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In this stunning collection, Franz Wright chronicles the journey back from a place of isolation and wordlessness. After a period when it seemed certain he would never write poetry again, he speaks with bracing clarity about the twilit world that lies between madness and sanity, addiction and recovery. Wright negotiates the precarious transition from illness to health in a state of skeptical rapture, discovering along the way the exhilaration of love--both divine and human--and finding that even the most battered consciousness can be good company. Whether he is writing about his regret for the abortion of a child, describing the mechanics of slander ("I can just hear them on the telephone and keening all their kissy little knives"), or composing an ironic ode to himself ("To a Blossoming Nut Case"), Wright's poems are exquisitely precise. Charles Simic has characterized him as a poetic miniaturist, whose "secret ambition is to write an epic on the inside of a matchbook cover." Time and again, Wright turns on a dime in a few brief lines, exposing the dark comedy and poignancy of his heightened perception. Here is one of the poems from the collection: Description of Her Eyes Two teaspoonfuls, and my mind goes everyone can kiss my ass now-- then it's changed, I change my mind. Eyes so sad, and infinitely kind.
Franz Jèagerstèatter, an Austrian farmer, devoted husband and father, and devout Catholic, was executed in 1943 for refusing to serve in the Nazi army. Before taking this stand Jèagerstèatter had consulted both his pastor and his local bishop, who instructed him to do his duty and to obey the law - an instruction that violated his conscience. For many years Jèagerstèatter's solitary witness was honored by the Catholic peace movement, while viewed with discomfort by many of his fellow Austrians. Now, with his beatification in 2007, his example has been embraced by the universal church.
Vols. for 1911-13 contain the Proceedings of the Helminothological Society of Washington, ISSN 0018-0120, 1st-15th meeting.
The story told by Mary Dian Molton in About Franz began in 1988 in Küsnacht, Switzerland. Molton, living in Kansas City, Missouri, and having recently completed exams as a Licensed Clinical Social Worker, was taking classes at the Jung Institute in Küsnacht when she inquired about the possibility of visiting the Jung family home. She was directed to contact Franz Jung, Carl Jung’s only son, who was living in the home at the time, to see if a visit might be possible. Indeed, Franz Jung was most gracious in his reply, and Molton’s first visit was followed by several more over the years as well as the exchange of many letters. Over the next eight years, until Franz died in 1996, Molton had the singular opportunity to peer into the inner and outer worlds of Carl Jung through the lens of his son, Franz, while also learning what it was like to be the son of a genius. A battered suitcase in Molton’s office came to collect sets of letters, notebooks, and journals within which she stored the artifacts of her treasured relationship with Franz that brought the world of Carl Jung—his prominent work as a psychologist and writer, his art that was on display at the family retreat at Böllingen, and his role as a father—up close for examination. It took some years and much hesitancy, but Molton eventually opened the suitcase to tell this great and important story about Franz, talented architect and gifted artist, who in his later years became a generous and gracious ambassador for his father, Carl Jung.
A collection of poems reflecting the regard for life in every form and the belief in the promise of blessing and renewal, sharing through a series of prayer-like works observations of such topics as a suicidal animal, snowflakes, and love.
Eighty years ago the largest genocide ever occurred in Nazi Europe. This began with the mass extermination of patients with neurologic and psychiatric disorders that Hitler's regime considered "useless eaters". The neuropsychiatric profession was systematically "cleansed" beginning in 1933, but racism and eugenics had infiltrated the specialty long before that. With the installation of Nazi-principled neuroscientists, mass forced sterilization was enacted, which transitioned to patient murder by the start of World War II. But the murder of roughly 275,000 patients was not enough. The patients' brains were stored and used in scientific publications both during and long after the war. Also, patients themselves were used for unethical experiments. Relatively few neuroscientists resisted the Nazis, with some success in the occupied countries. Most neuroscientists involved in unethical actions continued their careers unscathed after the war. Few answered for their actions, and few repented. The legacy of such a depraved era in the history of neuroscience and medical ethics is that codes now exist to protect patients and research subjects. But this protection is possibly subject to political extremes and individual neuroscientists can only protect patients and colleagues if they understand the dangers of a utilitarian, unethical, and uncompassionate mindset. Brain Science under the Swastika is the only comprehensive and scholarly published work regarding the ethical and professional abuses of neuroscientists during the Nazi era. The author has crafted a scathing tour de force exploring the extremes of ethical abuse, but also ways that this can be resisted and hopefully prevented by future generations of neuroscientists and physicians
An exploration of the career of Franz Radziwill, investigating the question of art in a Nazi context