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This book introduces the unique archive of letters, textiles, hand-drawn maps, emails and photographs from asylum seekers held indefinitely in offshore detention at Topside Camp, Nauru 2001-5. These artefacts introduce the distinctive and creative forms of resistance produced by asylum seekers in the remote Pacific camps on Nauru and Manus Island, and they expose their experiential histories of radical suffering and trauma. Paying due deference to the creative and aesthetic agency of these various documents and artefacts created by the undocumented here, Gillian Whitlock generates a cultural biography of the Nauru camp that humanizes those who have remained unseen and unheard, and features the activist campaigns and the political resistance that assert the agency of witnessing refugees. Structured around the collections of various artefacts exchanged between detainees and humanitarian activists, Refugee Lives in the Archives draws on emerging theories from detention centres and the asylum seekers themselves in a distinctive and expansive Pacific imaginary of refugee life narrative. Building on Whitlock's substantial body of work in testimonial, documentary and archive practices, this book focuses on the 'testimony of things' and probes an approach to archival studies that moves life writing in new directions, to respond collaboratively to the diverse materiality of story-telling and exchanges in the unique and creative forms of asylum seekers' voices, stories and epistemologies.
We Refugees is the third anthology in a series designed to spark conversation, promote awareness, and generate funds to advance social justice and amplify the voices of the marginalized. Rather than the vision of crisis so often portrayed in the media, the poems, essays, and personal reflections in We Refugees are moving accounts of individual suffering and fortitude; demonstrations of the great willingness shared by many to bridge cultural divides and offer hope and healing; and celebrations of the courage of people who have been forced to leave their homes and seek new ones. The contributors are Kirsty Anantharajah, Jennifer deBie, Nina Foushee, Robbie Gamble, Akuol Garang, Sharif Gemie, Steven Jakobi, Enesa Mahmic, Loretta Oleck, Virginia Ryan, Judith Skillman, and Mitchell Toews. Pact Press is proud, through the sale of this anthology, to support the work of the Asylum Seeker Resource Centre (ASRC), which advocates for, empowers, and provides material support to people seeking asylum.
Almost 68.5 million refugees in the world today live in a protection gap, the chasm between protections stipulated in the Geneva Convention and the abrogation of those responsibilities by aid agencies. With dwindling humanitarian aid, how do refugee communities solve collective dilemmas? In Networked Refugees, Nadya Hajj finds that Palestinian refugees utilize information communication technology platforms to motivate reciprocity-a cooperative action marked by the mutual exchange of favors and services-and informally seek aid and connection with their transnational diaspora community. Based on surveys conducted with Palestinians throughout the diaspora, interviews with those inside the Nahr al-Bared refugee camp in Lebanon, and data pulled from online community spaces, these findings pushback against the cynical idea that online organizing is fruitless, emphasizing instead the productivity of these digital networks. "With nuance, sensitivity, and fascinating connections across diverse social settings, Nadya Hajj offers a blueprint for how transnational networks can motivate reciprocity to solve communal problems." WENDY PEARLMAN, author of Violence, Nonviolence, and the Palestinian National Movement "In this remarkable book, Hajj deploys her considerable theoretical and empirical gifts. This book is essential reading for anyone interested in understanding refugee experience." TAREK MASOUD, coauthor of The Arab Spring: Pathways of Repression and Reform "Through stunning ethnographic and survey research, Hajj provides enormous insights into the way Palestinian refugees in Lebanon and the diaspora not only resist the destruction of their community but have found new ways of rebuilding it, challenging us to think differently about Palestinian refugees and their reimagined futures." SARA ROY, Harvard University.
NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.
