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When seeking to understand the function of mythology in the pagan past and in medieval Iceland scholars are confronted with the problem of how sources from the Middle Ages can properly be used. The articles in this volume demonstrate diverse angles from which Old Norse mythological texts can be viewed. Many discuss methodological problems in dealing with the texts and draw on expertise from different fields of study such as history, philology, literary studies, and history of religions. The authors are all established experts in the field, but demonstrate new approaches to the study of Old Norse mythology, and offer insights into possible new directions for research.
The pagan mythology of the Vikings offers a rich metaphor for consciousness. This book presents the cosmography of Norse mythology as a landscape of human inner life. Each of the nine worlds of this cosmography is viewed as a symbol of a distinct type of consciousness that is emblematic of a particular perspective or way of relating to others. Individual gods and goddesses are considered nuanced personifications of their worlds. The philosophy of pagan mythology is explored by comparing and contrasting the Sayings of Odin from the Norse Edda with the Christian Ten Commandments.
This wide-ranging study offers a new understanding of Old Norse kinship in which the individual self was expanded to encompass its kin.
This collection explores the theoretical and methodological foundations through which we understand Old Norse myths and the mythological world, and the medieval sources in which we find expressions of these. Some contributions take a broad, comparative perspective; some address specific details of Old Norse myths and mythology; and some devote their attention to questions concerning either individual gods and deities, or more topographical and spatial matters (such as conceptions of pagan cult sites). The elements discussed provide an introductory and general overview of scholarly enquiry into myth and ritual, as well as an attempt to define myth and theory for Old Norse scholarship. The articles also offer a rehabilitation of the comparative method alongside a discussion of the concept of 'cultural memory' and of the cognitive functions that myths may have performed in early Scandinavian society. Particular subjects of interest include analyses of the enigmatic god Heimdallr, the more well-known Oðinn, the deities, the female asynjur, and the 'elves' or alfar. Text-based discussions are set alongside recent archaeological discoveries of cult buildings and cult sites in Scandinavia, together with a discussion of the most enigmatic site of all: Uppsala in Sweden. The key themes discussed throughout this volume are brought together in the concluding chapter, in a comprehensive summary that sheds new light on current scholarly perspectives.
The End of the World in Scandinavian Mythology is a detailed study of the Scandinavian myth on the end of the world, the Ragnarök, and its comparative background. The Old Norse texts on Ragnarök, in the first place the 'Prophecy of the Seeress' and the Prose Edda of the Icelander Snorri Sturluson, are well known and much discussed. However, Anders Hultgård suggests that it is worthwhile to reconsider the Ragnarök myth and shed new light on it using new comparative evidence, and presenting texts in translation that otherwise are available only to specialists. The intricate question of Christian influence on Ragnarök is addressed in detail, with the author arriving at the conclusion of an independent pre-Christian myth with the closest analogies in ancient Iran. People in modern society are concerned with the future of our world, and we can see these same fears and hopes expressed in many ancient religions, transformed into myths of the future including both cosmic destruction and cosmic renewal. The Ragnarök myth can be said to be the classical instance of such myths, making it more relevant today than ever before.
The compelling world of the Vikings and their descendants, preserved in the sagas, poetry, and mythology of medieval Iceland, has been an important source of inspiration to artists and writers across Europe, as well as to scholars devoted to editing and interpreting the manuscript texts. A variety of creative ventures have been born of the processes of imagining this distant 'hyperborean' world. The essays in this volume, by scholars from Italy, Sweden, Denmark, Norway, Germany, and the UK, examine the scholarly and artistic reception of a variety of Old Norse texts from the beginnings of the manuscript tradition in twelfth-century Iceland to contemporary poetry, crime fiction, and graphic novels produced in Britain, Ireland, Italy, and Iceland. The influence of Old Norse literature is further explored in the context of Shakespeare's plays, eighteenth-century Italian opera, the Romantic movement in Sweden and Denmark, and the so-called 'nordic renaissance' of the late nineteenth century (including the works of August Strindberg and William Morris), as well as in some of the political movements of twentieth-century northern Europe. Interest in Old Norse literature is charted as it spread beyond intellectual centres in Europe and out to a wider reading and viewing public. The influence of the 'hyperborean muse' is evident throughout this book, as the idea of early Nordic culture has been refashioned to reflect contemporary notions and ideals.
G. Ronald Murphy offers an insightful examination of the lasting significance of Yggdrasil in northern Europe, showing that the tree's image persisted not simply through its absorption into descriptions of Christ's crucifix, but through recognition by the newly converted Christians of the truth of their new religion in the images of their older faith.
A collection of essays by leading scholars of Nordic Mythology.
This volume examines the performative and ideological functions of texts dealing with magic in contexts of social and political conflict. While the rites, representations, and agents of medieval Scandinavian magic have been the object of numerous studies, little attention has been given to magic as a discourse. As a consequence, Old Norse sources mobilizing magic have been analysed mainly as evidence for a stable extra-textual phenomenon. This volume breaks with this perspective.The book focuses on the use of discourses of magic in thirteenth- and fourteenth-century Icelandic texts concerned with kingship. It is argued that Icelanders constructed magic as a discursive answer to the increasingly pressing question of how to deal with the reality of their subordination to kings. This they did by telling stories of flattering Icelandic successes over kings brought about by magic in a bid to challenge dominant definitions and the social and political status quo. The book thus follows the conditions of emergence that made these subversive discourses of magic meaningful; it describes the various forms they were given, the various constraints weighing upon their use, and the particular political goals they served.
Medieval accounts of how Norway was unified by its first king provide a lively, revealing, and wonderfully entertaining example of this process. Taking the story of how Harald Fairhair unified Norway in the ninth century as its central example, Bruce Lincoln illuminates the way a state's foundation story blurs the distinction between history and myth and how variant tellings of origin stories provide opportunities for dissidence and subversion as subtle - or not so subtle - modifications are introduced through details of character, incident, and plot structure.