panoply of viewpoints of Ireland's interaction with globalisation.
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"Transatlantic poetics" is the principal theme and the constructive burden of these essays. The motive toward its articulation lies in the demand for cross-national, international, and post-nationalist comprehension of cultural relations and critical practices across modern Anglophone British, Irish, and North American literary developments, literary filiations, and literary history. Anglophone literary study needs to articulate ever more clearly the poetics of literary practices, including the cultural politics of literary histories and literary reading. Ireland is a small island, yet its finest writers have insistently articulated its modern culture within a transatlantic neighborhood stretching from continental Europe across the British and Irish archipelago to the western reaches of North America. Modern Dublin is a cultural location for constructing transatlantic literary relations and poetics. This collection foregrounds modern Dublin, its writers, its universities, its literary journals, its teachers, and critics of English Studies, as well as the contested critical construction of regional and international poetics and cultural politics that emerges from the often tense interaction of local and global literary practices and critical desires.