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Ruslan Grigor'evitch Skrynnikov unfolds the drama of terror under Ivan the Terrible and his oprichnina. He uses new kinds of evidence paying close attention to primary sources. The conflicts between Ivan and the gentry, the crushing of Novgorod autonomy, the ways in which Ivan interpreted his authority and sought to create an alternative base of power in a loyal body of henchmen-followers known as the oprichnina, the alienation of different groups in society from the government, the impoverishment and weakening of whole regions leading to the Time of Troubles are among the themes that Skrynnikov develops. The details of Ivan’s confrontations with those he perceived as opponents, the forms of execution he inflicted on his enemies, the atmosphere of peril and suspicion that he created justify the description of his reign as one of terror, relevant of course to later periods of history with obvious echoes of the Stalinist period.
Ivan IV, the sixteenth-century Russian tsar notorious for his reign of terror, became an unlikely national hero in the Soviet Union during the 1940s. This book traces the development of Ivan's positive image, placing it in the context of Stalin's campaign for patriotism. In addition to historians' images of Ivan, the author examines literary and artistic representations, including Sergei Eisenstein's famous film, banned for its depiction of the tsar which was interpreted as an allegorical criticism of Stalin.
Ivan the Terrible is infamous as a sadistic despot responsible for the deaths of thousands of innocent people, particularly during the years of the oprichnina, his state-within-a-state. Ivan was the first ruler in Russian history to use mass terror as a political instrument. However, Ivan’s actions cannot be dismissed by attributing the behavior to insanity. Ivan interacted with Muscovite society as both he and Muscovy changed. This interaction needs to be understood in order properly to analyze his motives, achievements, and failures. Ivan the Terrible: Free to Reward and Free to Punish provides an up-to-date comprehensive analysis of all aspects of Ivan’s reign. It presents a new interpretation not only of Ivan’s behavior and ideology, but also of Muscovite social and economic history. Charles Halperin shatters the myths surrounding Ivan and reveals a complex ruler who had much in common with his European contemporaries, including Henry the Eighth.
Ivan the Terrible - the name evokes the legend of a cruel and dangerously insane tyrant. Fearful Majesty explores that legend and exposes the man, his nature, and his time. This acclaimed biography of one of Russia's most important and tyrannical rulers is not only a rich, readable biography, it is also surprisingly timely, revealing how many of the issues Russia faces today have their roots in Ivan's reign. Ivan IV oversaw huge conquests of neighboring lands, the creation of a national church, and Russia's emergence as a world power. Arrogant, handsome, a gifted orator and theologian, Ivan was well educated but cruel, profoundly egotistical yet cowardly, scarred by childhood terrors. He was also the Russian ruler whose policies first cast Russia in the role of "Evil Empire" to the West. Throughout his reign, Ivan's unbalanced genius erupted in a tyranny so violent that it threatened to destroy his bloodline, his court, his church, his country.
This is the first major re-assessment of Ivan the Terrible to be published in the West in the post-Soviet period. It breaks away from older stereotypes of the tsar – whether as ‘crazed tyrant’ and ‘evil genius’, on the one hand, or as a ‘great and wise statesman’, on the other – to provide a more balanced picture. It examines the ways in which Ivan’s policies contributed to the creation of Russia’s distinctive system of unlimited monarchical rule. Ivan is best remembered for his reign of terror, the book pays due attention to the horrors of his executions, tortures and repressions, especially in the period of the oprichnina (1565-72), when he mysteriously divided his realm into two parts, one of which was under the direct control of the tsar and his oprichniki (bodyguard). This work argues that the often gruesome forms assumed by the terror reflected not only Ivan’s personal cruelty and sadism, but also his religious views about the divinely ordained right of the tsar to punish his treasonous subjects, just as sinners were punished in Hell. Primarily chronological in its organisation, the book focuses on three main aspects of Ivan’s power: the territorial expansion of the state, the mythology, rituals and symbols of monarchy; and the development of the autocratic system of rule.
Russia Engages the World, 1453-1825, an elegant new book created by a team of leading historians in collaboration with The New York Public Library, traces Russia's development from an insular, medieval, liturgical realm centered on Old Muscovy, into a modern, secular, world power embodied in cosmopolitan St. Petersburg. Featuring eight essays and 120 images from the Library's distinguished collections, it is both an engagingly written work and a striking visual object. Anyone interested in the dramatic history of Russia and its extraordinary artifacts will be captivated by this book. Before the late fifteenth century, Europeans knew virtually nothing about Muscovy, the core of what would become the "Russian Empire." The rare visitor--merchant, adventurer, diplomat--described an exotic, alien place. Then, under the powerful tsar Peter the Great, St. Petersburg became the architectural embodiment and principal site of a cultural revolution, and the port of entry for the Europeanization of Russia. From the reign of Peter to that of Catherine the Great, Russia sought increasing involvement in the scientific advancements and cultural trends of Europe. Yet Russia harbored a certain dualism when engaging the world outside its borders, identifying at times with Europe and at other times with its Asian neighbors. The essays are enhanced by images of rare Russian books, illuminated manuscripts, maps, engravings, watercolors, and woodcuts from the fifteenth to the nineteenth centuries, as well as the treasures of diverse minority cultures living in the territories of the Empire or acquired by Russian voyagers. These materials were also featured in an exhibition of the same name, mounted at The New York Public Library in the fall of 2003, to celebrate the tercentenary of St. Petersburg.
A biography of the infamous czar.
Portrays Ivan the Terrible with his many contradictions: as an outstanding military leader, diplomat, and man of letters, and as a savage and almost insane tyrant. -- Author's introduction.
“This significant biography of the 16th-century Russian czar…is likely to become the definitive work on Ivan for some time” (Publishers Weekly, starred review). One of the most important figures in Russian history, Ivan IV Vasilyevich has remained among the most neglected. The country’s first Tsar, he is notorious for pioneering a policy of unrestrained terror—and for killing his own son. In Ivan the Terrible, Russian historian Isabel de Madariaga presents the first comprehensive biography of Ivan from birth to death, shedding light on his policies, his marriages, his atrocities, and his disordered personality. Situating Ivan within the Russian political developments of the sixteenth century, de Madariaga also offers revealing comparisons with English, Spanish, and other European courts of the time. The biography includes a new account of the role of astrology and magic at Ivan’s court and provides fresh insights into his foreign policy. Addressing the controversies that have paralyzed western scholarship as well as the challenges of authentication—since much of Ivan’s archive was destroyed by fire in 1626—de Madariaga seeks to present Russia as viewed from within Russia rather than from abroad. The result is an enlightening work that captures the full tragedy of Ivan’s reign.
Tsar Ivan the Terrible (Ivan IV, 1533-1584) is one of the most controversial rulers in Russian history, infamous for his cruelty. He was the first Russian ruler to use mass terror as a political instrument, and the only Russian ruler to do so before Stalin. Comparisons of Ivan to Stalin only exacerbated the politicization of his image. Russians have never agreed on his role in Russian history, but his reign is too important to ignore. Since the abolition of censorship in 1991 professional historians and amateurs have grappled with this problem. Some authors have manipulated that image to serve political and cultural agendas. This book explores Russia’s contradictory historical memory of Ivan in scholarly, pedagogical and political publications.