“Powerful and deeply moving personal stories about the physical and emotional toll one endures when forced out of one’s homeland.” —PBS Online In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. Though the refugee caps have been raised under President Biden, admissions so far have fallen short. In The Displaced, Pulitzer Prize–winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience. Featuring original essays by a collection of writers from around the world, The Displaced is an indictment of closing our doors, and a powerful look at what it means to be forced to leave home and find a place of refuge. “One of the Ten Best Books of the Year.” —Minneapolis Star-Tribune “Together, the stories share similar threads of loss and adjustment, of the confusion of identity, of wounds that heal and those that don’t, of the scars that remain.” —San Francisco Chronicle “Poignant and timely, these essays ask us to live with our eyes wide open during a time of geo-political crisis. Also, 10% of the cover price of the book will be donated annually to the International Rescue Committee, so I hope readers will help support this book and the vast range of voices that fill its pages.” —Electric Literature
This volume gives an extensive overview of current developments in the field of archival collections relating to German-speaking refugees located in Germany, Austria, the USA, Ireland and the UK. The contributions illustrate the three interlinked areas of refugee archives, Exile and Migration Studies research and related databases and other resources. The articles investigate their interrelationship as well as the future challenges facing all three areas by focussing on larger archival holdings as well as collections relating to individuals and organisations and more recently established electronic and online resources and finding aids. The volume is aimed at researchers and archival practioners alike and should be especially useful for anyone starting out in the field.
An award-winning historian presents an emotional history of Jewish refugees biding their time in Portugal as they attempt to escape Nazi Europe This riveting book describes the experience of Jewish refugees as they fled Hitler to live in limbo in Portugal until they could reach safer havens abroad. Drawing attention not only to the social and physical upheavals of refugee life, Kaplan highlights their feelings as they fled their homes and histories while begging strangers for kindness. An emotional history of fleeing, this book probes how specific locations touched refugees’ inner lives, including the borders they nervously crossed or the overcrowded transatlantic ships that signaled their liberation.
A heartbreaking, full-color graphic novel of the refugee drama In the French port town of Calais, famous for its historic lace industry, a city within a city arose. This new town, known as the Jungle, was home to thousands of refugees, mainly from the Middle East and Africa, all hoping, somehow, to get to the UK. Into this squalid shantytown of shipping containers and tents, full of rats and trash and devoid of toilets and safety, the artist Kate Evans brought a sketchbook and an open mind. Combining the techniques of eyewitness reportage with the medium of comic-book storytelling, Evans has produced this unforgettable book, filled with poignant images—by turns shocking, infuriating, wry, and heartbreaking. Accompanying the story of Kate’s time spent among the refugees—the insights acquired and the lives recounted—is the harsh counterpoint of prejudice and scapegoating arising from the political right. Threads addresses one of the most pressing issues of modern times to make a compelling case, through intimate evidence, for the compassionate treatment of refugees and the free movement of peoples. Evans’s creativity and passion as an artist, activist, and mother shine through.
This volume gives an extensive overview of current developments in the field of archival collections relating to German-speaking refugees located in Germany, Austria, the USA, Ireland and the UK. The contributions illustrate the three interlinked areas of refugee archives, Exile and Migration Studies research and related databases and other resources. The articles investigate their interrelationship as well as the future challenges facing all three areas by focussing on larger archival holdings as well as collections relating to individuals and organisations and more recently established electronic and online resources and finding aids. The volume is aimed at researchers and archival practioners alike and should be especially useful for anyone starting out in the field.
Available Open Access under CC-BY-NC licence. How can Archaeology help us understand our contemporary world? This ground-breaking book reflects on material, visual and digital culture from the Calais “Jungle” – the informal camp where, before its destruction in October 2016, more than 10,000 displaced people lived. LANDE: The Calais 'Jungle' and Beyond reassesses how we understand ‘crisis’, activism, and the infrastructure of national borders in Refugee and Forced Migration Studies, foregrounding the politics of environments, time, and the ongoing legacies of empire. Introducing a major collaborative exhibit at Oxford’s Pitt Rivers Museum, the book argues that an anthropological focus on duration, impermanence and traces of the most recent past can recentre the ongoing human experiences of displacement in Europe today.