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St. Philip's Parish was a politically designated area of Charleston, S.C. A St. Philip's Church was noted among the christenings and is assumed to have been (still is?) in Charleston.
By: A.S. Salley, Pub. 1904, reprinted 2022, 360 pages, Index, ISBN #978-1-63914-056-5. St. Philip's was one of the ten original parishes created by the Church Act of 1706. Considering that the state of South Carolina did not officially record vital records until 1911 makes any resource that mentions these items of extreme importance to the genealogists. In 1751 the parish covering Charleston was divided into two parishes. This register is filled with births, christenings, marriages, and burials of all persons from Charleston from 1720-1758. The index mentions approximately 9,500 entries.
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“The compelling story of a colony besieged by meteorological, epidemiological, economic, and manmade catastrophes only to arise like the phoenix.” —Orville Vernon Burton, author of The Age of Lincoln During South Carolina’s settlement, a cadre of men rose to political and economic prominence, while ordinary colonists, enslaved Africans, and indigenous groups became trapped in a web of violence and oppression. John J. Navin explains how eight English aristocrats, the Lords Proprietors, came to possess the vast Carolina grant and then enacted elaborate plans to recruit and control colonists as part of a grand moneymaking scheme. But those plans went awry, and the mainstays of the economy became hog and cattle ranching, lumber products, naval stores, deerskin exports, and the calamitous Indian slave trade. The settlers’ relentless pursuit of wealth set the colony on a path toward prosperity but also toward a fatal dependency on slave labor. Rice would produce immense fortunes in South Carolina, but not during the colony’s first fifty years. Religious and political turmoil instigated by settlers from Barbados eventually led to a total rejection of proprietary authority. Using a variety of primary sources, Navin describes challenges that colonists faced, setbacks they experienced, and the effects of policies and practices initiated by elites and proprietors. Storms, fires, epidemics, and armed conflicts destroyed property, lives, and dreams. Threatened by the Native Americans they exploited, by the Africans they enslaved, and by their French and Spanish rivals, South Carolinians lived in continual fear. For some it was the price they paid for financial success. But for most there were no riches, and the possibility of a sudden, violent death was overshadowed by the misery of their day-to-day existence.
A centerpiece of Colonial Williamsburg's folk art collection since the 1930's, The Old Plantation has long intrigued art enthusiasts, historians, and the general public. This eighteenth-century watercolor, which has been widely reproduced in textbooks and scholarly publications, has been a valuable tool for those studying slave life, music, dance, and society, as well as those interested in the genesis of folk art in America. Though extensively analyzed and interpreted, The Old Plantation has remained a mystery. Until Now... This fascinating publication unlocks one of the great mysteries of American decorative arts, revealing not only the career of the painter, but the lives of the unnamed slaves in the images as well.