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In this poignant bilingual collection, preeminent New Mexican poet E. A. “Tony” Mares posthumously shares his passionate journey into the broken heart and glimmering shadows of the Spanish Civil War, whose shock waves still resonate with the political upheavals of our own times. Mares engages in dialogue with heroes and demons, anarchists and cardinals, and beggars and poets. He takes us through the convex mirror of history to the blood-stained streets of Madrid, Guernica, and Barcelona. He interrogates the assassins of Federico García Lorca for their crimes against poetry and humanity. Throughout the collection the narrator is participant and commentator, and his language is both lyrical and direct. In addition to Mares’s parallel Spanish and English poems, the book includes a prologue by Enrique Lamadrid, an introduction by Fernando Martín Pescador, and an epilogue by Susana Rivera. Lovingly shepherded and completed by friends and family, this book will appeal to Mares enthusiasts and readers interested in poetry and history, who will be glad to have this unexpected gift from a master’s voice.
In this poignant bilingual collection, preeminent New Mexican poet E. A. "Tony" Mares posthumously shares his passionate journey into the broken heart and glimmering shadows of the Spanish Civil War, whose shock waves still resonate with the political upheavals of our own times. Mares engages in dialogue with heroes and demons, anarchists and cardinals, and beggars and poets. He takes us through the convex mirror of history to the blood-stained streets of Madrid, Guernica, and Barcelona. He interrogates the assassins of Federico García Lorca for their crimes against poetry and humanity. Throughout the collection the narrator is participant and commentator, and his language is both lyrical and direct. In addition to Mares's parallel Spanish and English poems, the book includes a prologue by Enrique Lamadrid, an introduction by Fernando Martín Pescador, and an epilogue by Susana Rivera. Lovingly shepherded and completed by friends and family, this book will appeal to Mares enthusiasts and readers interested in poetry and history, who will be glad to have this unexpected gift from a master's voice.
Rooted in the Midwest but at home anywhere, Glenna Luschei has spent over fifty years writing and supporting other writers in the midst of adventures that have taken her around the globe. Now in her late eighties and as vibrant as ever, Luschei has crafted a collection that comprises a retrospective of her life: her youth during World War II; her adventures in New Mexico, Colombia, Cuba, and elsewhere; and her ongoing love affair with the arts. Luschei relives highs and lows through these poems and reminds readers to live life to the fullest as we never know if tomorrow will be our last day. Join Luschei as she embraces the gift of living and a life that is full of hope and love rather than regret in this reflective work.
The poems in The Gospel of Wildflowers and Weeds expand the sacred within a baroque, magical-realist poetics that immerses itself in the flora and fauna of the Caribbean and the region's complex interplay of African, Judeo-Christian, and Taíno (Arawak) cultures. Menes engages with the Catholic sacraments, saints' lives, and the artistic heritage of this universal faith as well as Cuban art through the use of a variety of poetic styles across the collection. An established poet, he pays homage to those writers who have made him the Caribbean poet that he is, specifically Alejo Carpentier, José Lezama Lima, and even Hart Crane. Readers will want to join Menes on this journey as he travels the globe to explore the fantastic and the marvelous while searching for faith and divine grace.
In this remarkable collection, Katherine DiBella Seluja explores issues surrounding human migration, juxtaposing poems about the current struggles along the US–Mexican border with her ancestors’ experiences of migrating from Italy. Rich in sonic and sensory detail, these poems speak to the strength and resilience of those who leave their ancestral homes in search of safety and opportunities to thrive.
Susan Aizenberg uses a range of techniques in her newest collection of poetry to explore contemporary daily life in a difficult world. She critiques gender, grief, culture, and the myriad experiences that define us. But even when grappling with old wounds, a strain of romance runs throughout the book, reminding readers that it’s between the love and the grief that we’ll find the moments worth being shared and savored.
Trials and Tribulations of Dirty Shame, Oklahoma beautifully showcases Comanche gothic literature, a new genre in Indigenous literature, at its creative best. In the tradition of The Iliad and Paradise Lost, this book is an epic poem of heroic and biblical proportions. Three Indigenous young people discover that the Holy Grail has been on the North American continent for centuries, and in Oklahoma for the last two. Battling both human and supernatural enemies, Velroy, Mia, and Stoney struggle to get the Holy Grail out of Indian Country to save their families and community and bring true peace back to their ordinary, Dirty Shame lives.
Born and raised in El Paso, Texas, Ray Gonzalez returns to Texas and nearby New Mexico to meditate on love, literature, loss, and la línea in Suggest Paradise. The collection offers readers some of the richest and most complex poems that embody the Southwest and the borderlands, including a poignant look at the massacre at the El Paso Walmart. A unique voice of the Southwest, Gonzalez brings his intellect and his well-honed craft to this work and offers readers a nuanced and powerful perspective on poetry and the Border.
This haunting collection merges spirit and nature in a voice both elegiac and celebratory. Kotchian explores our deep connection to the natural world, one increasingly at risk even as it continues to surprise and inspire. From meditations on the dangers of global warming to supporting a friend with cancer, from grieving the loss of her own mother to celebrating nature from New Mexico to a wild Scottish island, the poems celebrate both solitude and companionship and enlarge our concept of belonging and community, offering us threads of resilience, persistence, and hope.
A Guide to Tongue Tie Surgery gives voice to abused children, murdered women, research animals, war veterans, and even metronomes and lampshades. In poems inspired by Ovid, Tina Carlson explores the roots of voicelessness and journeys into metamorphosis, granting speech to those ignored or victimized and thereby allowing them to provide witness to their own lives.