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Since D Magazine discovered it in 1986, I have been an admirer of Tom McClellan?s writing. Collected in Reflections from Mirror City, McClellan?s selected, published and unpublished work is a stygian journey?through South Texas, West Texas, Dallas, in and out of madness, but always toward lucidity and spiritual wholeness. From ?Introductory Comments? by Lou Dubose, Editor of the Washington Spectator; with Molly Ivins, co-author of the best-selling Shrub: the Short but Happy Political Life of George W. Bush. I found all the essays thoughtful, moving, intellectually stimulating, and exciting to read. Professor F. E. Abernathy, Editor Emeritus, Texas Folklore Society . . . These pieces are the personal essay at its very best. The Deal of the Art in the right kind of world would be widely anthologized in college texts, and Poetry and Politics, and Populism also. . . . work of the very highest integrity. Dr. Giles Mitchell, Professor Emeritus, University of North Texas.
She begins with an intriguing tour through the history of the mirror, from its origins in prehistory right up to the present. With the help of 200 spectacular photographs, she demonstrates the many remarkable ways in which mirror has been used over the past three centuries to transform spaces of every size and shape. Using dozens of examples, ranging from the Palace at Versailles to a modern shoe store in New York City, she describes techniques developed by architects and designers to alter perspectives and change the way people respond to both private and public spaces. Ms. Heyne explores the use of mirror in a variety of settings - from bedrooms, living rooms, exercise rooms, and nurseries, to restaurants, lobbies, clothing stores, and hospitals. She offers valuable technical advice on the uses and misuses of mirror in a wide variety of settings and summarizes what is known about the psychological impact of mirror in each setting.
In Venice, magic is not unusual. Merle is apprenticed to a magic mirror maker, and Serafin—a boy who was once a master thief—works for a weaver of magic cloth. Merle and Serafin are used to the mermaids who live in the canals of the city and to the guards who patrol the streets on living stone lions. Merle herself possesses something magical: a mirror whose surface is water. She can reach her whole arm into it and never get wet. But Venice is under siege by the Egyptian Empire; its terrifying mummy warriors are waiting to strike. All that protects the Venetians is the Flowing Queen. Nobody knows who or what she is—only that her power flows through the canals and keeps the Egyptians at bay. When Merle and Serafin overhear a plot to capture the Flowing Queen, they are catapulted into desperate danger. They must do everything they can to rescue the Queen and save the city—even if it means getting help from the Ancient Traitor himself.
An exploration of Spanish culture in Spain and the Americas traces the social, political, and economic forces that created that culture.
NEW YORK TIMES BESTSELLER • “From The New Yorker’s beloved cultural critic comes a bold, unflinching collection of essays about self-deception, examining everything from scammer culture to reality television.”—Esquire Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “A whip-smart, challenging book.”—Zadie Smith • “Jia Tolentino could be the Joan Didion of our time.”—Vulture FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE’S JOHN LEONARD PRIZE FOR BEST FIRST BOOK • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK PUBLIC LIBRARY AND HARVARD CRIMSON AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Chicago Tribune • The Washington Post • NPR • Variety • Esquire • Vox • Elle • Glamour • GQ • Good Housekeeping • The Paris Review • Paste • Town & Country • BookPage • Kirkus Reviews • BookRiot • Shelf Awareness Jia Tolentino is a peerless voice of her generation, tackling the conflicts, contradictions, and sea changes that define us and our time. Now, in this dazzling collection of nine entirely original essays, written with a rare combination of give and sharpness, wit and fearlessness, she delves into the forces that warp our vision, demonstrating an unparalleled stylistic potency and critical dexterity. Trick Mirror is an enlightening, unforgettable trip through the river of self-delusion that surges just beneath the surface of our lives. This is a book about the incentives that shape us, and about how hard it is to see ourselves clearly through a culture that revolves around the self. In each essay, Tolentino writes about a cultural prism: the rise of the nightmare social internet; the advent of scamming as the definitive millennial ethos; the literary heroine’s journey from brave to blank to bitter; the punitive dream of optimization, which insists that everything, including our bodies, should become more efficient and beautiful until we die. Gleaming with Tolentino’s sense of humor and capacity to elucidate the impossibly complex in an instant, and marked by her desire to treat the reader with profound honesty, Trick Mirror is an instant classic of the worst decade yet. FINALIST FOR THE PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY
Rachel Huber returns to her hometown of Reflection to care for her ailing grandmother. Twenty years ago, a tragedy occurred in Reflection and people hold Rachel responsible. Now she finds herself the object of anger and hostility. She's not without her allies, however. Lily Jackson, a young woman who was personally touched by the tragedy, perplexes everyone by treating Rachel with compassion. And Michael Stoltz, the minister of the Mennonite church, is elated by Rachel's return. He and Rachel were close friends as children, and that childhood bond quickly evolves into a loving relationship that must be hidden from the town. It is Rachel's grandmother, Helen, however, who becomes her strongest advocate, surprising Rachel with her wise counsel and rare strength--and with a wealth of secrets she has long been concealing. "Diane Chamberlain's finest work to date. . . The reader is swept into the town's emotion and suspense." --Richmond Times Dispatch.
