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In a startling exercise of reorientation, John Ralston Saul excavates our Canadian myths—real, false, and denied—and reconciles them with the reality of today's politics, culture and economics. He attacks the denial of place into which our urban centres have fallen, delineates the dramatic differences between positive and negative nationalism, probes the implications of continuing decentralization and decries the shift in focus from the public good to narrow interest groups. He proposes solutions to our mid-life crisis in social policy by reminding us of the extent to which reconciliation and reform have always been, and remain, at the core of the country's creation and survival. By building his reflections on the words of our novelists, poets, historians, songwriters, philosophers, painters and our most creative political figures over the centuries, Saul uncovers the startling shape of the Canadian experiment. With a balance of realism and optimism he convinces us that a country which is first an idea of a country is not a theoretical or utopian idea.
Governor General's Award Winner Tenth Anniverary Edition, with a new preface Our society, John Ralston Saul argues in his 1995 CBC Massey Lectures, is only superficially based on the individual and democracy. Increasingly it is conformist and corporatist, a society in which legitimacy lies with specialist or interest groups and decisions are made through constant negotiations between these groups. The paradox of our situation is that knowledge has not made us conscious. Instead, we have sought refuge in a world of illusion where language is cut off from reality. Reconnecting language to reality, clarifying what we mean by individualism and democracy, making these realities central to the citizen's life, identifying ideologies in order to control them, these are among the first elements of equilibrium which Saul proposes in these lectures.
What do we really mean by phrases such as "western Canadian political culture," "the centrist political culture of Ontario," "Red Toryism in the Maritimes," or "Prairie socialism"? What historical, geographical, and sociological factors came into play as these cultures were forged? In this book, Nelson Wiseman addresses many such questions, offering new ways of conceiving Canadian political culture. The most thorough review of the national political ethos written in a generation, In Search of Canadian Political Culture offers a bottom-up, regional analysis that challenges how we think and write about Canada.
“Unnerving.” —People “Unsettling...unlocks its mysteries slowly.” —The New York Times Book Review “A dark, twisty, and richly atmospheric exploration of the power of imagination” —Ruth Ware, author of The Woman in Cabin 10 “Beautifully written and told with a watchmaker’s precision” (Stephen King), Mirrorland is a thrilling psychological suspense novel about twin sisters, the man they both love, the house that has always haunted them, and the childhood stories they can’t leave behind. Cat lives in Los Angeles, far from 36 Westeryk Road, the imposing gothic house in Edinburgh where she and her estranged twin sister, El, grew up. As kids, they invented Mirrorland, a dark, imaginary place under the pantry stairs, full of pirates, witches, and clowns. These days, Cat rarely thinks about their childhood home, or the fact that El now lives there with her husband, Ross. But when El mysteriously disappears after going out on her sailboat, Cat is forced to return to 36 Westeryk Road, which hasn’t changed in twenty years. The grand old house is still full of shadowy corners, and at every turn Cat finds herself stumbling on long-held secrets and terrifying ghosts from the past. Because someone—El?—has left Cat clues: a treasure hunt that leads them back to Mirrorland, where the truth lies waiting... A brilliantly crafted story that “feels like the love child of Gillian Flynn and Stephen King” (Greer Hendricks, #1 New York Times bestselling author), Mirrorland is a propulsive, page-turning debut about love, betrayal, revenge—and the price of freedom.
As Canada's first mixed-race vice-regal couple, Adrienne Clarkson and John Ralston Saul are one of the country's most conventionally unconventional couples. This bemused look at their partnership chronicles their years in the public eye with anecdotes that include Clarkson's rags-to-riches career and intriguing analyses of Saul's male adventure novels.
"Born in Grand Bank, Newfoundland, Eugene Alfred Forsey (1904-1991) became one of Canada's foremost constitutional experts and served in the Senate from 1970 to 1979. Legendary for his sharp wit and his distinctive view of Canadian society, Forsey brought deep research, high principle, and irascible tenacity to the cause of constitutional democracy, justice, and equality for all. Those themes resound through this book. Raised a Conservative, Forsey converted to social democracy as a young academic in the1930s. He spent the following decades working for the labour movement and the Co-operative Commonwealth Federation (now the New Democratic Party) and calling governments to account in speeches, articles, and letters-to-the-editor. As a senator, he sat asa Trudeau Liberal, but soon resumed his more natural role as non-partisan critic and gadfly. Whether delivering his urgent messages in labour halls, university classrooms, broadcasting studios, or the Senate chamber, Forsey entertained even as he educated"--Pub. website.
Creighton examines the trading system that developed along the St. Lawrence River and argues that the exploitation of key staple products by colonial merchants along the St. Lawrence River system was key to Canada's economic and national development.
A leader in theatre production for a global community, Robert Lepage - actor, cineaste, and director - revolutionized the Toronto theatre scene from the 1980s onwards by challenging conventional notions of language, identity, and national belonging. Exploring Lepage’s twenty-five-year history on the Toronto stage, Jane Koustas analyzes his importance in the Canadian and international theatre scenes. Outlining the reasons behind Lepage’s success in Toronto, Koustas skilfully engages with a wide range of journalistic and scholarly texts, moving between French and English critical reception of his work. For Lepage, Toronto offered the best of both worlds: he could remain an ardent Quebecer while being welcomed as a fellow Canadian. Lepage, raised in a bilingual family, brought to his Toronto productions an understanding of English and Canadian culture that resisted presenting French against English and the rest of Canada versus Quebec. Instead, he took Toronto audiences on a global theatre voyage that transformed traditional geopolitical, cultural, and linguistic boundaries and questioned identity. Investigating the relationship between Quebec’s master dramaturge and Toronto, a burgeoning cosmopolitan city determined to be a global cultural capital, Robert Lepage on the Toronto Stage analyzes the success of one of the few Québécois artists to have achieved fame in English Canada.
Who are we? In Canadians, one of Canada’s most intelligent and beloved writers maps our national psyche in a wonderful and ambitious work. Canadians is an entertaining portrait of this country and its people, through its history, popular culture, literature, sport, landscape, and weather. In his pursuit of the Canadian national identity, MacGregor has travelled far and wide, taking our pulse, telling our stories. A sparkling blend of historical, anecdotal, and reflective writing converges in a narrative that is extraordinarily learned in its perceptions and light in its delivery—all trademarks of this remarkable writer’s work.