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From the author of PRINCE OF DARKNESS, ME AND THE DEVIL BLUES, and THE ATHENIAN comes a new novel of humor and pathos about the eternal battle between the sexes. REFLECTIONS ON THE ACADEMIC LIFE IN NORTH DAKOTA is a story about love, loss, sickness, recovery, sex, and archaeology. David London, an English teacher in a North Dakota university and Tracey Gillespie, an archaeology student in Winnipeg go on a Canadian tour of the Holy Land and discover a whole lot more than Biblical artifacts. They discover truths about themselves and each other that lead down a long, strange road of farce, romance, heartbreak, and transcendence. From the plains of the Dakotas and central Canada to the deserts of Israel and Jordan, REFLECTIONS ON THE ACADEMIC LIFE IN NORTH DAKOTA is a moving saga of a search for meaning in a fascinating landscape of ancient ruins and monuments that speaks to the deepest longings of the human soul.
The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.
A humorous love story about a college student and his professor's wife.
More than one million Americans live in federal and state prisons and close to another half million are in local jails. One out of every three young black men is involved in the criminal justice system. To house our ever increasing prison population, the construction of new prisons has become a growth industry in many local and state economies. Yet while prisons are a rapidly expanding feature of America's cultural and political landscape, the people in them, as well as the buildings themselves, remain hidden from public consciousness. Determined to break this silence, Michael Jacobson-Hardy entered the prison system to record the voices and the lives of the people who live and work within its walls. Behind the Razor Wire continues the tradition of documentary photography by reporting in words and photographs on the conditions in the American prison system. Jacobson-Hardy examines the physical and psychological environments of a range of contemporary correctional institutions and the lives they contain. The foreword by Angela Y. Davis and essays by John Edgar Wideman, Marc Mauer, and James Gilligan, MD make a searing indictment of America's criminal justice system, while offering a framework for understanding the photographs in their historical and cultural context. By recording the faces, the emotions, and the lives of those who live and work in the prison system, Jacobson-Hardy heightens public awareness and promotes dialogue on criminal justice policy. Behind the Razor Wire creates a visual portrait of prisons and prisoners, and a compelling documentary of how prisoners see themselves and of how in turn they are seen by others.
What was Takako Konishi really doing in North Dakota, and why did she end up dead? Did she get lost and freeze to death, as the police concluded, while searching for the fictional treasure buried in a snowbank at the end of the Coen Brothers’ film Fargo? Or was it something else that brought her there: unrequited love, ritual suicide, a meteor shower, a far-flung search for purpose? The seed of an obsession took root in struggling film student Jana Larson when she chanced upon a news bulletin about the case. Over the years and across continents, the material Jana gathered in her search for the real Takako outgrew multiple attempts at screenplays and became this remarkable, genre-bending essay that leans into the space between fact and fiction, life and death, author and subject, reality and delusion.
In 2005, Rebecca Norris Webb set out to photograph her home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, mule deer and prairie dogs than people. South Dakota is a land of powwows and rodeos, corn palaces and buffalo roundups; a harsh and beautiful landscape dominated by space, silence, brutal wind and extreme weather. The next year, however, everything changed for Norris Webb, when her brother died unexpectedly of heart failure. "For months," she writes in the introduction to this volume, "one of the few things that eased my unsettled heart was the landscape of South Dakota. For each of us, does loss have its own geography?" My Dakota is a small intimate book about the west and its weathers, and an elegy for a lost brother.