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The current study examines the multiple and contradictory representations or formulations of Spanish identity in a selection of contemporary novels, films, and plays, from the 1990s to the present, that explore concerns and questions about the status of Spain as a nation and its national identity. Some of the works analyzed here show the (re) construction of the national identity through a negotiation with the past. In other words, how nations are established upon a rich legacy of memories, past glories and sacrifices, heroes and epics, as well as many things that are forgotten. Also, the new challenges to the national identity in Spain, including recent issues related to immigration, are explored.
Landscape, Nature, and the Body Politic explores the origins and lasting influences of two contesting but intertwined discourses that persist today when we use the words landscape, country, scenery, nature, national. In the first sense, the land is a physical and bounded body of terrain upon which the nation state is constructed (e.g., the purple mountain majesties above the fruited plain, from sea to shining sea). In the second, the country is constituted through its people and established through time and precedence (e.g., land where our fathers died, land of the Pilgrims pride). Kenneth Robert Olwig s extended exploration of these discourses is a masterful work of scholarship both broad and deep, which opens up new avenues of thinking in the areas of geography, literature, theater, history, political science, law, and environmental studies. Olwig tracks these ideas though Anglo-American history, starting with seventeenth-century conflicts between the Stuart kings and the English Parliament, and the Stuart dream of uniting Scotland with England and Wales into one nation on the island of Britain. He uses a royal production of a Ben Jonson masque, with stage sets by architect Inigo Jones, as a touchstone for exploring how the notion of "landscape" expands from artful stage scenery to a geopolitical ideal. Olwig pursues these contested concepts of the body politic from Europe to America and to global politics, illuminating a host of topics, from national parks and environmental planning to theories of polity and virulent nationalistic movements. "
Annotation "The concept of community has become central to constructions of Spanish identities, since the Transition to democracy. Contemporary Spain witnesses a political, social, and economic resurgence of community, which both cuts across and is prioritized over nation. Yet, few studies of contemporary Spanish culture deal with this concept. This book aims, therefore, to fill a gap in Spanish cultural studies by providing an in-depth analysis of the intersections of theories, narratives and concepts of community identities across a broad range of media. Literature, film, music, and photography are analysed here in order to explore the diverse means by which community is imagined and constructed. This is a strongly interdisciplinary study, bringing together cultural studies and ethnography. The specific 'texts' that are analysed are located within a larger framework provided by Spain's involvement in processes of globalization. Unusual in this study, therefore, is the use of fieldwork and interview, as well as the application of the work of cultural theorists to the Spanish context." "This book, thus, extends the field of Spanish cultural studies through its original and deliberate examination of community; it is equally relevant to a more general reading public, interested in the diverse media covered here." "By the same token, this book is of relevance to scholars in the Arts, Social Sciences, and Humanities, through its exploration and application of the ideas of theorists of modernity, space, and time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Issues around national identities have been central in Hispanism in recent years. However, scholarship remains pending on women's contributions to Spanish national agendas. This book addresses the visions of history, culture, and national identity articulated by Rosario de Acuna (1851-1923), angela Figuera (1902-1984), and Rosa Chacel (1898-1994). Their works elucidate the contested formation of Spanish democracy and the gendered politics of culture. Types of liberalism in late nineteenth-century Spain are debated in Acuna's theater and essays in part 1. Figuera's poetry, the focus of part 2, highlights the notion of history as trauma resulting from the Spanish Civil War and Franco dictatorship, to privilege the recovery of historical memory. Part 3 explores Chacel's re-invention, in Barrio de Maravillas and Acropolis, of the liberal cultures of early twentieth-century Spain, from within a post-Franco era eager to reclaim those histories. The conclusion addresses the relevance of the writers' projects for present-day Spain. Christine Arkinstall is Associate Professor in Spanish at The University of Auckland.
'Imagining Spain' is an analysis of the myths that Spaniards have held, and continue to hold, about themselves and about their collective past. The text discusses how perceptions of key aspects of early modern Spain were influenced by ideologies that continue to play a role in the formation of contemporary Spanish attitudes.
Spain Beyond Spain: Modernity, Literary History, and National Identity is a collection of essays in modern Spanish literary and cultural studies by sixteen specialists from Spain, the United States, and Great Britain. The essays have a common point of origin: a major conference, entitled Espana fuera de Espana: Los espacios de la historia literaria, held in the spring of 2001 at Harvard University. The essays also have a common focus: the fate of literary history in the wake of theory and its attendant programs of inquiry, most notably cultural studies, post colonial studies, new historicism, women's studies, and transatlantic studies. Their points of arrival, however, vary significantly. What constitutes Spain and what counts as Spanish are primary concerns, subtending related questions of history, literature, nationality, and cultural production. Brad Epps is Professor of Romance Languages and Literatures and of the Committee on Degrees in Women's, Gender, and Sexuality Studies at Harvard University. Luis Fernandez Cifuentes is Robert S. and Ilse Friend Professor of Romance Languages and Literatures at Harvard University.
Spanish identity in the age of nations offers the first comprehensive account in any language of the formation and development of Spanish national identity from ancient times to the present. Much has been written on French, British and German nationalism, but remarkably little has been published on Spanish nationalism. Paradoxically, even in Spain there is much more on Basque, Catalan and other regional nationalisms than on Spanish identity. As a result, this study fills an enormous gap in the literature on Spanish history. This book traces the emergence and evolution of an initial collective identity within the Iberian Peninsula from the Middle Ages to the end of the ancien regime based on the Catholic religion, loyalty to the Crown and Empire. The adaptation of this identity to the modern era, beginning with the Napoleonic Wars and the liberal revolutions, forms the crux of this study. None the less, the book also embraces the highly contested evolution of the national identity in the twentieth century, including both the Civil War and the Franco Dictatorship. Álvarez-Junco ́s pioneering study was awarded both the National Prize for Literature in Spain and the Fastenrath Prize by the Spanish Royal Academy
Unravelling the debate about the Spanish nation and its identity in the new democracy, this book looks at the issue as both a historical debate and a contemporary political problem, particularly complex due to the legacy of the Francoist Dictatorship which deeply eroded the legitimacy of Spanish nationalism. During and since the transition Spanish nationalist discourse has evolved to meet the challenge of new concepts of nation and identity. These formulations argue very different configurations of the relationship between nation and state. While the Constitution of 1978 defines Spain as a nation of nationalities, many politicians and intellectuals now claim that Spain is a nation of nations, others that it is a nation of nations and regions, or a post-traditional nation state, or post-national state. For the peripheral nationalists, it is merely a state of nations and regions. What is at issue is not whether Spain exists or not as a nation; rather, it is the traditional ways of seeing Spain from both the centre and the periphery that are being challenged. The Reinvention of Spain examines the ways in which Spanish and regional identities are projected and how influence the external actions of the Spanish state. It also analyses the dynamic of comparative grievance and competition between regions deriving from the peculiar architecture of the state in Spain, and their effect on social and political cohesion. Finally, it examines scenarios of change that might foster solutions but asserts that Spain will continue to reinvent itself.