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What does it feel like to move through a world designed to limit and exclude you? What are the joys and pains of holidays for people of colour, when guidebooks are never written with them in mind? How are black lives today impacted by the othering legacy of colonial cultures and policies? What can travel tell us about our sense of self, of home, of belonging and identity? Why has the world order become hostile to human mobility, as old as humanity itself, when more people are on the move than ever? Nanjala Nyabola is constantly exploring the world, working with migrants and confronting complex realities challenging common assumptions - both hers and others'. From Nepal to Botswana, Sicily to Haiti, New York to Nairobi, her sharp, humane essays ask tough questions and offer surprising, deeply shocking and sometimes funny answers. It is time we saw the world through her eyes.
This book contains different reflections on leadership and institutions in Africa. Drawing from different ideological and methodological orientations, the book highlights how leadership and institutions have shaped and continue to shape the trajectory of Africa’s political and economic development. The book explores different epochs in Africa’s history, from the era of colonialism to the period of nationalist movements, and up to post-colonial Africa. Essays in the volume engage with major actors and important institutions that defined each era. By presenting various reflections and representations of leadership and institutions in Africa, this book attempts to make the connection between leadership and institutions on the one hand, and between these variables and Africa’s development on the other. Similar to most studies on Africa’s political economy, the book considers the role of external forces whether operationalized through direct interventions as was the case during the colonial era, or through subtle imposition of policies as has been the new model in post-colonial times. Drawing from these lenses, issues around Africa’s dependency on external interventions, neo-colonialism, neoliberalism, and disregard for Africa’s culture are explored and contextualized within the framework of leadership and institutions.
Offers unique insights into the inner workings of jihadist organisations over the past three decades in North Africa and the Sahel.
Approved for use in New York City's School System two months after publication, MY FIRST TRIP TO AFRICA is the collaborative effort of 8-year-old Atlantis & her father Anthony Browder, author of "From The Browder File, 22 Essays on the African American Experience." MY FIRST TRIP TO AFRICA chronicles the experience of then 7-year-old Atlantis during a 13-day study tour to Egypt in November, 1989. It contains a Parent/Teacher Guide, 27 photographs, 15 illustrations, 3 maps & a 42 word glossary. The Parent/Teacher Guide is an aid providing topics of discussion for children in the classroom, at the dinner table or at bedtime; including activities designed to stimulate a better understanding of all the topics referenced in the narrative. This narrative written specifically for children, will assist them in understanding aspects of personal, world & African history. MY FIRST TRIP TO AFRICA makes good reading for children & adults alike. "Uniquely written from a child's perspective, encompassing historical facts/information every African American of any age should know."--The Capitol Spotlight. "Atlantis's reflections were teamed with photographs taken by Atlantis, her father & her grandmother."--The Washington Post. "...filled with pictures of the historical legacy of Kemet, along with American edifices reminiscent of Ancient Egyptian architecture."--Washington Afro-American.
Identity has become the watchword of our times. In sub-Saharan Africa, this certainly appears to be true and for particular reasons. Africa is urbanising rapidly, cross-border migration streams are swelling and globalising influences sweep across the continent. Africa is also facing up to the challenge of nurturing emergent democracies in which citizens often feel torn between older traditional and newer national loyalties. Accordingly, collective identities are deeply coloured by recent urban as well as international experience and are squarely located within identity politics where reconciliation is required between state nation-building strategies and sub-national affiliations. They are also fundamentally shaped by the growing inequality and the poverty found on this continent. These themes are explored by an international set of scholars in two South African and two Francophone cities. The relative importance to urban residents of race, class and ethnicity but also of work, space and language are compared in these cities. This volume also includes a chapter investigating the emergence of a continental African identity. A recent report of the Office of the South African President claims that a strong national identity is emerging among its citizens, and that race and ethnicity are waning whilst a class identity is in the ascendance. The evidence and analyses within this volume serve to gauge the extent to which such claims ring true, in what everyone knows is a much more complex and shifting terrain of shared meanings than can ever be captured by such generalisations.
