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Reading Scripture from the perspective of Black church tradition can help us connect with a rich faith history and address the urgent issues of our times. Demonstrating an ongoing conversation between the collective Black experience and the Bible, New Testament scholar Esau McCaulley shares a personal and scholarly testament to the power and hope of Black biblical interpretation.
In this #1 New York Times bestseller, Ijeoma Oluo offers a revelatory examination of race in America Protests against racial injustice and white supremacy have galvanized millions around the world. The stakes for transformative conversations about race could not be higher. Still, the task ahead seems daunting, and it’s hard to know where to start. How do you tell your boss her jokes are racist? Why did your sister-in-law hang up on you when you had questions about police reform? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from police brutality and cultural appropriation to the model minority myth in an attempt to make the seemingly impossible possible: honest conversations about race, and about how racism infects every aspect of American life. "Simply put: Ijeoma Oluo is a necessary voice and intellectual for these times, and any time, truth be told." ―Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.
Flipping John Howard Griffin's classic Black Like Me, and extending Noel Ignatiev's How The Irish Became White into the present-day, Wise explores the meanings and consequences of whiteness, and discusses the ways in which racial privilege can harm not just people of color, but also whites. Using stories instead of stale statistics, Wise weaves a narrative that is at once readable and yet scholarly; analytical and yet accessible.
The author tells her story of being a Latina in the Jim Crow South.
Vivian Paley presents a moving personal account of her experiences teaching kindergarten in an integrated school within a predominantly white, middle-class neighborhood. In a new preface, she reflects on the way that even simple terminology can convey unintended meanings and show a speaker's blind spots. She also vividly describes what her readers have taught her over the years about herself as a "white teacher."
To help us better understand the Sunday and weekday Gospel readings, David Knight has collected his reflections for the lectionary year B in this handy book. Each brief reflection is based on the Gospel of the particular Sunday or weekday. For each weekday, the author has chosen one line from the day's Gospel and offered one question to stimulate reflection. To help us integrate the Gospel into our daily lives, Knight provides in a section called "Living This Week's Gospel" five suggested responses we can make to the Sunday Gospel each week. He bases his suggestions on five words which summarize our identity as Christians: Christian, disciple, prophet, priest and king. Finally, Knight adds a prayer that we can say each day all week, asking for the grace to live by the values proposed in the Sunday reflection.
As a young student, Joseph Phillips once overheard someone say of him, "He talk like a white boy!" The Denver native never thought that speaking correctly would cause others to question his authenticity as an African-American. Little did he know what lay in his future. His choices in music, politics, faith, and family have given rise to many accusations of his not being "black enough." As an actor, Joseph has encountered even more pointing fingers, this time for not being liberal enough for Hollywood. With a frank voice and a loving heart, this brilliant, conservative and outspoken African-American man presents a series of funny and thought-provoking essays that speak to the simple fact that authenticity is far more complicated that one's choice of words or music
Throughout his life, George Manus has reflected on big and small, which has already resulted in 19 books. He claims that while things are happening, we only get to think in the present. It is only afterwards that we have time and opportunity to think analogize and consider. The importance the author attaches to the idea of reflection is in other words afterthoughts. In this, his twentieth book, George Manus has picked out thoughts from "Reflections" I - II and III, as well as "Thoughts". Thoughts were written, one every day, on the first 51 days of 2001, while the Reflections spread as far back as 1989.