Of all human inventions, the mirror is perhaps the one most closely connected to our own consciousness. As our first technology for contemplation of the self, the mirror is arguably as important an invention as the wheel. Mirror Mirror is the fascinating story of the mirror's invention, refinement, and use in an astonishing range of human activities -- from the fantastic mirrored rooms that wealthy Romans created for their orgies to the mirror's key role in the use and understanding of light. Pendergrast spins tales of the 2,500year mystery of whether Archimedes and his "burning mirror" really set faraway Roman ships on fire; the medieval Venetian glassmakers, who perfected the technique of making large, flat mirrors from clear glass and for whom any attempt to leave their cloistered island was punishable by death; Isaac Newton, whose experiments with sunlight on mirrors once left him blinded for three days; the artist David Hockney, who holds controversial ideas about Renaissance artists and their use of optical devices; and George Ellery Hale, the manic-depressive astronomer and telescope enthusiast who inspired (and gave his name to) the twentieth century's largest ground-based telescope. Like mirrors themselves, Mirror Mirror is a book of endless wonder and fascination.
"Dandelion in the Wind" is a sensual love story of a coastal wind in a small port town who falls in love with Dessa, a young woman uncertain about her sexual identity. "Dandelion in the Wind" researches possibilities: What if winds could tell stories? What if winds could fall in love? What if rocks could fall in love? Or rivers? Or trees? Would that love be real or imagined? And how would the wind's eternal soul survive the transience of time, the brevity of human life? What if the woman loved the wind? Would there be a way for those unorthodox lovers to come together when one of them cannot take on a form? "Dandelion in the Wind" is an allegorical story about love imagined, of illusions we hold onto after relationships are over. It speaks to the lovers who have experienced the improbability of lasting happiness, the impossibility of overcoming differences and obstacles. The narrative is lyrical and rich in sensory details, the voice of the wind is haunting but optimistic, and the message comes through easily even though embedded in the symbolism of the story.
Throughdelicately wrought essays and hand-drawn illustrated maps, Mirror Sydney chartsan alternative view of the harbour city, to show a place of suburban mysteries,hidden stories, and anachronistic sites. Vanessa Berry, one of Australia's mostacute observers of the urban landscape, casts an attentive eye upon overlooked,odd, and seemingly mundane places, tracing their connections and theirsignificance to the city as a whole. As developmentshadows every aspect of the city's life, Mirror Sydney documents, in avery personal way, the fast-vanishing traces of the recent past, finding newmeaning in minor landmarks and uncelebrated sites. From abandoned amusementparks to mysterious traffic islands; from the railway lost-property office tothe elephant buried in Sydney Park; and from the eccentric murals of theDomain's underground walkway to the remnants of the ill-fated monorail, Berry'scurious gaze discovers an alternative and eccentric, little-known city. Berry's writingbalances the low-key iconoclasm of the punk and indie music scenes with the philosophicalurban investigations of Walter Benjamin and Robert Walser. Her unique style of mapillustration was developed through many years making zines and artworks, collagingdetailed line drawings with text from typewriters and Letraset.
Raquel I live my life by one rule: fight to survive. I don't like people; I don't like my job, and I definitely do not like the broody man I'm interviewing. I've built up these walls to keep me safe, Sean's presence in my world would only complicate things. He wouldn't know what to do with me if I came with an instruction manual-because women like me don't get the happily ever after. He might just be the one to break the mirror of my fragile identity. And if I'm not careful? I'll let him. Sean I live my life by one rule: family is everything. I do this for the money; I don't care about flipping houses, and I don't like being interrogated about it by this wannabe Hemingway. But I can't deny my immediate attraction towards her, it fills my mind with what if's-and I only just met her. Raquel doesn't know what she wants, but I know what she needs. I'm ready to give her it all. Even if she needs to hate me first.