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When cattleman Riley Raymond realises his cattle are being rustled, he needs the best tracker available. He never thought the best tracker would be a stunning Cheyenne maiden. When Dakota cattleman Riley Raymond realises his cattle are being rustled, he's not going to settle for anything other than the best tracker money can buy. But what this confirmed bachelor never counted on was discovering the best tracker in the territory is a stunning Cheyenne maiden. They set out together to find out who the cattle rustlers are, and during their days and nights together, discover just how violent the rustlers are. They also discover, to their endless agony and supreme satisfaction, just how hot the passion burns between them. But just when it looks like ecstasy is theirs for the taking, the evidence begins to point to Fox Spirit's own Cheyenne tribe being responsible for the rustling. Can Fox find the courage to defend her tribe against an infuriated Riley, or will she side with her heart and turn traitor to her own people?
Setting the stage for a most intriguing journey into the world of minimalism, Robert Carl's Terry Riley's In C argues that the work holds its place in the canon because of the very challenges it presents to "classical" music. Carl examines In C in the context of its era, its grounding in aesthetic practices and assumptions, its process of composition, presentation, recording, and dissemination.
With her parents recently murdered and her two older sisters off looking to bring the killers to justice, 18-year-old Glory Lawless is alone for the first time in her life. Glory has difficulty running the family ranch. When her nanny asks Riley Thorne--handsome neighbor and son of the rival Thorne family--to help out, Glory's pride is wounded. Why would a Thorne set foot on Lawless land? Could Riley's family have had a hand in the death of Glory's parents? And lastly, could Glory love the enemy?
"A must-read for anyone interested in the history of drag performance."--​Publishers Weekly A rich and provocative history of drag's importance in modern British culture. Drag: A British History is a groundbreaking study of the sustained popularity and changing forms of male drag performance in modern Britain. With this book, Jacob Bloomfield provides fresh perspectives on drag and recovers previously neglected episodes in the history of the art form. Despite its transgressive associations, drag has persisted as an intrinsic, and common, part of British popular culture--drag artists have consistently asserted themselves as some of the most renowned and significant entertainers of their day. As Bloomfield demonstrates, drag was also at the center of public discussions around gender and sexuality in the nineteenth and twentieth centuries, from Victorian sex scandals to the "permissive society" of the 1960s. This compelling new history demythologizes drag, stressing its ordinariness while affirming its important place in British cultural heritage.