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This volume contains what Lawrence himself called "philosophicalish" essays written in the decade 1915-25. The topics range from politics to nature, from religion to education; the tone from lighthearted humor to mordant wit, to spiritual meditation. For all these contrasts, however, the essays share many of the underlying themes of the mature Lawrence: "Be thyself" could be the volume's motto. As far as possible, this edition restores what Lawrence wrote before typists, editors, and compositors made the extensive alterations that have been followed in all previous editions of the texts--on occasion entire passages removed by mistake or for reasons of censorship have been recovered. The introduction describes the genesis, textual history, and reception of the essays; notes offer help with allusions and other difficult points. Several incomplete and unpublished essays are reproduced in an appendix.
This collection of essays by the author of Lady Chatterley’s Loverpresents his musings on literature, politics and philosophy in a newly restored text. Though D. H. Lawrence was one of the great writers of the twentieth century, his works were severely corrupted by the stringent house-styling of printers and the intrusive editing of timid publishers. A team of scholars at Cambridge University Press has worked for more than thirty years to restore the definitive texts of D. H. Lawrence in The Cambridge Editions. Between 1915–1925, D. H. Lawrence wrote a series of “philosophicalish” essays covering topics ranging from politics to nature, and from religion to education. Varying in tone from lighthearted humor to spiritual meditation, they all share the underlying themes of Lawrence’s mature work: “Be thyself.” As far as possible, the editors of the Cambridge Editions series have restored these essays to their original form as Lawrence wrote them. A discussion of the history of each essay is provided, and several incomplete and unpublished essays are reproduced in an appendix.
Although Darwin's ideas about evolution were dominant in D.H. Lawrence's day, little scholarly work has been done on the influence of these concepts on his work. This work argues that Lawrence employed ideas based on evolution in his fiction, particularly during the transition between his marriage and leadership periods (1919-22) when he embarked on a major rethinking of the direction of his creative work, and that these ideas contributed to the deterioration in his fiction after Women in Love. The book shows that Lawrence's deliberate use of Darwinian elements in his narrative strategy occurred at a time when he was increasingly concerned about survival, both personally, due to illness, and as an artist. The result in his fiction is a subtext in which his anxieties are projected onto female characters and the evolution of his writing is frustrated by unresolved emotional conflicts. Through new readings of the major fiction of Lawrence's transitional period, Ronald Granofsky demonstrates that Lawrence's deterioration as a writer and the misogyny of his later work was primarily the result of a deliberate effort on his part to move the ideological yardsticks of his fiction.