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This book analyses the features and functionality of the relationship between the law, individual or collective values and medical-scientific evidence when they have to be interpreted by judges, courts and para-jurisdictional bodies. The various degrees to which scientific data and moral values have been integrated into the legal discourse reveal the need for a systematic review of the options and solutions that judges have elaborated on. In turn, the book presents a systematic approach, based on a proposed pattern for classifying these various degrees, together with an in-depth analysis of the multi-layered role of jurisdictions and the means available to them for properly handling new legal demands arising in plural societies. The book outlines a model that makes it possible to focus on and address these issues in a sustainable manner, that is, to respond to individual requests and technological advances in the field of biolaw by consistently and effectively applying suitable legal instruments and jurisdictional interpretation.
Though relatively unsung in the English-speaking world, Jean Rouch (1917–2004) was a towering figure of ethnographic cinema. Over the course of a fifty-year career, he completed over one hundred films, both documentary and fiction, and exerted an influence far beyond academia. Exhaustively researched yet elegantly written, The Adventure of the Real is the first comprehensive analysis of his practical filmmaking methods. Rouch developed these methods while conducting anthropological research in West Africa in the 1940s–1950s. His innovative use of unscripted improvisation by his subjects had a profound impact on the French New Wave, Paul Henley reveals, while his documentary work launched the genre of cinema-vérité. In addition to tracking Rouch’s pioneering career, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch’s cinematographic legacy. Featuring over one hundred and fifty images, The Adventure of the Real is an essential introduction to Rouch’s work.
We are living in a world of stress where most people are fighting to get ahead in life and earn a decent living. Its only since the last century that people have acted and moved faster than in the last 6000 years of known civilization. Slow down and ask yourself: What is your motivation in life? Are you looking for some Freedom from that bondage of living with tense or do you want to know some true values that would help you to be thankful for what you have? Th e answer to this question would most likely lead you to to the following questions: What do you believe in? What is the most important thing for your success or your purpose in life? Or what has become a god for you: Money, Science or Love? Some of your personal values are defi nitely driving you. But which one is predominant? Or which one has dominion over you? Read and fi nd out the root of each one of them. Peace, joy and happiness are often the result of having some basic beliefs. Th ink about it! As it is written: the truth shall set you free
This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works from the vital early years of his career Credited with a key role in the revival of painting in the 1990s, Belgian artist Luc Tuymans (b. 1958) continues to produce subtle, and at times unsettling, works that engage with history, technology, and everyday life. This first volume in a catalogue raisonné of Tuymans's paintings surveys nearly 200 works that were vital to his artistic development. The years 1972 to 1994 witnessed the maturation of his signature method of painting from preexisting imagery--such as magazine images, Polaroids, and television footage--as well as his first solo exhibition. Also dating from this period are many of his seminal canvases, along with ten poignant portraits of the ailing human body and the enigmatic series Superstition that comprised his first works exhibited in the United States. The catalogue features brilliant new photography of each of the paintings and an illustrated chronology with archival images and installation shots of the works in this volume. This publication is a testament to Tuymans's persistent assertion of the relevance and importance of painting--a conviction that he maintains even in today's digital world, when his work continues to be a touchstone for artists and scholars.
Building Bridges: The Cinema of Jean Rouch is the first title to fully explore the work and legacy of French documentary-maker Jean Rouch. A figure as comfortable in front of the camera as behind it, Rouch created some of the most enduring sociological films about French and francophone African culture, and his playful documentaries make him the spiritual ancestor of filmmakers such as Nick Broomfield and Michael Moore, and a precursor to the world of Big Brother and reality TV. Based on a major inter-national conference, this study contains over twenty new essays from a global cast of filmmakers, film critics, academics and actors, including a number of Rouch's African-based collaborators, and discusses his massive contribution to ethnographic filmmaking with films such as Les Maitres fous (1955), Le Pyramide humaine (1961) and Chronique d'un t (1961). This collection is set to become a benchmark study of one of the most influential documentary presences of the last century.
The essays in this volume investigate maternity and the figure of the mother in French literature from France, Switzerland, Quebec and Africa, from the seventeenth century to the present. Drawing on cultural history, psychoanalysis, and feminist theory, as well as more traditional methods, they present maternity as a source of frustration and of joy, mothers as repressed and revered, daughters as wounded and loving, sons as domineering and dependent. Indeed, few things are simple where mothers — and especially where writing about mothers — are concerned.