Reflections: Contemporary Art of the Middle East and North Africa brings together an extraordinary collection of work from the British Museum for the first time. The contemporary art of the Middle East and North Africa is rich and vibrant. Whether living in their countries of birth or in diaspora, the featured artists are part of the globalised world of art. Here we see artists responding to and making work about their present, histories, traditions and cultures, reflecting on a part of the world that has experienced extraordinary change in living memory.The British Museum has been acquiring the work of Middle Eastern and North African artists since the 1980s, and the collection - principally works on paper - is one of the most extensive in the public sphere. Collected within the context of a museum of history, the works offer insights into the nature of civil societies, the complex politics of the region, and cultural traditions in their broadest sense, from the relationship with Islamic art, to the deep engagement with literature.The introduction to the book by curator Venetia Porter explores the history of the collection and the works included. The essential framework for understanding the politics and context within which the artists are working is provided by Charles Tripp's essay. The works are grouped into seven chapters, each beginning with a short introduction. The authors explore the selection within themes such as faith, abstraction and the female gaze.
Africa’s World Cup: Critical Reflections on Play, Patriotism, Spectatorship, and Space focuses on a remarkable month in the modern history of Africa and in the global history of football. Peter Alegi and Chris Bolsmann are well-known experts on South African football, and they have assembled an impressive team of local and international journalists, academics, and football experts to reflect on the 2010 World Cup and its broader significance, its meanings, complexities, and contradictions. The World Cup’s sounds, sights, and aesthetics are explored, along with questions of patriotism, nationalism, and spectatorship in Africa and around the world. Experts on urban design and communities write on how the presence of the World Cup worked to refashion urban spaces and negotiate the local struggles in the hosting cities. The volume is richly illustrated by authors’ photographs, and the essays in this volume feature chronicles of match day experiences; travelogues; ethnographies of fan cultures; analyses of print, broadcast, and electronic media coverage of the tournament; reflections on the World Cup’s private and public spaces; football exhibits in South African museums; and critiques of the World Cup’s processes of inclusion and exclusion, as well as its political and economic legacies. The volume concludes with a forum on the World Cup, including Thabo Dladla, Director of Soccer at the University of KwaZulu-Natal, Mohlomi Kekeletso Maubane, a well-known Soweto-based writer and a soccer researcher, and Rodney Reiners, former professional footballer and current chief soccer writer for the Cape Argus newspaper in Cape Town. This collection will appeal to students, scholars, journalists, and fans. Cover illustration: South African fan blowing his vuvuzela at South Africa vs. France, Free State Stadium, Bloemfontein, June 22, 2010. Photo by Chris Bolsmann.
I would urge everyone to receive this book with openness and understanding. Written by an African Christian woman, it is a serious attempt to speak of the fullness of the Gospel to the specific African context. As one individual's struggle to give account of the hope that lies in her, it is a passionate and sincere work, and a welcome contribution to the growing genre of religious literature known as liberation theology. The author seeks not only to speak to us but also to move us and bring us to different ways of 'hearing and knowing.' She has succeeded with me. -Lamin Sanneh Center for the Study of World Religions, Harvard University This book is a remarkable synthesis of history, theology, and missions. It is one of the most important books of the decade because it is written by a Ghanian Christian woman who resides in Nigeria and has travelled the world-over demanding that we no longer allow traditional theological puzzles to go unexamined. Oduyoye's writings are like a breath of fresh air to women in ministry and in the church. -Katie G. Cannon Episcopal Divinity School Amber Oduyoye is Africa's leading woman theologian. In this book we meet a woman of faith reflecting in a scholarly and meditative way on Christianity in Africa. Learned in both the Western and African theological traditions, Professor Oduyoye brings constructive criticism to bear on each in the interest of promoting a wider community of wholeness. -Peter J. Paris Princeton Theological Seminary
"While the book's immediate concern is with Africa, the theoretical nature of its analyses and its bearing on postmodern theories of the "Other" will make this translation of great interest to many disciplines especially ethnic gender and multicultural studies."--BOOK JACKET.
Apartheid isn't over—so Malaika Wa Azania boldly argues in Memoirs of a Born Free, her account of growing up black in modern-day South Africa. Malaika was born in late 1991, as the white minority government was on its way out, making her a "Born Free"—the name given to the generation born after the end of apartheid. But Malaika's experience with institutionalized racism offers a view of South Africa that contradicts the implied racial liberation of the so-called Rainbow Nation. Recounting her upbringing in a black township racked by poverty and disease, the death of a beloved uncle at the hands of white police, and her alienation at multiracial schools, she evokes a country still held in thrall by de facto apartheid. She takes us through her anger and disillusionment with the myth of black liberation to the birth and development of her dedication to the black consciousness movement, which continues to be a guiding force in her life. A trenchant, audacious, and ultimately hopeful narrative, Memoirs of a Born Free introduces an important new voice in South African—and, indeed, global—activism.